Ching Dora C Y (152 results)

Paperback. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

paperback. Condition: Very Good. Gently used, no markings.

Hardcover. Condition: As New. Hardcover and dust jacket. Good binding and cover. Light wear to jacket. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Softcover. Condition: Very Good+. No Dust Jacket. A very nice copy with clean, bright interior pages and solid binding. Spine is uncreased.; 8vo; 213 pages.

Paperback. Condition: As New. Princeton, 2010; gray and green paper covers; French flaps; minimal shelf wear; 8vo - over 7 3/4" to 9 3/4" tall; interior clean and unmarked; 303 pages.

paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Oversized.

hardcover. Condition: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condition: New. Picture Shown is For Illustration Purposes Only, Please See Below For Further Details CONDITION ? NEW, shipped from the UK.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. 303 pages, illustrations (some colour); 28 cm. Published on the occasion of an exhibition held at the Princeton University Art Museum, March 5 to June 7, 2009. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. A large-format coffee-table book. Richly illustrated with colour plates. *** "The art world is currently enthralled with contemporary Chinese art. This thought-provoking book argues, however, that American audiences have been exposed only to a narrow range of what is available - with the majority of attention having been given to 'avant-garde,' 'experimental,' or politically charged art. Outside In discusses contemporary Chinese art in a far wider range of styles and subject matter and substantially expands on our understanding of this work. The book features six artists - Arnold Chang, Vannessa Tran, Michael Cherney, Zhi Lin, Liu Dan, and Zhang Hongtu - all of whom are American citizens, yet widely diverse in age and experience as well as geographical and ethnic origins. In addition to extensive personal interviews and artists' statements, there are essays that challenge the categorization of art into such focused genres as 'Chinese,' contemporary,' and 'American,' and reexamine the factors that shape the development of 'Chinese art' in America." - Publisher. *** CONTENTS: Chinese art, made-in-America: an encounter with geography, ethnicity, contemporaneity, and cultural Chineseness, by Jerome Silbergeld; In the mischievous role of naturalist: classifying the Chineseness in contemporary art, by Cary Y. Liu; Arnold Chang. Artist's statement; The great tradition, by Jerome Silbergeld; Out of bounds: painting the tradition in contemporary Chinese art, by Kim Wishart; Vannessa Tran. Artist's statement; The art of seclusion, by Jerome Silbergeld; Vannessa Tran's meditative glimpse, by Gregory Seiffert; Michael Cherney. Artist's statement; Giving back to the Chinese tradition, by Jerome Silbergeld; Beyond the visible, within the frame, by Jerome Silbergeld; Zhi Lin. Artist's statement; The artist as witness, by Jerome Silbergeld; Violence unseen: Zhi Lin's depiction of suffering and spectacle, by Gregory Seiffert; Liu Dan. Artist's statement; What realism, which beauty?, by Jerome Silbergeld; Portrait of an artist, by Michelle Lim; Zhang Hongtu. Artist's statement; An outsider's outsider comes in, by Jerome Silbergeld; Cultural iconography as style, by Michelle Lim; Epilogue. A multiplicity of meanings, by Dora C. Y. Ching. Size: 4to. Collectible.…

Softcover. Condition: Very good. No jacket. Some notations in pencil on the half-title page.

Softcover, 132 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: Very Good. Modest wear to cover, clean pages and sound binding.

Paperback. Condition: Near Fine. Clean and solid. ; Publications Of The Tang Center For East Asian Art, Princeton University; B & W and Color Illustrations; 4to; 397 pages.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Trade Paperback. Condition: Very Good. Corners and top of spine lightly bumped. Otherwise bright and clean.

Condition: New. Brand New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Fine. 1st Edition. A collection of papers assessing the work of Chinese calligrapher and book artist Xu Bing (b. 1955, Chongqing). PHYSICAL DETAILS: Small Quarto (10 x 6 1/2 inches; 252 x 165 mm), 131, [1] pages, in heavy card wrappers (soft cover). CONDITION: Fine.

PAPERBACK. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? Through words and images, this book challenges the artificial and narrowly conceived definitions of Chinese contemporary art that dominate current discussion, revealing the great diversity of Chinese art today and showing just how complex and uncertain the labels "contemporary," "Chinese," and "American" have become. This volume features contributions from six artists and eight scholars who participated in a 2009 symposium held in conjunction with the Princeton University Art Museum exhibition Outside In: Chinese ? American ? Contemporary Art. These ethnically Chinese and non-Chinese artists work or have worked in America--indeed, all of them are U.S. citizens--but they are steeped in Chinese artistic traditions in terms of style, subject matter, and philosophical outlook. Here they discuss their art and careers with rare depth and candor, addressing diversity, ethnicity, identity, and other issues.The academic contributors bring a variety of perspectives--Chinese and American, art historical and political--to bear on the common, limiting practice of classifying such art and artists as "Chinese," "American," or "Chinese American." Revealing and celebrating the fluidity of who can be considered a Chinese artist and what Chinese art might be, these artists and scholars broaden and enrich our understanding of Chinese contemporary art. …

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condition: New. What does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? Through words and images, this book challenges the artificial and narrowly conceived definitions of Chinese contemporary art that dominate current discussion, revealing the great diversity of Chinese art today and showing just how complex and uncertain the labels "contemporary," "Chinese," and "American" have become. This volume features contributions from six artists and eight scholars who participated in a 2009 symposium held in conjunction with the Princeton University Art Museum exhibition Outside In: Chinese ? American ? Contemporary Art. These ethnically Chinese and non-Chinese artists work or have worked in America--indeed, all of them are U.S. citizens--but they are steeped in Chinese artistic traditions in terms of style, subject matter, and philosophical outlook. Here they discuss their art and careers with rare depth and candor, addressing diversity, ethnicity, identity, and other issues.The academic contributors bring a variety of perspectives--Chinese and American, art historical and political--to bear on the common, limiting practice of classifying such art and artists as "Chinese," "American," or "Chinese American." Revealing and celebrating the fluidity of who can be considered a Chinese artist and what Chinese art might be, these artists and scholars broaden and enrich our understanding of Chinese contemporary art. …

Condition: As New. Unread book in perfect condition.

Condition: New.