Chlenova (29 results)

Softcover, staple-bound, 28 pages, very good condition, clean and crisp; no internal marks.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. second printing. Minor shelf wear to binding. Light soiling on edges of text block. The dust jacket shows some light handling, in a mylar cover.

Oversize Paper. First Printing. 30pg large catalog for an exhibition of printed works of the Russian Avant-garde including posters, books and ephemera with a look at work also of contemporary artists. Illustrated with b&w repros and detailed time lines with illustrations tracing various movements within the Russian society during and after the revolution. Press release and postcard laid in. Fine. Book.

Condition: Near Fine. Softcover. 4to. 264 pp. Illustrations in color and B&W. A clean and umarked copy.

Hardcover. Condition: Good.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Pink cloth cover is lightly bumped at bottom front corner. Boards and spine are straight. Binding is tight. Pages are clean and pristine. Dust jacket has light shelf rubbing at corners otherwise pristine. DJ protected by a brand new, clear, acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. (If pictured, shown without the mylar cover for an accurate representation of dust jacket. ) .

Soft cover. Condition: As New. Novo. 1984/, pp. 94.

Hardback. Condition: New. The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th centuryOrphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death.The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantisek Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.

Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. 324 pages 470 illustrations 392 in color. Price sticker residue to the back of the dustjacket now protected with a Mylar cover. Edited by Matthew S. Witkovsky and Devin Fore. Foreword by James Rondeau. Published on the occasion of the exhibition from The Art Institute of Chicago, Chicago IL October 29, 2017-January 29, 2017. Checklist. Bibliography by Kathleen Tahk. Book.

Cloth. Condition: Fine Condition. Dust Jacket Condition: Fine Condition. 376 pages with 446 illustrations in color. Foreword by Glenn D. Lowry, Director. Published on the occasion of the exhibition from The Museum of Modern Art, New York NY December 23, 2012-April 15, 2013. Index.

Paperback. Condition: Brand New. Paperback.Width: 20 cm. Height: 25cm. 624 pages. English text.

Hardcover. Condition: Brand New. 376 pages. 12.30x1.30x9.80 inches. In Stock.

Soft cover. Condition: Very Good Plus. Soft cover. 30x24.5cm. 328 pages. Flat spine. Flat covers. Clean & tight book. No inscriptions. Flat pages. Dispatched ROYAL MAIL TRACKED 24 next working day or sooner securely boxed in cardboard. ref p207.

Hardcover/Hardback. Condition: As New. Sbornik Studia Anthropologica posvyashchaetsya yubileyu izvestnogo rossijskogo antropologa Mikhaila Anatolevicha Chlenova. Kniga obedinyaet stati kolleg i druzej yubilyara, spetsialistov v oblasti lingvistiki, etnografii, mifologii, i otrazhaet problematiku, blizkuyu nauchnym interesam M.A. Chlenova - eto iudaika, indonezistika, eskimosovedenie i obshchaya etnografiya. Materialy sbornika predstavlyayut rezultaty novejshikh razrabotok v ukazannykh oblastyakh, vvodyat v nauchnyj oborot novye dannye, poluchennye v khode polevykh issledovanij.Kniga adresovana spetsialistam - filologam, etnografam, istorikam - i shirokomu krugu chitatelej.

Hardcover. Condition: New. Dust Jacket Condition: New. Lavish survey of modern art in the Merrill C Berman Collection shown at the Museum of Modern Art. A large format well printed coffee table art book focused on eastern European Russian,German art from 1918 to present.

Hardback. Condition: New. The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th centuryOrphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death.The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantisek Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.

Hardcover. Condition: Brand New. 376 pages. 12.30x1.30x9.80 inches. In Stock.

Hardcover. Condition: Brand New. 368 pages. 12.25x9.75x1.25 inches. In Stock.

hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. Publisher: The Museum of Modern Art, New York, 2016. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Hardcover. Condition: New.

15 [1] pages: illustrated catalog. One of 400 copies. With an introductory article by V. Lobanov. As of April 2024, not in OCLC. Signs of water damage throughout. Aleksei Nikolaevich Arzhenikov (1891-1952) was a pivotal Russian artist, known for his expressive portraits and vivid genre scenes. Educated at the Moscow School of Painting, Sculpture, and Architecture, his notable works include portraits of Vladimir Lenin and Sergei Kirov, alongside scenes like "Corner of the Park in Miskhor." Arzhenikov's involvement in key exhibitions, from the 1912 Artistic Association in St. Petersburg to the 1943 "The Great Patriotic War" at the State Tretyakov Gallery, showcases his influence in Russian art. His legacy, marked by a dedication to teaching and contributions to prominent art societies, makes his works highly collectible and revered in the realms of graphic and fine arts.

Publisher?s wrappers. Goliakhovskaya, A. G. (book design) (illustrator). 16.5 x 12.5 cm. 24 pages: illustrations. Text in Russian. One of 2000 copies. A slightly worn copy, featuring a pencil inscription on the rear wrapper. This monograph is an exploration of the life and artistic achievements of Sergei Ivanovich Ivanov (1885-1942), a prolific Russian and Soviet artist whose talents encompassed graphic art, painting, poster design, and theater.

4to., pp. 264, pictorial wrappers, b/w and colour illustrations; slight crease to spine, a near-fine copy.

Hardcover. Condition: Gut bis sehr gut. Dust Jacket Condition: Gut bis sehr gut. 1. Auflage. Fe : 368 Seiten, 461 farbige Abbildungen - Francis Picabia (1879-1953), der Appropriation-Künstler, bevor es dieses Wort überhaupt gab, der schneidige Rennfahrer, Salonlöwe und Frauenheld, der den Autoritäten spottete und sich mit Chuzpe der Kunstgeschichte ğannahmĞ. Seine Kunst erscheint wie ein Spiegelbild seiner selbst: Sie bewegt sich zwischen Kitsch und Ambition, ist exzentrisch, ironisch und exzessiv zugleich. Der Katalog umfasst Texte namhafter Autoren, die die Position Picabias in die Dada-Bewegung einordnen und seinen Beitrag zur Kunst der Moderne kritisch hinterfragen. Nicht zuletzt der opulente Abbildungsteil macht das aufwendig ausgestattete Buch zu einem Lesevergnügen mit Langzeitwirkung, weit über den Ausstellungsbesuch hinaus.

A catalog of an exhibition held in February 1939 at the "Klub pri gorodke khudozhnikov na Verkhnei Maslovke" in Moscow. Our copy boasts a signature from the author on the verso of the title pageIt, spans 11 pages and includes illustrations. The catalog measures 15 cm and features a cover title. This publication is particularly notable for containing a list of 79 landscape paintings. At the head of the title, the abbreviation "????" (Moscow Union of Soviet Artists) is prominently displayed, denoting the exhibition's official endorsement or organizational involvement by this significant art institution. An essay by V. M. Lobanov provides critical insights into the artworks or the context of the exhibition. According to OCLC from April 2024, only a single copy of this catalog is located at The Frick Collection.

Publisher's cover. 21 x 17 cm. 74 pages: black and white plates. Text in Russian. One of 800 copies. A very good copy with slight wear to the cover. As of December 2023, OCLC locates only one copy in Poland.

Publisher's cover. 16.5 x 11 cm. 34 pages: illustrations. Text in Russian. One of 1000 copies. A very good copy with light wear along the edges. This catalog documents the inaugural exhibition that took place on April 4, 1948, at the House of Culture of Armenia in Moscow. The exhibition showcased a wide array of Soviet publications spanning the 1930s to the 1940s, encompassing books, albums, invitation cards, and even book design components such as bindings, covers, dust jackets, title pages, frontispieces, imposition pages, headpieces, endings, letters, fonts, and more. A total of 40 artists contributed to the exhibition, resulting in the display of 396 remarkable works. Notable participants in the exhibition included Dmitry Mitrohin, Alexander Rodchenko, Varvara Stepanova, Solomon Telingater, Vladimir Favorsky among others. As of December 2023, OCLC records indicate no institutional holdings for this book.