Christopher Scoates (50 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Condition: Very Good. Binding tight and square, Pages are clean and unmarked.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Softcover, 76 pages, very good condition, light wear to covers; no internal marks. Foreign shipping may be extra.

Softcover, 80 pages, very good condition, light edgewear to covers; no internal marks. Foreign shipping may be extra.

paperback. Condition: Very Good. First Edition. Light soiling lower right corner and lightly rubbed bottom edge. 75 pages, 11x8.5. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Paperback. Condition: Very Good. Very good paperback, color photos.

Paperback. Condition: Very Good. Very good paperback, color photos.

Hardcover without dustjacket as issued, 148 pages; good condition; 1-inch bump to lower right corner of covers and most pages; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Near Fine. First Edition. Sharp corners, no ownership markings, touch of bumping/scuffing to wraps. Well packaged, ships with tracking.

Paperback. Condition: Very Good. Very good paperback, color photos.

Trade Paperback. Condition: Very Good. No Jacket. First Edition. 8vo - over 7¾" - 9¾" Spiral-bound exhibition catalog. Nice copy, has very slight wear to edges.

Hardcover. Condition: fine. This book brings together selections from his five most important series, Factories (1988. Quarto. 30 cm x 23 cm.Pictorial boards. 146pp. Exhibition catalogue.2008 Weisman Museum.

Softcover with metal spiral binding, unpaginated; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

softcover. Condition: Used; Very Good. First Edition; First Printing. Tight, clean and crisp. A faint hint of shelf/edge wear to covers, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Almost Like New. ; 32 full-page color plates of works by Lee Krasner, Gillian Ayres, William Brice, Stuart Davis, Richard Diebenkorn, Chris Dyson, Ole (Jurgen) Fischer, Sam Francis, Michael Goldberg, Adolph Gottlieb, Nancy Graves and others. Foreword by Christopher Scoates. Essays by Laurie Monahan and Anna-Marie Sanchez. Published on the occasion of the exhibition at the University Art Museum, College of the Arts, California State University, Long Beach, 2007.…

Softcover. Condition: VG. Grey wraps with bw illustration and grey and black lettering; 75 pp. with 35 color and bw figures. Includes 5 thought-provoking essays centering on three marginalized groups in the US - Native Americans, the homeless, and the Hispanic border community; with a checklist of the exhibition.…

Condition: Good. Oblong. 4to. 75 pp. Soft cover. Near Fine. Color & B/W plates, illustrations. Features works by Hachivi Edgar Heap of Birds, Richard Ray, Martha Rosler, et al.

Paperback. Condition: Very Good. University Art Museum, California State University, Long Beach [Published Date: 2010]. Soft cover, 67 pp. Published in conjunction with an exhibition held at the University Art Museum, College of the Arts, California State University, Long Beach, Sept. 9-Dec. 12, 2010. Contents include: Foreword by Christopher Scoates; Michael Goldberg: hyperscapes / by David Anfam; Everyday expressionism, reflections on Michael Goldberg & painting in the 1950s by Bill Berkson; Michael Goldberg: an architectural gesture by Elizabeth Anne Hanson; Plates; UAM exhibition checklist; Artist biography /bibliography; Contributors; Image/text credits. In very good condition. Glossy illustrated paper covers have light bumping to edges and light overall scuffing. Binding tight. Pages clean and unmarked. NOT Ex-Library. NO remainder marks. …

Condition: As New. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDFine.Spiral bound.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft. Condition: Near Fine. The lightest of storage wear. Size: 8vo Landscape. Exhibition Book.

Soft cover. Condition: Very Good. With laid-in poster. Text clean and unmarked. Binding tight. Covers have very light wear. Some previously dog-eared pages. Edges of pages have light wear.

Paperback. Condition: Good +. First Edition. First Edition. Paperback. 10" X 8". 32pp. 44 color plates. Very mild wear to covers, corners, and edges of pictorial paper wraps. Dust-spotting to edges of text block. Faint foxing to inside of rear cover. Pages are clean and unmarked. Binding is sound. Thomas Woodruff (born 1957) is a New York based artist who was born in New Rochelle, New York. This book is from an exhibition presented at The Atlanta College of Art Gallery and features both black-and-white and color plates of the artist's work. The exhibition centered on five major projects, each of which are composed of a number of movements. Included are several detailed essays examining both the art and the artist. Essayists include Christopher Scoates, Debra Wilbur, Bill Arning, Christopher Seet, and Nick Debs. …

Paperback. Condition: New. Special order item direct from the distributor.

Spiral Bound. Condition: Very Good. Very Good softcover with spiralbounding, Art exhibition by Atlanta College of Art Gallery.

Hardcover. Condition: New. Dust Jacket Condition: No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Photographically illustrated cloth-covered boards; no dust jacket as issued. Photographs by Paul Shambroom. Text by Diane Mullin, Christopher Scoates, Helena Reckitt and Dick Hebdige. Interview with the artist by Stuart Horodner. 160 pp., with 47 four-color plates and 20 black-and-white illustrations. 11-1/2 x 9-1/4 inches. Published on the occasion of a traveling exhibition organized by the Weisman Art Museum at the University of Minnesota. New in publisher's shrink wrap. From the publisher: "Published to accompany documentary photographer Paul Shambroom's extensive 2008-09 American traveling exhibition, Picturing Power is the first volume to bring together selections from all five of his most important--and highly acclaimed--series to date. In the late 1980s, Shambroom visited manufacturing sites and office spaces to capture the spaces where many Americans spend the majority of their days--from the grittiest industrial factory to the cleanest biotech lab to the smallest, emptiest office cubicle. His next series, Nuclear Weapons, begun in the early 1990s, gained him access to long-restricted nuclear sites, where he produced eerie images of slumbering bombs and immaculate, empty war rooms. For Meetings (1999-2003), Shambroom traveled to municipal meetings in small communities as far flung as Bernice, Louisiana and Baltic, South Dakota, to document public officials in a formal portrait style, calling up both the seriousness and banality of these gatherings. His most recent series, Security (2004-present), documents eerie scenes of security training at special facilities across the country. Past and future, reality and fiction, blur as each figure creates a picture of threat and resistance in our post-9/11 era. While diverse in subject matter, Shambroom's series all record and demystify secret and little-seen loci of power. His images are remarkable both for their stark portrayal of such places, and as evidence of his access to the sites. Negotiating this access in an open and democratic manner is a hallmark of Shambroom's practice.".…

Softcover staple-bound, 32 pages; very good condition; except light scuffs to covers and small stress creases to pages and around spine; no internal marks.