Claude E Lewis (34 results)

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. A former library book with all the expected stamps, stickers and markings. Excellent condition for a former library book. Some shelf, storage or usage wear present. The binding is tight and all pages are present. The pages appear unmarked. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller!

Paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Cloth Over Board. Condition: Good. No Jacket. Various (illustrator). Ninth Printing. This ex-library copy has the standard library and withdrawal stamps and labeling. Light rubbing of the covers, edge wear and little corner bumping. Interior text is tight in binding, numerous black and white illustrations. Size: 4to - over 9¾" - 12" tall. Ex-Library.

Hardcover. Condition: Very Good. MULTIPLE COPIES AVAILABLE. Shows some minor wear but still in very good condition with many years of productive life remaining. May have a school stamp or bar-code. Ships same or next business day via USPS Media Mail or Canada Post Expedited.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condition: Very Good. Summary:"Twenty-three stories and poems by America's earliest black authors, illustrated by contemporary black artists including: authors, Langston Hughes [and others]; adaptations, Alex Simmons, Christopher Priest, Mat Johnson; illustrators, Afua Richardson [and others]"--Page 4 of cover.

relié. Condition: Assez bon.

Octavo hardcover (VG) in d/w (Poor), large section of lower rear d/w missing; all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

paperback. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Softcover. Condition: Very Good. First edition. Small quarto. Wrappers. xvi, 787-1023pp. Tear in gutter of preliminary page, scattered foxing on pages, spine age-toned and creased, about very good. Featuring "Uncle Remus and the Ubiquitous Rabbit" by Louis D. Rubin, Jr.; "An Interview with William Styron" by Ben Forkner and Gilbert Schricke. Poetry by Wendell Berry entitled *Song*; *The Cold Pane*; *Goods*; *A Dance*; and *A Purification*. Contributions by Louis D. Rubin, Jr., William Bedford Clark, William C. Havard, William F. Steirer, Jr., Jerry H. Bryant, Speer Morgan, Richard P. Adams, Andre Malraux, Max Webb, Edwin Mims, Donald Davidson, Ben Forkner, Gilbert Schricke, Wendell Berry, Thomas H. Landess, Pinkie, Gordon Lane, Kathryn Stripling, Frank Manley, Van K. Brock, Claude Koch, Larry Rubin, Michael Cass, Louis Dollarhide, and Ingrid Smith.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: Bueno. Ed. Lye. Barcelona 1962. Rustica. 21x16. 32 pp. Ilustrado. Contiene publicidad de la epoca.

Condition: As New. Unread book in perfect condition.

Condition: Good+. Other than a small stamp on the inside cover, this is a tight and unmarked copy-Bottom right corner bumped-Copyright 1937- F808.

Hardcover. Condition: Excellent. No Jacket. Byers, Virginia And Salisbury, Margaret. (illustrator). A Solid Tight Book, School Stamp And Register On Front Verso, And A Smaller Version At The Rear, Small Ink Transfer To Ffep. Table Of Contents Has Some Entries Ticked Otherwise An Extremely Clean Book. Tan Cloth Covered Boards With Green Illustrations Of Children. White Lettering On Front And Spine . Very Little Shelf Or Reading Wear. In Excellent Condition. A Hard To Find Book.

Condition: As New. Unread book in perfect condition.

Condition: New.

Soft cover. Condition: Good. No Jacket. Signed by contributor, Claude Koch, inside front cover. Signed by Contributor.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. 1st edition. 304 pages. 9.00x6.00x0.75 inches. In Stock.

Paperback. Condition: New. Print on Demand. This book delves into the captivating world of poetry, exploring its enduring presence in human culture and its essential role in enriching our lives. The author examines the inherent human instinct for rhythm and rhyme, tracing poetry's roots from childhood rhymes to the sophisticated expressions of mature poets. The book delves into the multifaceted nature of poetry, highlighting its ability to offer both escape and a deeper understanding of reality. It explores the various forms and styles of poetry, discussing how rhyme and meter serve both as tools for memorability and as vehicles for capturing the full spectrum of human emotion. The author highlights the evolution of poetry through the ages, demonstrating how poets across time have grappled with the same fundamental themes ââ â love, loss, beauty, and the search for meaning. By examining the works of numerous poets, both classic and contemporary, the book reveals the enduring power of poetry to illuminate the human experience. This insightful and engaging exploration underscores the profound connection between poetry and the human spirit, ultimately revealing the timeless power of this art form to transcend time and touch our hearts and minds. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Hardcover. Condition: Brand New. 1st edition. 296 pages. 9.00x6.00x1.00 inches. In Stock.

Hardcover. Condition: Good. Colour Frontispiece & Sketches Frances Brittain (illustrator). Binding tight, owners name. shelf wear, odd pencil mark. S4 2.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.