Cheryl Johnston (50 results)

paperback. Condition: Very Good.

paperback. Condition: Good.

paperback. Condition: Fair.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: New copy in shrinkwrap. Cloth with color pictorial dustjacket. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in Baltimore-William Walters, George Lucas, the famous Cone sisters, among others-stand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June-11 September 2005. Uncommon in hardcover, this copy is NEW. BASEMENT (illustrator).…

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

paperback. Condition: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condition: New.

Softcover. Condition: Fine. No jacket.

Softcover. Condition: new. Color pictorial wraps. 408 pp., profusely illustrated in color and bw. Many patrons of the arts in nineteenth-century America built collections of paintings and sculpture imported primarily from England or Italy. Collectors in BaltimoreWilliam Walters, George Lucas, the famous Cone sisters, among othersstand out in this milieu for having developed a strikingly different aesthetic for their homes and newly founded public institutions. These collectors looked to France for models of culture and, acting upon a remarkable understanding of the educational needs and working methods of artists, assembled extensive collections of drawings by French masters, from David to Daumier, Degas, and Cézanne. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The book begins with essays by Jay M. Fisher, William R. Johnston, and Cheryl K. Snay that trace the history of collecting in Baltimore and afford new insights into the acquisition, display, and interpretation of drawings. In her essay, conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes as much in technique as style. This book also provides a fully illustrated, scholarly catalogue for one hundred of the most important of the nineteenth-century French drawings now held by The Baltimore Museum of Art, The Walters Art Museum, and the Peabody Art Collection. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and The Walters Art Museum, this book presents a brilliant panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online archive of the entire corpus of nineteenth-century French drawings in the holdings of these Baltimore museums. This volume has been published in conjunction with the exhibition The Essence of Line: French Drawings from Ingres to Degas, organized by The Baltimore Museum of Art and the Walter Art Museum, Baltimore, Maryland, and held at: The Baltimore Museum of Art, 19 June11 September 2005.…

Paperback. Condition: As New. Softcover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Soft cover. Condition: Fine. 1st Edition. Catalogue accompanying the exhibit. Text is clean and unmarked, binding tight, but slight wear at the top and bottom of the spine. No indications of previous ownership.

Condition: New. Brand New.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fair. Original wrappers in spiral binding, softcover, illustrated with full page colour photographs, 8vo.; Moisture damage last 2 pages.

Presumed first edition (no direct statement provided). [14], 369 pages. Hardcover: H 23.5cm x L 15.75cm. Dust jacket rubbed with bumping along top edges; several slender vertical streaks of bubbling to dj's laminate at top of front panel. Black boards; spine head bumped. Interior pages are bright and clean. Binding retains some crispness. With illustrations, Acknowledgments, References, Contributors, and Index. Features sixteen chapters/essays in four sections as follows: {#1} "Transforming the Dead" by Shirley J. Schermer, Eve A. Hargrave, Kristin M. Hedman, and Robin M. Lillie; {SECTION I - WOODLAND PERIOD} {#2} "A Taphonomic Analysis of Hopewellian Modified Trophy Jaws" by Stephen P. Nawrocki and Paul D. Emanovsky; {#3} "Objectifying Middle Woodland Mortuary Practices through the Inclusion of Modified Human Jaws: A Central Illinois River Valley Case Study" by Dawn E. Cobb; {#4} "More than Skulls and Mandibles: Culturally Modified Human Remains from Woodland Contexts in Ohio" by Cheryl A. Johnston; {#5} "Arrangement of Human Remains and Artifacts in Scioto Hopewell Burials: Dramatic Rituals or Ritual Dramas?" by Christopher Carr and Anna Novotny; {#6} "Phallic Batons Made of Bone in the Collections of the Ohio Historical Society" by Anne B. Lee and Cheryl A. Johnston; {#7} "Excised and Drilled Human Bone from Eastern Iowa Woodland Sites" by Shirley J. Schermer and Robin M. Lillie; {SECTION II - MISSISSIPPIAN PERIOD} {#8} "Life after Death: A Brief History of Human Bone Tools in Submound 51 at Cahokia" by Eve A. Hargrave and Della Collins Cook; {#9} "Opportunity Knocks: Nonritual Use of Human Bone at the Aztalan Site, Jefferson County, Wisconsin" by Katie J.Zejdlik; {#10} "Vessel, Ornament, Mask, or Rattle?: Reconstructing a Mississippian Worked Bone Object from the Angel Site" by Della Collins Cook and Cheryl Ann Munson; {#11} "Modification of Human Bone from Mississippian CabornÂWelborn Phase Sites in Southwestern Indiana and West-Central Kentucky" by Cheryl Ann Munson, Della Collins Cook, and Mary Lucas Powell; â â â â â {SECTION III - LATE PREHISTORIC PERIOD} {#12} "Human Bone as Ritual Object?: Modified Human Bone from the Hoxie Farm and Anker Sites, Cook County, Illinois" by Kristin M. Hedman; {#13} "Grooved Teeth from Red Wing Locality Sites and the Loss or Gain of Identity" by Kathleen T.Blue; {#14} "Design Motifs and Other Modifications of Human Bone from Iowa Late Prehistoric Oneota Sites" by Robin M. Lillie and Shirley J. Schermer; {SECTION IV - PERSPECTIVES} {#15} "The Meaning of Scalping in Native North America" by Linea Sundstrom; {#16} "Contextualizing the Precolumbian Postmortem 'Life' of Modified Human Remains" by Maria Ostendorf Smith. ISBN 9780817318611.…