Chiesa Rosa (26 results)

Brossura. Condition: new. A cura di Barucco M. A., Chiesa R. e Cattaruzza E.Conegliano, 2022; br., pp. 212, ill., cm 17x24. Libro.

Condition: As New. Unread book in perfect condition.

Condition: new.

Hardback. Condition: New. A 'global' designer since his early years, Sergio Asti (1926-2021) has been involved on different fronts: architecture, installations, interiors, and product design, exploring various types- complements, ceramic coverings, lighting, textiles, furnishing, technical products and tableware -and the application of different materials, including plastics, ceramics, glass, crystal, porcelain, marble. As a designer, he was among the first to grapple with the problems of standardisation without neglecting the development of a critical thinking that asserts the right to expressiveness in every creation. The volume, which follows up on the initiative of Fragile by Alessandro Padoan and Alessandro Palmaghini, continues the series of publications dedicated to Italian design, enhancing the varied production of Sergio Asti, a protagonist to be re-discovered, both as a designer and as an intellectual and critic, proposing a first systematisation of his activity.Sergio Asti (Milan, 1926-2021), trained as an architect at the Politecnico di Milano, collaborated with leading companies and designed objects that have become icons of Italian design, such as the Profiterolle lamp for Martinelli Luce, the Marco vase for Salviati - winner of the Compasso d'Oro in 1962 -and the Trifoglio table for Poltronova. His works, exhibited in national and international museums and exhibitions, are today increasingly sought after by international collectors.Text in English and Italian.…

Hardback. Condition: New. A 'global' designer since his early years, Sergio Asti (1926-2021) has been involved on different fronts: architecture, installations, interiors, and product design, exploring various types- complements, ceramic coverings, lighting, textiles, furnishing, technical products and tableware -and the application of different materials, including plastics, ceramics, glass, crystal, porcelain, marble. As a designer, he was among the first to grapple with the problems of standardisation without neglecting the development of a critical thinking that asserts the right to expressiveness in every creation. The volume, which follows up on the initiative of Fragile by Alessandro Padoan and Alessandro Palmaghini, continues the series of publications dedicated to Italian design, enhancing the varied production of Sergio Asti, a protagonist to be re-discovered, both as a designer and as an intellectual and critic, proposing a first systematisation of his activity.Sergio Asti (Milan, 1926-2021), trained as an architect at the Politecnico di Milano, collaborated with leading companies and designed objects that have become icons of Italian design, such as the Profiterolle lamp for Martinelli Luce, the Marco vase for Salviati - winner of the Compasso d'Oro in 1962 -and the Trifoglio table for Poltronova. His works, exhibited in national and international museums and exhibitions, are today increasingly sought after by international collectors.Text in English and Italian.…

Condition: New.

Hardback. Condition: New. Illustrated. The first book on the magical creations of postwar Italian glass virtuoso Toni ZuccheriToni Zuccheri (1936-2008) was an artist, architect, designer and sculptor. He collaborated with some of the biggest names in postwar Italian art (Gio Ponti, Lucio Fontana and Gaetano Pesce, among others) and worked for some of the most prestigious glass brands in Italy (Venini, VeArt and Barovier), developing new materials and forms in a glassmaking career of nearly half a century.A decade after his death, this volume presents an exhaustive overview of Zuccheri's career, looking at his complex and fruitful encounters with designers and brands and his extensive independent production of unique works modeled after animals. Featuring illustrations of Zuccheri's prototypes and one-off pieces plus unpublished sketches, studies and drawings, archival material and letters, Toni Zuccheri reveals the complex sensibility of a designer who took an empirical approach to sculpting "sensitive things.".…

Hardcover. Condition: new. Hardcover. A global designer since his early years, Sergio Asti (19262021) has been involved on different fronts: architecture, installations, interiors, and product design, exploring various types complements, ceramic coverings, lighting, textiles, furnishing, technical products and tableware and the application of different materials, including plastics, ceramics, glass, crystal, porcelain, marble. As a designer, he was among the first to grapple with the problems of standardisation without neglecting the development of a critical thinking that asserts the right to expressiveness in every creation. The volume, which follows up on the initiative of Fragile by Alessandro Padoan and Alessandro Palmaghini, continues the series of publications dedicated to Italian design, enhancing the varied production of Sergio Asti, a protagonist to be re-discovered, both as a designer and as an intellectual and critic, proposing a first systematisation of his activity.Sergio Asti (Milan, 19262021), trained as an architect at the Politecnico di Milano, collaborated with leading companies and designed objects that have become icons of Italian design, such as the Profiterolle lamp for Martinelli Luce, the Marco vase for Salviati winner of the Compasso dOro in 1962 and the Trifoglio table for Poltronova. His works, exhibited in national and international museums and exhibitions, are today increasingly sought after by international collectors.Text in English and Italian. This volume continues the series of publications dedicated to Italian design, presenting a selection of works that reveal the diversity and remarkable breadth of Sergio Astis design practice. A protagonist to be re-discovered. Accompanied an exhibition at Fragile, Milan from 14 April to 29 May 2026. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: NEW.

Hardcover. Condition: Brand New. 224 pages. Italian language. 11.02x1.02x9.45 inches. In Stock.

cm 24x28 pag. 208 ill. 400 a colori c.m. Milano presso Fragile 03/04 - 06/06/2025 Italiano/Inglese.

Brossura. Condition: new. A cura di Rosa Chiesa e Maria Antonia Barucco.Conegliano, 2026; br., pp. 268, ill., cm 14x21,5.(Quaderni Iuav. Ricerche. 2). Saggi e interviste raccontano il vetro, materiale vivo: una storia antica che continua a generare innovazione. Il volume raccoglie le voci di maestri, imprese, ricercatori e designer, restituendo uno sguardo plurale sui processi e sugli strumenti per immaginare il vetro. Il lavoro nasce da attività finanziate dall'ateneo Iuav e dialoga con ricerche sostenute dalla Regione Veneto, aprendosi verso partner internazionali e a un ecosistema di nuove conoscenze. Libro.…

Brossura. Condition: new. Como, Villa Carlotta, 14 luglio - 9 settembre 2018.Milano, 2018; br., pp. 70, ill. col., tavv. col., cm 16,5x24. Catalogo della mostra "Fiori di vetro dalla collezione Bersellini" (Villa Carlotta, Tremezzina, Como, 14 luglio-9 settembre 2018). In questa occasione Villa Carlotta, continuando nella direzione tracciata dai suoi antichi proprietari, apre le sue sale alla collezione di Enrico Bersellini. Una raccolta che si è andata formando a partire dagli anni Settanta del Novecento, in cui spiccano esemplari rari e preziosi che l'arte millenaria del vetro ha saputo declinare in varie forme come quelle dedicate al tema dei fiori. Sono oltre duecentocinquanta i manufatti della collezione che rappresentano un'importante campionatura della produzione vetraria muranese del XX secolo, a cui si affiancano gli esiti delle ricerche più recenti. A Ercole Barovier, Napoleone Martinuzzi, Toni Zuccheri si aggiungono infatti designer e artisti contemporanei, da Franca Petroli a Maria Grazia Rosin e Silvia Levenson, che spesso hanno lavorato per alcune fornaci storiche conosciute in tutto il mondo, creando pezzi unici e di grande fascino. Libro.…

Hardcover. Condition: Brand New. illustrated edition. 231 pages. French language. 11.50x9.75x1.00 inches. In Stock.

Condition: NEW. Cinisello Balsamo: Silvana Editoriale, 2025 9788836660698 1546 N vol.: 1, N pag.: 208, Peso: 1546, L: 28.7, W: 25.1, Illustr.: COL, N illustr.: 400 Uno dei designer di lampade in vetro più prolifici in Italia, Carlo Nason, cresciuto all'interno della cultura tradizionale muranese, ha saputo orientare la sua ricerca e la sua vasta produzione verso il design, coniugando sapientemente la padronanza delle tecniche e delle lavorazioni tradizionali con l'attitudine alla sperimentazione innovativa. Il volume, nato dall'iniziativa di Fragile di Alessandro Padoan e Alessandro Palmaghini, e che inaugura una serie di pubblicazioni dedicata al design italiano, indaga la ricca produzione del designer Carlo Nason, conosciuto prevalentemente come progettista di lampade in vetro, proponendo una prima sistematizzazione della sua attività. Uno dei designer di lampade in vetro più prolifici in Italia, Carlo Nason, cresciuto all'interno della cultura tradizionale muranese, ha saputo orientare la sua ricerca e la sua vasta produzione verso il design, coniugando sapientemente la padronanza delle tecniche e delle lavorazioni tradizionali con l'attitudine alla sperimentazione innovativa. Il volume, nato dall'iniziativa di Fragile di Alessandro Padoan e Alessandro Palmaghini, e che inaugura una serie di pubblicazioni dedicata al design italiano, indaga la ricca produzione del designer Carlo Nason, conosciuto prevalentemente come progettista di lampade in vetro, proponendo una prima sistematizzazione della sua attività. Chiesa, Rosa ; Zannoni, Alessandro.…

Hardcover. Condition: new. Hardcover. A global designer since his early years, Sergio Asti (19262021) has been involved on different fronts: architecture, installations, interiors, and product design, exploring various types complements, ceramic coverings, lighting, textiles, furnishing, technical products and tableware and the application of different materials, including plastics, ceramics, glass, crystal, porcelain, marble. As a designer, he was among the first to grapple with the problems of standardisation without neglecting the development of a critical thinking that asserts the right to expressiveness in every creation. The volume, which follows up on the initiative of Fragile by Alessandro Padoan and Alessandro Palmaghini, continues the series of publications dedicated to Italian design, enhancing the varied production of Sergio Asti, a protagonist to be re-discovered, both as a designer and as an intellectual and critic, proposing a first systematisation of his activity.Sergio Asti (Milan, 19262021), trained as an architect at the Politecnico di Milano, collaborated with leading companies and designed objects that have become icons of Italian design, such as the Profiterolle lamp for Martinelli Luce, the Marco vase for Salviati winner of the Compasso dOro in 1962 and the Trifoglio table for Poltronova. His works, exhibited in national and international museums and exhibitions, are today increasingly sought after by international collectors.Text in English and Italian. This volume continues the series of publications dedicated to Italian design, presenting a selection of works that reveal the diversity and remarkable breadth of Sergio Astis design practice. A protagonist to be re-discovered. Accompanied an exhibition at Fragile, Milan from 14 April to 29 May 2026. Text in English and Italian. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condition: New. A 'global' designer since his early years, Sergio Asti (1926-2021) has been involved on different fronts: architecture, installations, interiors, and product design, exploring various types- complements, ceramic coverings, lighting, textiles, furnishing, technical products and tableware -and the application of different materials, including plastics, ceramics, glass, crystal, porcelain, marble. As a designer, he was among the first to grapple with the problems of standardisation without neglecting the development of a critical thinking that asserts the right to expressiveness in every creation. The volume, which follows up on the initiative of Fragile by Alessandro Padoan and Alessandro Palmaghini, continues the series of publications dedicated to Italian design, enhancing the varied production of Sergio Asti, a protagonist to be re-discovered, both as a designer and as an intellectual and critic, proposing a first systematisation of his activity.Sergio Asti (Milan, 1926-2021), trained as an architect at the Politecnico di Milano, collaborated with leading companies and designed objects that have become icons of Italian design, such as the Profiterolle lamp for Martinelli Luce, the Marco vase for Salviati - winner of the Compasso d'Oro in 1962 -and the Trifoglio table for Poltronova. His works, exhibited in national and international museums and exhibitions, are today increasingly sought after by international collectors.Text in English and Italian.…

Hardcover. Condition: new. Hardcover. A global designer since his early years, Sergio Asti (19262021) has been involved on different fronts: architecture, installations, interiors, and product design, exploring various types complements, ceramic coverings, lighting, textiles, furnishing, technical products and tableware and the application of different materials, including plastics, ceramics, glass, crystal, porcelain, marble. As a designer, he was among the first to grapple with the problems of standardisation without neglecting the development of a critical thinking that asserts the right to expressiveness in every creation. The volume, which follows up on the initiative of Fragile by Alessandro Padoan and Alessandro Palmaghini, continues the series of publications dedicated to Italian design, enhancing the varied production of Sergio Asti, a protagonist to be re-discovered, both as a designer and as an intellectual and critic, proposing a first systematisation of his activity.Sergio Asti (Milan, 19262021), trained as an architect at the Politecnico di Milano, collaborated with leading companies and designed objects that have become icons of Italian design, such as the Profiterolle lamp for Martinelli Luce, the Marco vase for Salviati winner of the Compasso dOro in 1962 and the Trifoglio table for Poltronova. His works, exhibited in national and international museums and exhibitions, are today increasingly sought after by international collectors.Text in English and Italian. This volume continues the series of publications dedicated to Italian design, presenting a selection of works that reveal the diversity and remarkable breadth of Sergio Astis design practice. A protagonist to be re-discovered. Accompanied an exhibition at Fragile, Milan from 14 April to 29 May 2026. Text in English and Italian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New. A 'global' designer since his early years, Sergio Asti (1926-2021) has been involved on different fronts: architecture, installations, interiors, and product design, exploring various types- complements, ceramic coverings, lighting, textiles, furnishing, technical products and tableware -and the application of different materials, including plastics, ceramics, glass, crystal, porcelain, marble. As a designer, he was among the first to grapple with the problems of standardisation without neglecting the development of a critical thinking that asserts the right to expressiveness in every creation. The volume, which follows up on the initiative of Fragile by Alessandro Padoan and Alessandro Palmaghini, continues the series of publications dedicated to Italian design, enhancing the varied production of Sergio Asti, a protagonist to be re-discovered, both as a designer and as an intellectual and critic, proposing a first systematisation of his activity.Sergio Asti (Milan, 1926-2021), trained as an architect at the Politecnico di Milano, collaborated with leading companies and designed objects that have become icons of Italian design, such as the Profiterolle lamp for Martinelli Luce, the Marco vase for Salviati - winner of the Compasso d'Oro in 1962 -and the Trifoglio table for Poltronova. His works, exhibited in national and international museums and exhibitions, are today increasingly sought after by international collectors.Text in English and Italian.…

Hardback. Condition: New. Illustrated. The first book on the magical creations of postwar Italian glass virtuoso Toni ZuccheriToni Zuccheri (1936-2008) was an artist, architect, designer and sculptor. He collaborated with some of the biggest names in postwar Italian art (Gio Ponti, Lucio Fontana and Gaetano Pesce, among others) and worked for some of the most prestigious glass brands in Italy (Venini, VeArt and Barovier), developing new materials and forms in a glassmaking career of nearly half a century.A decade after his death, this volume presents an exhaustive overview of Zuccheri's career, looking at his complex and fruitful encounters with designers and brands and his extensive independent production of unique works modeled after animals. Featuring illustrations of Zuccheri's prototypes and one-off pieces plus unpublished sketches, studies and drawings, archival material and letters, Toni Zuccheri reveals the complex sensibility of a designer who took an empirical approach to sculpting "sensitive things.".…

Condition: NEW.

Condition: NEW. Cinisello Balsamo: Silvana Editoriale, 2026 9788836663545 1174 N vol.: 1, N pag.: 208, W: 24.4, Illustr.: COL + B/N, N illustr.: 230 Giorgio Casali (1913-1995) è una figura centrale nella storia della fotografia del Novecento. Dal 1951 a metà degli anni ottanta, per oltre trent'anni, egli è il fotografo dei maggiori architetti e designer italiani. La sua prolungata collaborazione con la rivista internazionale "Domus" lo mette in luce quale testimone negli anni in cui l'Italia viene attraversata dall'onda della modernizzazione, periodo caratterizzato da un forte entusiasmo per i nuovi stili di vita, per il nascente mercato dei consumi di massa, per le trasformazioni architettoniche pubbliche e private che plasmano nuovi contesti. Il sottotitolo della mostra, Paesaggi pubblici e privati, fa riferimento alla costruzione della nuova società, urbana e sociale, che si esprime nell'immaginario domestico, rappresentativo, produttivo e umano interpretato dalla fotografia. I materiali del Fondo Giorgio Casali, conservati presso l'Archivio Progetti dell'Università Iuav di Venezia (centoventimila fra lastre e negativi, oltre a una corposa documentazione dell'attività dello studio con le carte personali), consentono di raccontare, secondo diversi tagli tematici, le trasformazioni dell'Italia nella fase del più intenso sviluppo. Le sue fotografie rappresentano quindi un corpus documentale di grande interesse per raccontare uno dei contesti più produttivi del paese in una fase di sperimentazione e cambiamento. Giorgio Casali (1913-1995) è una figura centrale nella storia della fotografia del Novecento. Dal 1951 a metà degli anni ottanta, per oltre trent'anni, egli è il fotografo dei maggiori architetti e designer italiani. La sua prolungata collaborazione con la rivista internazionale "Domus" lo mette in luce quale testimone negli anni in cui l'Italia viene attraversata dall'onda della modernizzazione, periodo caratterizzato da un forte entusiasmo per i nuovi stili di vita, per il nascente mercato dei consumi di massa, per le trasformazioni architettoniche pubbliche e private che plasmano nuovi contesti. Il sottotitolo della mostra, Paesaggi pubblici e privati, fa riferimento alla costruzione della nuova società, urbana e sociale, che si esprime nell'immaginario domestico, rappresentativo, produttivo e umano interpretato dalla fotografia. I materiali del Fondo Giorgio Casali, conservati presso l'Archivio Progetti dell'Università Iuav di Venezia (centoventimila fra lastre e negativi, oltre a una corposa documentazione dell'attività dello studio con le carte personali), consentono di raccontare, secondo diversi tagli tematici, le trasformazioni dell'Italia nella fase del più intenso sviluppo. Le sue fotografie rappresentano quindi un corpus documentale di grande interesse per raccontare uno dei contesti più produttivi del paese in una fase di sperimentazione e cambiamento. Chiesa, Rosa; Maggi, Angelo; Marras, Giovanni. …