Charles Fredericks (15 results)

SingleIssueMagazine. Condition: Very Good-. Vol. 45, no. 5. Edited by Charles E. Fritch. Cover art by Keller. Includes "The Stalker of Biscayne Bay" (short novel) by Brett Halliday; "Assassination - Middle East" (novelet) by Joseph Commings; "In the Key of Murder" by Hal Charles; "Whistle" by Mignon Glass; "Don't Dare Reject This Manuscript" by William Schoell; "Animal Sounds" by Don Wall; "Delayed Verdict" by R. C. Tuttle; "Saturday Night Special" by Terry Black. Special Features: "Mike Shayne's Mystery Makers"; "Mike's Mail"; "Doc Savage: Another Golden Age pulp hero seen through the eyes of. . ." Michael Avallone & Frank Hamilton; "Mike Shamus" (cartoon strip) by Fred Fredericks; "Stiff Competition" (book reviews) by John Ball. Creasing; lean; tears at spine heel; minor soiling; minor foredge wet spot. Book.

SingleIssueMagazine. Condition: Very Good. Vol. 45, no. 5. Edited by Charles E. Fritch. Cover art by Keller. Includes "The Stalker of Biscayne Bay" (short novel) by Brett Halliday; "Assassination - Middle East" (novelet) by Joseph Commings; "In the Key of Murder" by Hal Charles; "Whistle" by Mignon Glass; "Don't Dare Reject This Manuscript" by William Schoell; "Animal Sounds" by Don Wall; "Delayed Verdict" by R. C. Tuttle; "Saturday Night Special" by Terry Black. Special Features: "Mike Shayne's Mystery Makers"; "Mike's Mail"; "Doc Savage: Another Golden Age pulp hero seen through the eyes of. . ." Michael Avallone & Frank Hamilton; "Mike Shamus" (cartoon strip) by Fred Fredericks; "Stiff Competition" (book reviews) by John Ball. Tanning; creasing; green mark on top end . Book.

SingleIssueMagazine. Condition: Very Good. Vol. 44, no. 7. Edited by Charles E. Fritch. Cover art is uncredited. Includes "Encore for Death" (short novel) by Brett Halliday; "The Turning Point" by Hal Charles; "Girl in the Dark" by Chester H. Carlfi; "In the Cards" by Alan J. Warren; "A Company Man" by Patrick Scaffetti; "Man With the Cigarette" by Robert Edmond Alter; "A Passing Stranger" by Edward D. Hoch; "The Enigma of Andrew Marler" by Mel D. Ames; "Bells" by Gary Arpin; "Obituary" by Thomas Dwyer. Special Features: "Mike Shayne Mystery Makers"; "Who's Who in the Pulps" (quiz); "Strange, But True"; "Mike Shamus" (cartoon strip) by Fred Fredericks; "Ed Noon's Minute Mysteries" by Mike Avallone; "Mike's Mail"; "Stiff Competition" (book reviews) by John Ball. Creasing; light roll. Book.

SingleIssueMagazine. Condition: Very Good+. Vol. 45, no. 1. Edited by Charles E. Fritch. Cover art is uncredited. Includes "Black Lotus" (short novel) by Brett Halliday; "The Man in the Huberlin Place" (novelet) by Jerry Jacobson; "The Right Bait" by Carter Swart; "Not in the Script" by Carl Henry Rathjen; "Bedroom Set" by Richard Grant; "Gittin By" by Jay Fox; "Dear Amity" by Hal Charles. Special Features: "Mike Shayne's Mystery Makers"; "The World of Mystery Fandom" by Stephen Mertz "Mike Shamus" (cartoon strip) by Fred Fredericks; "Stiff Competition" (book reviews) by John Ball; Creasing; tanning. Book.

SingleIssueMagazine. Condition: Very Good+. Vol. 44, no. 7. Edited by Charles E. Fritch. Cover art is uncredited. Includes "Encore for Death" (short novel) by Brett Halliday; "The Turning Point" by Hal Charles; "Girl in the Dark" by Chester H. Carlfi; "In the Cards" by Alan J. Warren; "A Company Man" by Patrick Scaffetti; "Man With the Cigarette" by Robert Edmond Alter; "A Passing Stranger" by Edward D. Hoch; "The Enigma of Andrew Marler" by Mel D. Ames; "Bells" by Gary Arpin; "Obituary" by Thomas Dwyer. Special Features: "Mike Shayne Mystery Makers"; "Who's Who in the Pulps" (quiz); "Strange, But True"; "Mike Shamus" (cartoon strip) by Fred Fredericks; "Ed Noon's Minute Mysteries" by Mike Avallone; "Mike's Mail"; "Stiff Competition" (book reviews) by John Ball. Tanning; a little creasing; minor edge etars. Book.

Softcover. Condition: Very Good. Approx. 2 1/2" wide by 3 7/8" overall. Photographer's information printed on the rear of the card: Charles D. Fredericks & Co. , "Specialite," 587 Broadway, New York.

Vintage black-and-white still photograph of Robbie Vincent (as "Enoch") from the 1943 UK film. A wealthy father becomes a Broadway producer in hopes of fulfilling his daughter's aspirations to become a dramatic thespian. Unfortunately the dramatic play he chooses to produce is so bad that it becomes a hit with the audience who perceives it to be a hilarious comedy. A spinoff of a radio show of the same name that aired from 1941-1947. 8 x 10 inches. Ink notation on the verso, else Near Fine.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:0306703963.

Full-Leather. Condition: Good. R. Riordan, Charles P. King, F. O. C. Darby, S. G. McCutcheon, A. Fredericks, Granville Perkins, Miss C. A. Northam. (illustrator). First Edition. First edition thus. Copyright 1881, by Porter & Coates. Large 6 1/2" x 8" design. Rare. Gold full-cloth beveled boards, pictorial cover design and titles in gilt, moderate shelf wear, discoloration. Dramatic embossed collage cover desing in gold, silver, and black features a golden bell, angelic figure among clouds, townscape and floral imagery among stylish titles and Poe's name appearing from scroll. Features twenty-two classic illustrations in varying motifs, many full-page, engraved by Jas. W. Lauderbach. Illustrators include R. Riordan, Charles P. King, F. O. C. Darby, S. G. McCutcheon, A. Fredericks, Granville Perkins, and Miss C. A. Northam. Pages generally very good, few w/moderate crease, rub; no writing. Pale green endpapers. Bright green ribbon marker. Gilded page edges at all sides. String-bind good. Illustrated throughout by several intriguing illustrators. Each page features intriguing design, drawings. Rare near very good example of fine book craftsmanship. Edgar Allan Poe's "The Bells" is a heavily onomatopoeic poem not published until after Poe's death in 1849. Perhaps best known for the diacopic use of the word "bells." The poem has four parts to it, each growing darker and darker as the poem moves from "the jingling and the tinkling" to the "moaning and the groaning" of the haunted bells. Apprx. 50 pages. Insured post. Size: 8vo - over 7¾ - 9¾" Tall.

Hard Cover. Condition: Very Good. No Jacket. Charles Burt, Hinshelwood, Hollyer, Emil Bayard, Thomas Moran, G.H. Boughton, Thomas Moran, Albert Bierstadt, Winslow Homer, Alfred Fredericks, E.A. Abbey, M.A. Hallock, A.R. Waud, W. L. Sheppard, Sol Eytinge, A.C. Warren, Granville Perkins, et, al. (illustrator). Four volume set, of very heavy books (5 lbs. each) with very heavy bindings: brown cloth with elaborately embossed covers and spine in gilt and black. Covers are very clean. Spine edges are slightly frayed or worn with slightly worn corners, some slight edge wear otherwise. Back covers are as elaborately embossed as front with no gilt or black. Each volume about 575 pages with illustrations in steel plates ("pure line"), covered in tissue and leaving shadow on opposite page. Most are wood engravings, all b&w. Binding are very solid and square, exteriors show no other blemishes, text/interior is clean and free of marking of any kind save one mark of previous owner's signature and date, vol. I only. Occasional foxing at front endpaper or around steel engravings, and at frontspieces, which are few. Small coffee stain on page ends of Vol. I. "The drawings have been executed upon wood and steel by the first engravers in this country and in Europe. No original work, therefore, equalling this in the variety and excellence of its illustrations, has ever before been offered to the American public." Over 300 illustrations in Vol. I. , the remainder volumes are equally profuse. End of volume four takes us to The closing scenes of the war: including Richmond and Petersburg, Early's raid in Maryland and Pennsylvania, Burnside's mine at Petersburg, Battle of Five Forks, Sherman's march through teh Carolinas, Assassination of the president, Capture of Jefferson Davis, amidst other sections. Keywords: 1800's, 19th Century, American History, Illustrated, Engravings, Steel Engravings, Wood Engravings.

Leather. Condition: Near Fine. Arthur I. Keller; Albert Sterner; Alfred Fredericks; F. Luis Mora; W.P. Snyder; Charles Brughton, et al (illustrator). A truly beautiful limited edition set of the works of Anglo-Irish novelist Oliver Goldsmith, illustrated throughout and with a number of volumes signed by the artists. The twelve volume Wakefield Edition of Goldsmith's works, limited to five hundred copies. This set is numbered four-hundred and fifty 'IV 50'.The frontispieces of volumes I to VIII are signed by artists Arthur I. Keller, Albert Sterner, Alfred Fredericks, F. Luis Mora, W. P. Snyder, and Charles Broughton.In sumptuous full crushed morocco bindings, with gilt detailing.Volume I frontispiece signed by Arthur I. Keller, and illustrated with a frontispiece and nine plates.Volume II frontispiece signed by Albert Sterner, and illustrated with a frontispiece and seven plates.Volume III frontispiece signed by Alfred Fredericks, and illustrated with a frontispiece and seven plates.Volume IV frontispiece signed by F. Luis Mora, and illustrated with a frontispiece and seven plates.Volume V frontispiece signed by W. P. Snyder, and illustrated with a frontispiece and six plates.Volume VI frontispiece signed by Charles Broughton, and illustrated with a frontispiece and six plates.Volume VII frontispiece signed by Arthur I. Keller, and illustrated with a frontispiece and six plates.Volume VIII frontispiece signed by F. Luis Mora, and illustrated with a frontispiece and six plates.Volume IX illustrated with a frontispiece and seven plates.Volume X illustrated witha frontispiece and seven plates.Volume XI illustrated with a frontispiece and seven plates.Volume XII illustrated with a frontispiece and seven plates.Collated, complete.Plates printed on Japanese vellum.Featuring the major works of eighteenth century Anglo-Irish novelist Oliver Goldsmith, including 'The Vicar of Wakefield', 'Good-Natur'd Man', and 'She Stoops to Conquor'.The final four volumes are John Forster's 'The Life and Times of Oliver Goldsmith'. In full crushed morocco bindings, with gilt detailing to back strips and board perimeters. Externally, lovely. Light fading to back strips, as is common with green morocco. Light rubbing to front joint of volumes I, IV, XI, XII and head of front and rear joints of volumes II, VI. Touch of rubbing to head of volumes III, VIII and IX front joints. Light rubbing to raised band of volume V. Internally, firmly bound. Pages clean and bright. Retaining all original tissue guards. Near Fine. signed by author. book.

Full-Leather. Condition: Fine. R. Riordan, Charles P. King, F. O. C. Darby, S. G. McCutcheon, A. Fredericks, Granville Perkins, Miss C. A. Northam. (illustrator). First Edition. First edition thus. Copyright 1881, by Porter & Coates. Large 6 1/2" x 8" design. Rare. Sierra colored full leather deeply tooled boards, bright gilt impressed cover titles, light shelf wear. Highly detailed front and back boards feature titles in scrolled borders with wandering ribbons to back cover, surrounded by images of oak branches, leaves, acorns, among rows of floral fount pattern. Features twenty-two classic illustrations in varying motifs, many full-page, engraved by Jas. W. Lauderbach. Illustrators include R. Riordan, Charles P. King, F. O. C. Darby, S. G. McCutcheon, A. Fredericks, Granville Perkins, and Miss C. A. Northam. Thick heavy stock leaves w/round corners, near fine. Vintage inscription at front endpaper: "1881 - For Grace - Love from Marnal - 1961, Riverside, Cal." Light brown patterned endpapers of oak leaves and acorns as bells, sharp. Bright gilded page edges at all sides. String-bind, fine. Illustrated throughout by several intriguing illustrators. Each page features intriguing design, drawings. Rare near fine example of intriguing book craftsmanship. Edgar Allan Poe's "The Bells" is a heavily onomatopoeic poem not published until after Poe's death in 1849. Perhaps best known for the diacopic use of the word "bells." The poem has four parts to it, each growing darker and darker as the poem moves from "the jingling and the tinkling" to the "moaning and the groaning" of the haunted bells. Apprx. 60 pages. Insured post. Size: 8vo - over 7¾ - 9¾" Tall.

THE GREAT WALTZ (Der grosse Walzer, UA 1938) Los Angeles Civic Light Opera Association, 12 th annual season, Philharmonic Auditorium 1949, farbiges Pb. gr 4 to, gelocht, mit bei ihren Fotos / Beiträgen für eine mitwirkende Ballerina mit, oft langen herzlichen eigenhändigen Widmungen und Unterschriften signiert von : WALTER SLEZAK (1902-83, österreichisch-US-amerikanischer Film- und Theaterschauspieler ), CHARLES FREDERICKS (19018-70, am. Filmschauspieler), DOROTHY SANDLIN, MELVA NILES (1925-2012), SIG ARNO (= Siegfried Arno, 1895-1975, deutscher Schauspieler , Komiker , Sänger und Tänzer ) mit typischer Zeichnung, ARTHUR KAY (1882-1969, dt.-am. Dirigent , Komponist , Arrangeur und Cellist ), ERIC BROTHERSON (1911-89), FRED ESSLER (1895-1973), RALPH MORGAN (1883-1956), GEORGE LORITCH, LEON BELASCO (1902-88), AIDA BROADBENT, HAROLD BELFER, WATSON BARRATT, KAY HAMMOND, MICHAEL JEFFREY.u.v.m.

Though Dadaists are frequently credited with the invention of photomontage, techniques involving combining multiple photographs into a single composite image have been around since at least the mid-Victorian era.[1] These could be made by combining negatives, or by combining prints and then re-photographing the result so that it looked seamless. Offered here is an example of early composite imagery published by F. L. Moore of Philadelphia, consisting of portraits of women numbered 1100. It seems to be a reproduction by Moore of an 1860s "theatrical portrait gallery" of actresses' portraits produced by C. D. Fredericks & Co. of New York City; note that Moore is identified verso as an "Importer & Publisher of Cartes de Visite, &c.," not a photographer. An interesting early example of photomanipulation. [1] Robert A. Sobieszek, "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," Artforum 17, no. 1 (September 1978): 5865. Wear to both photograph and mount, overall very good to excellent. Carte de visite measuring 2 ¼ by 3 ½ inches on heavy cardstock.

Condition: Good. S.l.: Works Progress Administration, 1936. 1st edition. 4to. 173pp printed one side. Illus. Good book. Spine cover torn. (Christmas, stories, poetry, Federal Writer's Project) Inquire if you need further information.