Clapp Robin (14 results)

Condition: Good. Clapp, John (illustrator). First. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. Clapp, John (illustrator). A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item for full refund. Ships via media mail.

Condition: Good. Clapp, John (illustrator). First. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. Clapp, John (illustrator). Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

paperback. Condition: Very Good. Second printing.

Very good with very good dust jacket. Remainder star on bottom page edge. One inch black mark on page fore edge. Dust jacket is bumped on fore edge, spine tips and top edges. 191 pages with index and many illustrations. Wide and tall 8vo size.

Hardcover. Condition: Like New. First Edition. A nearly new copy, square and tight with no creases or splits. Contents fresh and clean, not showing any pen-marks. Not from a library so no such stamps or labels. Thus a tidy book in very presentable condition.

Hard Cover. Condition: Fine. Dust Jacket Condition: Near Fine. Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, Géricault and Doré portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views . Keywords: Wyngaerde, Thomas Wych, Van Aken Angillis, Canaletto Joli Venice, Lavor, Pverty, Suffering, Industrial, Gericault, Dore, Babylonian, Victorian, London, Whistler, Street Scenes, Blanche, Tissot De Nittis, Monet.

Hardcover. Clapp, John (illustrator). 1st ed. 1st ptg. 4to cloth-backed boards, 52pp, with illustrations in color by John Clapp, square 8vo, cloth backed boards. Fine in fine, unclipped dj, no previous owner'marks.

Paperback. Condition: New. Amargosa, NV: Nevada Boomtown History Event, 2007. New in near PERFECT condition with only a tiny bit of very mild shelfwear to the cover (like you sometimes find in any new book store). Flat, uncreased spine. NO chips, tears, creases or fading. Bright and shiny. Sharp corners. Square and tight. NO owner's name or bookplate. NOT a library discard. NOT a remainder. Hinges are perfect. Pages are fresh, crisp, clean and unmarked. Illustrated with maps, diagrams and numerous vintage photos. Bibliographical references. Bound in the original full color pictorial wraps. 1st ed? (No additional printings listed). Softcover. New. 260pp. Great Packaging, Fast Shipping. 1st ed? (No additional printings listed).

Hardcover. Condition: new. Clapp, John (illustrator). New Copy. Customer Service Guaranteed.

hardcover. Condition: New. Clapp, John (illustrator). In shrink wrap. Looks like an interesting title!

Condition: new. Questo è un articolo print on demand.

Hardcover. Condition: Brand New. 1st edition. 272 pages. 9.75x6.50x1.00 inches. In Stock. This item is printed on demand.