Published by Renown Publications, NY, 1980
Magazine / Periodical
SingleIssueMagazine. Condition: Very Good. Vol. 44, no. 7. Edited by Charles E. Fritch. Cover art is uncredited. Includes "Encore for Death" (short novel) by Brett Halliday; "The Turning Point" by Hal Charles; "Girl in the Dark" by Chester H. Carlfi; "In the Cards" by Alan J. Warren; "A Company Man" by Patrick Scaffetti; "Man With the Cigarette" by Robert Edmond Alter; "A Passing Stranger" by Edward D. Hoch; "The Enigma of Andrew Marler" by Mel D. Ames; "Bells" by Gary Arpin; "Obituary" by Thomas Dwyer. Special Features: "Mike Shayne Mystery Makers"; "Who's Who in the Pulps" (quiz); "Strange, But True"; "Mike Shamus" (cartoon strip) by Fred Fredericks; "Ed Noon's Minute Mysteries" by Mike Avallone; "Mike's Mail"; "Stiff Competition" (book reviews) by John Ball. Creasing; light roll. Book.
Published by Renown Publications, NY, 1980
Magazine / Periodical
SingleIssueMagazine. Condition: Very Good+. Vol. 44, no. 7. Edited by Charles E. Fritch. Cover art is uncredited. Includes "Encore for Death" (short novel) by Brett Halliday; "The Turning Point" by Hal Charles; "Girl in the Dark" by Chester H. Carlfi; "In the Cards" by Alan J. Warren; "A Company Man" by Patrick Scaffetti; "Man With the Cigarette" by Robert Edmond Alter; "A Passing Stranger" by Edward D. Hoch; "The Enigma of Andrew Marler" by Mel D. Ames; "Bells" by Gary Arpin; "Obituary" by Thomas Dwyer. Special Features: "Mike Shayne Mystery Makers"; "Who's Who in the Pulps" (quiz); "Strange, But True"; "Mike Shamus" (cartoon strip) by Fred Fredericks; "Ed Noon's Minute Mysteries" by Mike Avallone; "Mike's Mail"; "Stiff Competition" (book reviews) by John Ball. Tanning; a little creasing; minor edge etars. Book.
Published by Renown Publications, Inc., New York, NY, USA., 1980
Seller: Comic World, Steinbach, MB, Canada
First Edition
Soft cover. Condition: Fine. Cartoon by Fred Fredericks (illustrator). First Collected Edition, PBO thus!. **FEATURE AND NOVELETS (1) Enocre for Death by Brett Halliday **STORIES (1) The Turning Point by Hal Charles; 2 - Girl in the Dark by Chester H. Carifi; 3 - In the Cards by Alan J. Warren; 4 - A Company Man by Patrick Scaffetti; 5 - Man with the Cigarette by Robert Edmond Alter; 6 - A Passing Stranger by Edward D. Hoch; 7 - The Enigma of Andrew Marler by Mel D. Ames; 8 - Bells by Gary Arpin; 9 - Obituary by Thomas Dwyer; Size: 12mo - over 6¾" - 7¾" tall. Book.
Published by Renown Publications, Los Angeles, 1981
Seller: WF Sandercombe, Burlington, ON, Canada
First Edition
Soft cover. Condition: Very Good. First Edition. 130 pp. Digest format. Light edge and corner wear with an uncreased spine. This issue contains: The Santa Claus Killer - a novelet by Mel D. Ames; Death in the Dailies by Brett Halliday. Short Stories: The Next One's for Real by Michael Scott Cain; The Bun Man by Lee Duigon; A Real Phony by Dov Ben Galil; Deadly Dancer by William Stetson; A Mother's Heart by Talmage Powell; 'Twas the Night Past the Murder - verse by Vicki Shaull Carleton; Fu Manchu Revisited - an article by Michael Avallone, illustrated by Frank Hamilton; and Mike Shamus by Fred Fredericks; along with all the usual features. Size: 12mo. Book.
Published by N.D.
Seller: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Softcover. Condition: Very Good. Approx. 2 1/2" wide by 3 7/8" overall. Photographer's information printed on the rear of the card: Charles D. Fredericks & Co. , "Specialite," 587 Broadway, New York.
Published by Philadelphia, Pennsylvania, 1860
Seller: Auger Down Books, ABAA/ILAB, Marlboro, VT, U.S.A.
Though Dadaists are frequently credited with the invention of photomontage, techniques involving combining multiple photographs into a single composite image have been around since at least the mid-Victorian era.[1] These could be made by combining negatives, or by combining prints and then re-photographing the result so that it looked seamless. Offered here is an example of early composite imagery published by F. L. Moore of Philadelphia, consisting of portraits of women numbered 1100. It seems to be a reproduction by Moore of an 1860s "theatrical portrait gallery" of actresses' portraits produced by C. D. Fredericks & Co. of New York City; note that Moore is identified verso as an "Importer & Publisher of Cartes de Visite, &c.," not a photographer. An interesting early example of photomanipulation. [1] Robert A. Sobieszek, "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," Artforum 17, no. 1 (September 1978): 5865. Wear to both photograph and mount, overall very good to excellent. Carte de visite measuring 2 ¼ by 3 ½ inches on heavy cardstock.