Clark Dorene (26 results)

Condition: As New. Uhrich, Dorene; Uhrich, Ted (illustrator). Unread book in perfect condition.

Condition: New. Uhrich, Dorene; Uhrich, Ted (illustrator).

hardcover. Condition: Good. "Tan cloth hardcover, no dust jacket, 224 pages. Good condition, some endpaper soil. "When men from all parts of the country happened to find themselves in San Francisco on business, their evenings might have been quite lonelyhad it not been for The Kay Johnson Escort Service.".

Hardcover. Condition: Very Good. Dust Jacket Condition: VG-. Probable first edition. A very good copy in a dust jacket with very mild edge wear.

Paperback. first PB. G-186, very good -fine, , reading crease (PROSTITUTION NOVEL), paperback,

Condition: New. Uhrich, Dorene; Uhrich, Ted (illustrator). In.

Condition: New. Uhrich, Dorene; Uhrich, Ted (illustrator).

Paperback. 826 very good -fine, reading crease paperback.

Condition: As New. Uhrich, Dorene; Uhrich, Ted (illustrator). Unread book in perfect condition.

Paperback. 301 near fine paperback,

VERY GOOD condition.

Hardcover. hardcover. fine in a fine dust jacket 1954, , bumped spine ends.

1959 Paperback #303 CONDITION: vg.

Paperback. 303, 1959, paperback, near fine,

Soft cover. Condition: Good. Mass market paperback, shows reading wear and pages darkened with age in green pictorial wraps else interior VG, unmarked. 154 pp. and list of related books. No. B-311. dealing with the 'taboo' of lesbianinsm from the late 1950's! "Society uses an ugly word to describe these women!" This is the strange story of two who dared to share everything (Diana and Angela) when it was "verboten".

PAP. Condition: New. Uhrich, Dorene; Uhrich, Ted (illustrator). New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condition: New. Uhrich, Dorene; Uhrich, Ted (illustrator). New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

First Edition. No. B-311. First Edition, a paperback original. Very Good plus in wrappers, with a slight lean, faint soil on the endpapers, and light rubbing on the edges. Holroyd, p. 151.

Condition: Hervorragend. Uhrich, Dorene; Uhrich, Ted (illustrator). Zustand: Hervorragend | Seiten: 44 | Sprache: Englisch | Produktart: Bücher | Do you have something you look forward to doing every week? Do you ever feel disappointed and frustrated when you were expecting something that doesn't happen, or when things don't go your way? Meet our friend Spider. Spider's favorite food is an extra large bowl of extra creamy, extra cheesy, extra hot mac and cheese. Each week he goes to his favorite restaurant for his favorite food. One ordinary day he arrives to find his favorite restaurant closed! Join Spider as he finds a way to turn his disappointment into a chance to learn something new - with a little help from his friends along the way!

Mass Market Paperback. Condition: NF/F. First Edition. Book appears virtually unread with scant wear at edges and extremities and a touch of tanning to the pages due to age. A sharp and square looking copy of this uncommon PBO dealing with the 'taboo' of lesbianinsm from the late 1950's! "Society uses an ugly word to describe these women!" 160 pages including 6 pages of ads at the rear. Beacon # B311.

First Edition. [LGBTQ pulp] Clark, Dorene Different. New York: Beacon Books, 1960. First edition mass-market paperback pulp. 160 pages. Measures 4.25" x 7". Dark blue moody cover art by famed pulp artist Bruce Minney features a woman with a towel draped over her shoulder, and another woman sitting down in the center. Tagline reads: "The strange story of two who dared to share everything." Back cover features a blue paint splatter illustration. Plot follows a romantic lesbian relationship between characters Gail Hastings and Angela Winters. Front cover is bright with a barely visible small pen mark at the top, does not affect the image. Name and address of bookstore handwritten on inside of front cover. Overall, in very good condition.

Mid-20th century American lesbian pulp novel archive documents representations of same-sex female desire and bisexual identity within mass-market publishing between 1950 and 1967, when homosexuality was widely stigmatized and regulated in law and popular discourse. Produced during a period shaped by censorship and moral scrutiny, these works circulated as some of the most accessible printed material depicting relationships between women, often framed through sensational or exploitative narratives while still providing points of recognition for readers exploring sexual identity. The archive reflects a spectrum of approaches, from overtly moralized depictions of deviance to more sustained portrayals of emotional and interpersonal relationships. It supports research in LGBTQ print culture, Cold War social norms, and the commercialization of sexuality in American publishing. Wood, Clement. Desire. New York: Berkley Publishing, 1950. Clark, Dorene. Different. New York: Beacon Books, 1960. Lake, Lester. Lady Lovers. Hollywood: All Star Books, 1962. Hunt, Gerald. Love Queen's Remake. Royal Lines, 1964. Burgess, Michael. Playgirl. New York: Tower Publications, 1964. Muller, Irma. Never Again. Buffalo, New York: Boro Magazine Distributors, 1967. Six volumes, standard mass-market paperback format. Illustrated covers employ pulp conventions of provocative imagery and declarative taglines emphasizing taboo desire, moral conflict, and sexual experimentation. Narrative structures include small-town secrecy, romantic and exploitative relationships between women, intersections of sexuality and economic survival, and depictions of bisexual identity. Several works situate lesbian relationships within broader frameworks of social deviance or personal crisis, while others introduce more developed characterizations and emotional complexity. These works were produced within a publishing environment shaped by obscenity enforcement and the legacy of the Comstock Laws, which required depictions of non-normative sexuality to be mediated through cautionary or sensational framing. Lesbian pulp fiction functioned simultaneously as commercial exploitation and as a limited but significant site of visibility for same-sex desire prior to the emergence of organized gay liberation movements. By the late 1960s, shifting cultural attitudes and activism began to alter both representation and reception, culminating in events such as the Stonewall Riots. Clean covers and pages with tight textblocks; light handling wear consistent with age; overall good to very good condition. A representative grouping illustrating the range of lesbian and bisexual representation in mid-century American pulp publishing.

Lesbian pulp novels, 1960 to 1967, document the emergence of commercially distributed queer narratives within mid twentieth century American paperback publishing and provide direct evidence of how same sex desire was coded, marketed, and contested during a period of widespread censorship and social stigma. Produced during the Cold War era, these works circulated through inexpensive mass market channels such as drugstores and newsstands, offering some of the only accessible representations of lesbian relationships available to readers at the time. The language of deviance, secrecy, and transgression embedded in titles and taglines reflects contemporaneous medical and legal frameworks that classified homosexuality as pathological while simultaneously enabling the growth of a covert reading public. Together, these novels support research into LGBTQ print culture, gender and sexuality studies, censorship regimes, and the economics of mid century paperback publishing. Five mass market paperback novels issued between 1960 and 1967 by Beacon Books, Domino Books, Raven Books, and Private Edition Books. [1] Clark, Dorene. Different. New York: Beacon Books, 1960. Follows Gail Hastings and Angela Winters, two women identified as "different," with the tagline, "The strange story of two who dared to share everything," foregrounding secrecy and intimacy under social pressure. [2] Richards, Donna. Brand of Shame. New York: Domino Books, 1965. Written by Don Rico under pseudonym, emphasizes defiance and stigma, advertised as "The off-beat love they chose set them apart, but they flaunted their depravity to the world," illustrating the era's moral framing. [3] Phillips, Van. Passion's Puppet. New York: Private Edition Books, 1967. Centers on power, manipulation, and desire within same sex relationships, characteristic of later pulp narratives that pushed thematic boundaries. [4] Pauvre, Richard. Sexhaven. New York: Raven Books, 1964. Set in Lake Tahoe's casino environment, situates queer relationships within spaces associated with mobility and risk. [5] Barstead, Harry. Love Me! New York: Private Edition Books, 1962. Explores intense emotional and physical relationships framed through danger and forbidden attraction. Typical examples measure approximately 4.25 x 7 inches, ranging from roughly 130 to 180 pages, with pictorial wrappers featuring stylized cover art designed for commercial display. These works were produced prior to the more explicit gay and lesbian liberation publications of the late 1960s and early 1970s, and thus preserve an earlier stage in the evolution of queer representation shaped by censorship, pulp marketing conventions, and coded narrative strategies. Their publication coincides with the period in which homosexuality remained classified as a mental disorder in the United States and subject to police surveillance, making these books part of a broader underground network of cultural transmission. The recurring emphasis on shame, secrecy, and defiance reflects both constraint and resistance within mid century queer life, while the survival of such paperbacks provides material evidence of readership communities that operated outside institutional visibility. Light edge wear, occasional rubbing to wrappers, and general signs of handling consistent with age; overall condition ranges from good to very good.

First Edition. Craigin, Elisabeth. Either is Love. Marsden, Martha. Intimate. Clark, Dorene. Different. Morell, Lee. Nurses' Quarters. Thomas, Loretta Haig. No Man's Land. These early 1960s lesbian pulp novels, all authored by women, document the articulation of same-sex relationships and identity within a commercial paperback market largely shaped by male pseudonymous writers. Issued between 1960 and 1963, these works provide direct evidence of how lesbian desire, social stigma, and interpersonal relationships were narrated during a period when homosexuality remained criminalized and widely pathologized in the United States. Elisabeth Craigin's Either is Love, first published in 1937 and reissued here in paperback form, stands apart as an early autobiographical account of bisexual and lesbian experience, presented through an epistolary structure advocating tolerance toward "interfeminine romance." Other authors in the group explore themes of self-recognition, emotional conflict, and social marginalization, with several titles aligning with evaluative frameworks developed by Barbara Grier identifying works with sustained lesbian characters and narrative focus. Together, these texts contribute to early formations of lesbian-authored print culture prior to the emergence of organized gay and lesbian liberation movements. Clark, Dorene. Different. New York: Beacon Books, 1960. First edition. Mass-market paperback. Marsden, Martha. Intimate. New York: Tower Publications, 1961. First edition. Mass-market paperback. Morell, Lee. Nurses' Quarters. New York: Universal Publishing and Distributing Corporation, 1960. First edition. Mass-market paperback. Thomas, Loretta Haig. No Man's Land. North Hollywood, California: Frimac Publications Carousel Books, 1963. First edition. Mass-market paperback. Craigin, Elisabeth. Either is Love. New York: Pyramid Books, 1960. Mass-market paperback. Group of five paperback volumes issued between 1960 and 1963, each measuring approximately 4.25 x 7 inches and generally ranging between 120 and 250 pages. Illustrated covers follow mid-century pulp conventions, depicting women in intimate or suggestive poses paired with promotional language such as "She searched frantically for love, and found it, in her own sex!" (Intimate) and "Outside, so white and pure, inside, so depraved!" (Nurses' Quarters). Narrative content includes romantic relationships between women, first encounters with same-sex desire, and environments such as professional and domestic spaces, including nursing institutions and urban social settings. Different presents a sustained romantic relationship between two women, while No Man's Land frames its narrative through confessional structure. Craigin's Either is Love differs in form, presenting a reflective, letter-based account of identity and emotional experience. These works circulated within a rapidly expanding postwar paperback industry that enabled the distribution of controversial subject matter through inexpensive formats, while publishers relied on sensationalized cover imagery and language to navigate obscenity standards and attract readership. Female-authored contributions offered perspectives grounded in lived experience, interiority, and social negotiation, contributing to the development of lesbian literary traditions that would later intersect with feminist and gay liberation movements of the late 1960s and 1970s. Clean covers and interiors with tight textblocks; light handling wear consistent with age; overall good to very good condition. The grouping offers a focused record of women-authored lesbian fiction and memoir within mid-century mass-market publishing and supports research into sexuality, gender, and print culture.

Condition: New. Uhrich, Dorene; Uhrich, Ted (illustrator). Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextrnrnDo you have something you look forward to doing every week? Do you ever feel disappointed and frustrated when you were expecting something that doesn t happen, or when things don t go your way? Meet our friend Spider. Spider s fav.

Taschenbuch. Condition: Neu. Uhrich, Dorene; Uhrich, Ted (illustrator). Spider and Friends Cafe | Kat Clark | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Acorn Publishing | EAN 9798885280068 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.