Published by The Kitchen Center for Video and Music New York, NY, 1979
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[10] pp.; 28 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Schedule of independent films shown at The Kitchen Center May 1, 2, 3, 1979. Featured films, organized by Leandro Katz, included Jack Goldstein's "Metro-Goldwyn-Mayer," "Bone China," and "The Jump," Ericka Beckman's "We Imitate We Break Up," Beth B and Scott B's "Black Box," Viktor Vondracek's "Mrs. Wong," Klaus Wyborny's "Six Little Pieces of Film," Gordon Matta-Clark's "Freshkill," Sheila McLaughlin's "Inside Out," Ernie Gehr's "Untitled," Barbara Ess / Carla Liss' "Seesaw" and "Technology/Transformation: Wonder Woman," JJ Murphy's "Science Ficton," Tom Chomont's "Space Time Studies," Stuart Sherman's "5 Films," Leandro Katz's "Splits," Bette Gordon's "Exchanges," Michael Oblowitz's "Table Conversation," Pat O'Neil's "Sleeping Dogs (Never Lie)," John Lurie's "Hell Is You With African Queen," Howard Guttenplan's "Diary 78," Warren Sonbert's "Divided Loyalties," Bill Brand's "Split Decision," Lawrence Weiner's "Altered to Suit," Martha Haslanger "Frames and Cages and Speeches" and "Lived Time," Manuel de Landa's "The Itch, Scratch, Itch Cycle" and "Incontinence," and Harry Smith's "Mirror Animation." Short synopses provided for each film indexed. Very Good. Discoloration towards edges, light handling marks and edge wear.
Published by Cambridge, Massachusetts, 1966
Seller: Locus Solus Rare Books (ABAA, ILAB), Los Angeles, CA, U.S.A.
Condition: One corner creased; very good. Single leaf, 8-1/2 x 11 in. printed on one side. Bulletin board leaflet-poster for an early screening of Warhol's film, which had premiered earlier in the same month at the Film-makers Cinematheque in New York. This copy derives from the collection of experimental film maker Tom Chomont. On the reverse Chomont has drawn a sequence of images in ballpoint pen story-boarding his early film "Anthony," a ten-minute film completed in 1966. The sequence comprises 31 frames.