Claudio Alves Benassi (53 results)

Condition: New.

Condition: New. In.

Condition: New.

Condition: New. In.

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Condition: New. In.

Taschenbuch. Condition: Neu. The recorder today | Claudio Alves Benassi | Taschenbuch | Englisch | 2024 | Our Knowledge Publishing | EAN 9786208095031 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu.

Condition: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | The recorder enjoyed golden times in the Renaissance and Baroque. With the growth of the orchestra and the improvement of many of its instruments, it lost its place and its use declined. Although historical records point to a 150-year silence for the recorder until its reappearance in the 19th century, some authors claim that the recorder survived until the middle of the 19th century, in the Czakan, a kind of recorder initially placed on a cane, an instrument to which many pieces from the Romantic period were dedicated, and in the French Flageolet, a peculiar kind of recorder, which survived until the beginning of the 20th century. Nowadays, the recorder arouses the passions of many musicians and the curiosity of many others who venture into it, but not in a serious way, causing the instrument to be trivialised. The book ¿The recorder today: the instrument and its expanded techniques¿ is a text that shows the recorder as a potentially solo instrument of high performance value, capable not only of starting a musician, but also of subsidising a musical career. This book aims to popularise the value and artistic potential of this instrument.

Taschenbuch. Condition: Neu. La grabadora hoy | Claudio Alves Benassi | Taschenbuch | Spanisch | 2024 | Ediciones Nuestro Conocimiento | EAN 9786208095048 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Taschenbuch. Condition: Neu. L'enregistreur aujourd'hui | Claudio Alves Benassi | Taschenbuch | Französisch | 2024 | Editions Notre Savoir | EAN 9786208095055 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu.

Paperback. Condition: Brand New. 84 pages. Portuguese language. 8.66x5.91x0.19 inches. In Stock.

Condition: New.

Taschenbuch. Condition: Neu. Il registratore oggi | Claudio Alves Benassi | Taschenbuch | Italienisch | 2024 | Edizioni Sapienza | EAN 9786208095062 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu.

Condition: New.

Paperback. Condition: Brand New. 240 pages. Portuguese language. 8.66x5.91x0.55 inches. In Stock.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The recorder enjoyed golden times in the Renaissance and Baroque. With the growth of the orchestra and the improvement of many of its instruments, it lost its place and its use declined. Although historical records point to a 150-year silence for the recorder until its reappearance in the 19th century, some authors claim that the recorder survived until the middle of the 19th century, in the Czakan, a kind of recorder initially placed on a cane, an instrument to which many pieces from the Romantic period were dedicated, and in the French Flageolet, a peculiar kind of recorder, which survived until the beginning of the 20th century. Nowadays, the recorder arouses the passions of many musicians and the curiosity of many others who venture into it, but not in a serious way, causing the instrument to be trivialised. The book 'The recorder today: the instrument and its expanded techniques' is a text that shows the recorder as a potentially solo instrument of high performance value, capable not only of starting a musician, but also of subsidising a musical career. This book aims to popularise the value and artistic potential of this instrument. 64 pp. Englisch.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware 68 pp. Spanisch.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -La flûte à bec a connu une période faste à la Renaissance et au Baroque. Avec le développement de l'orchestre et l'amélioration de nombre de ses instruments, elle a perdu sa place et son utilisation a décliné. Bien que les documents historiques fassent état d'un silence de 150 ans pour la flûte à bec jusqu'à sa réapparition au XIXe siècle, certains auteurs affirment que la flûte à bec a survécu jusqu'au milieu du XIXe siècle, dans le Czakan, une sorte de flûte à bec initialement placée sur une canne, un instrument auquel de nombreuses pièces de la période romantique ont été consacrées, et dans le Flageolet français, un type particulier de flûte à bec, qui a survécu jusqu'au début du XXe siècle. Aujourd'hui, la flûte à bec suscite la passion de nombreux musiciens et la curiosité de beaucoup d'autres qui s'y aventurent, mais pas de manière sérieuse, ce qui entraîne une banalisation de l'instrument. Le livre « La flûte à bec aujourd'hui : l'instrument et ses techniques élargies » est un texte qui montre la flûte à bec comme un instrument potentiellement soliste de grande valeur d'exécution, capable non seulement de lancer un musicien, mais aussi de subventionner une carrière musicale. Ce livre vise à populariser la valeur et le potentiel artistique de cet instrument. 68 pp. Französisch.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The recorder enjoyed golden times in the Renaissance and Baroque. With the growth of the orchestra and the improvement of many of its instruments, it lost its place and its use declined. Although historical records point to a 150-year silence for the recorder until its reappearance in the 19th century, some authors claim that the recorder survived until the middle of the 19th century, in the Czakan, a kind of recorder initially placed on a cane, an instrument to which many pieces from the Romantic period were dedicated, and in the French Flageolet, a peculiar kind of recorder, which survived until the beginning of the 20th century. Nowadays, the recorder arouses the passions of many musicians and the curiosity of many others who venture into it, but not in a serious way, causing the instrument to be trivialised. The book ¿The recorder today: the instrument and its expanded techniques¿ is a text that shows the recorder as a potentially solo instrument of high performance value, capable not only of starting a musician, but also of subsidising a musical career. This book aims to popularise the value and artistic potential of this instrument.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 64 pp. Englisch.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The recorder enjoyed golden times in the Renaissance and Baroque. With the growth of the orchestra and the improvement of many of its instruments, it lost its place and its use declined. Although historical records point to a 150-year silence for the recorder until its reappearance in the 19th century, some authors claim that the recorder survived until the middle of the 19th century, in the Czakan, a kind of recorder initially placed on a cane, an instrument to which many pieces from the Romantic period were dedicated, and in the French Flageolet, a peculiar kind of recorder, which survived until the beginning of the 20th century. Nowadays, the recorder arouses the passions of many musicians and the curiosity of many others who venture into it, but not in a serious way, causing the instrument to be trivialised. The book 'The recorder today: the instrument and its expanded techniques' is a text that shows the recorder as a potentially solo instrument of high performance value, capable not only of starting a musician, but also of subsidising a musical career. This book aims to popularise the value and artistic potential of this instrument.

Condition: New. PRINT ON DEMAND.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -La flauta de pico vivió tiempos dorados en el Renacimiento y el Barroco. Con el crecimiento de la orquesta y la mejora de muchos de sus instrumentos, perdió su lugar y su uso decayó. Aunque los registros históricos señalan un silencio de 150 años para la flauta de pico hasta su reaparición en el siglo XIX, algunos autores afirman que la flauta de pico sobrevivió hasta mediados del siglo XIX, en el Czakan, un tipo de flauta de pico colocada inicialmente sobre una caña, instrumento al que se dedicaron muchas piezas del Romanticismo, y en el Flageolet francés, un tipo peculiar de flauta de pico, que sobrevivió hasta principios del siglo XX. Hoy en día, la flauta de pico despierta las pasiones de muchos músicos y la curiosidad de otros tantos que se adentran en ella, pero no de forma seria, lo que provoca la banalización del instrumento. El libro «La flauta de pico hoy: el instrumento y sus técnicas expandidas» es un texto que muestra la flauta de pico como un instrumento potencialmente solista y de alto valor interpretativo, capaz no sólo de iniciar a un músico, sino también de subvencionar una carrera musical. Este libro pretende popularizar el valor y el potencial artístico de este instrumento.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 68 pp. Spanisch.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - La flauta de pico vivió tiempos dorados en el Renacimiento y el Barroco. Con el crecimiento de la orquesta y la mejora de muchos de sus instrumentos, perdió su lugar y su uso decayó. Aunque los registros históricos señalan un silencio de 150 años para la flauta de pico hasta su reaparición en el siglo XIX, algunos autores afirman que la flauta de pico sobrevivió hasta mediados del siglo XIX, en el Czakan, un tipo de flauta de pico colocada inicialmente sobre una caña, instrumento al que se dedicaron muchas piezas del Romanticismo, y en el Flageolet francés, un tipo peculiar de flauta de pico, que sobrevivió hasta principios del siglo XX. Hoy en día, la flauta de pico despierta las pasiones de muchos músicos y la curiosidad de otros tantos que se adentran en ella, pero no de forma seria, lo que provoca la banalización del instrumento. El libro «La flauta de pico hoy: el instrumento y sus técnicas expandidas» es un texto que muestra la flauta de pico como un instrumento potencialmente solista y de alto valor interpretativo, capaz no sólo de iniciar a un músico, sino también de subvencionar una carrera musical. Este libro pretende popularizar el valor y el potencial artístico de este instrumento.