Claudia Calirman (68 results)

Hardcover. Condition: Good. Dust Jacket Condition: Published Without Dust Jacket. 152 pp. Tightly bound. NOTE: The reason for the lower "good" rating is because the top corners are lightly bumped. Text is free of markings. No ownership markings. Published without dust jacket. Published‎ June 30, 2012. …

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Condition: New. Sealed in plastic.

paperback. Condition: Fine.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: As New. Still shrinkwrapped; 8vo 8" - 9" tall; 264 pages.

Softcover, 212 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condition: New.

Paperback. Condition: New. In Dissident Practices, Claudia Calirman examines sixty years of visual art by prominent and emerging Brazilian women artists from the 1960s to the present, covering the period from the military dictatorship to the return to democracy in the mid-1980s, the social changes of the 2000s, the rise of the Right in the late-2010s, and the recent development of an overtly feminist art practice. Though they were lauded as key figures in Brazilian art, these artists still faced adversity and constraints because of their gender. Although many of them in the 1960s and 1970s disavowed the term feminism, Calirman gives a nuanced account of how they responded to authoritarianism, engaged with trauma in the aftermath of the military dictatorship, interrogated social gender norms, and fought against women's objectification. By battling social inequalities, structures of power, and state violence, these artists create political agency in a society in which women remain targets of brutality and discrimination.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover, 252 pages; very good condition except large gallery withdrawn sticker on rear cover; no internal marks. Foreign shipping may be extra.

Condition: new.

Paperback. Condition: new. Paperback. In Dissident Practices, Claudia Calirman examines sixty years of visual art by prominent and emerging Brazilian women artists from the 1960s to the present, covering the period from the military dictatorship to the return to democracy in the mid-1980s, the social changes of the 2000s, the rise of the Right in the late-2010s, and the recent development of an overtly feminist art practice. Though they were lauded as key figures in Brazilian art, these artists still faced adversity and constraints because of their gender. Although many of them in the 1960s and 1970s disavowed the term feminism, Calirman gives a nuanced account of how they responded to authoritarianism, engaged with trauma in the aftermath of the military dictatorship, interrogated social gender norms, and fought against women's objectification. By battling social inequalities, structures of power, and state violence, these artists create political agency in a society in which women remain targets of brutality and discrimination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: Used - Very Good. VG hardback. 2011 1st edition published to accompany an exhibition; numerous colour and B&W illustrations; tightly bound in laminated pictorial boards; gift inscription - possibly by Antonio Manuel - on title page; otherwise, a clean, tidy copy. Used - Very Good. VG hardback.…

Condition: New.

Paperback. Condition: Brand New. 240 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New. 2023. Paperback. . . . . .

Condition: New.

Paperback or Softback. Condition: New. Brazilian Art Under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles. Book.

Paperback. Condition: New. In Dissident Practices, Claudia Calirman examines sixty years of visual art by prominent and emerging Brazilian women artists from the 1960s to the present, covering the period from the military dictatorship to the return to democracy in the mid-1980s, the social changes of the 2000s, the rise of the Right in the late-2010s, and the recent development of an overtly feminist art practice. Though they were lauded as key figures in Brazilian art, these artists still faced adversity and constraints because of their gender. Although many of them in the 1960s and 1970s disavowed the term feminism, Calirman gives a nuanced account of how they responded to authoritarianism, engaged with trauma in the aftermath of the military dictatorship, interrogated social gender norms, and fought against women's objectification. By battling social inequalities, structures of power, and state violence, these artists create political agency in a society in which women remain targets of brutality and discrimination.…

Condition: New. In English.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover without dustjacket as issued, 152 pages; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condition: As New. Unread book in perfect condition.

Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.