Clayson Hollis (104 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former Library book. Has old stickers and stamps. hardcover Used - Good 2000 First Edition All purchases support project HOME - ending homelessness in Philadelphia.

Condition: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Condition: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Hardcover. Condition: Very Good. First Edition. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Minimal scuffing to the DJ.

First Edition. First edition and first printing. Hardcover. Artist book by Jeanne Dunning. Features an introduction by Dunning along with essays by Tania Modleski, Leslie Dick, and Hollis Clayson. Includes numerous color images by Dunning. A near fine copy in photo-illustrated boards with a cloth spine No dust jacket as issued.…

Hardcover. Condition: Very Good. VG/VG. DJ lightly shelf-rubbed with scattered light surface scratches. Bottom board edges have small bump, tear. Spine square, tight. Interior bright, clean. No marks. Heavily illustrated in color. This is NOT an ex-library. Note: Large, heavy volume. Priority or overseas shipping may require extra shipping charge. Media mail shipping at stated rate.…

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: near fine(+). Large Print edition. Black color illus folio, 101 pages, color illustrations, 31 cm. No DJ. Contents: Introduction / Jeanne Dunning -- Inebriate of blood / Tania Modleski -- Flaws / Leslie Dick -- Slime / Hollis Clayson. Photography, Artistic. Very mild rubbing to corners, light soiling to boards and fore-edges, circle sticker to spine foot, bright pages, binding is tight, else near fine(+).…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Spainish text ex- library book but without the markings but has two labels in the back of the book binding is tight text and photos are clean Language: eng Language: eng Language: eng Language: eng.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. The First And Only Book To Discuss The Entire History Of Painting By Genre, Rather Than By Chronology, This Fresh Approach Gives Readers A New And Enlightened Way To View And Understand The Language Of Art Through The Ages. What Was The Artist Trying To Convey? Who Are Those Figures Supposed To Be? Why Do Images And Symbols Recur? This Book Clearly Answers These And Other Questions That Viewers Often Ponder As They Tour Museums. Every Category Of Subject Matter Is Studied: Religious Art, Myth And Allegories, The Nude, History Painting, Still Life, Portraiture, Landscape, Genre, And Abstraction. Each Chapter Has An Introduction And Illustrated Overview Of The Information To Be Covered, Followed By Spreads That Trace The Development Of The Featured Art. The Reader Is Shown, For Instance, How Self-Portraits Were Conceived At Various Times And How Techniques Evolved; Which Aspects Of Still Life Drew On Recurrent Traditions And Which Others Altered Over Time. A Prized Possession To Be Acquired By Art Appreciators For Their Own Personal Use Or As A Thoughtful Gift, This Volume Promises To Broaden Readers' Understanding Of All The Art Movements And Major Artists' Work That Form The Body Of Western Art.…

Condition: Good. Edition Unstated. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Good. New edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover without dustjacket as issued, 104 pages, very good condition, light rubbing to covers, no internal marks. Foreign shipping may be extra.

Hardcover. Gray cloth boards, white dust jacket with black-and-white illustration. 180 pp. 90 color illustrations. "For many today, the art of the late nineteenth century is equated with impressionism and post-impressionism. This book with its insightful essays and remarkable works of art presents us with an alternative account of the periodBy explicating a range of highly engaging, often mysterious and beautiful objects, The Darker Side of Light evokes the shadowed interiors and private introspections that compose a far less familiar history of late nineteenth century art."--Book jacket. VG/VG (copy may be an ex-library with spine label, stamped block, barcode).…

Hardcover. Pictorial boards. 101 pp. Profuse color plates. VG, small piece of tape residue on cover near tail.

Condition: Very Good. Light wear to the jacket, fading to the edges. Content is in very good, clean condition.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

tapa dura. Condition: Bien. Teoría del arte (ABA), Pintura y pinturas (AFC), Filosofía: (HPN) Naturart. Barcelona. 2002. 272 p. Encuadernación en cartoné de editorial con sobrecubierta ilustrada. Traducido del Inglés. Coordinado por Rodríguez Fischer, Cristina. Revisado por Guasch, Anna Maria. Traducido por Diéguez Diéguez, Remedios . ISBN: 9788480764100; 8480764104 (=3322141=) PT135. …

xx + 202pp. Original pictorial wrapper in additional protective mylar sheeting. Full colour and b/w reproductions. A very good to near-fine copy.

Condition: fair. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Hardcover. Condition: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Hardcover. English. Pub Year 1991, See images for condition. About the book >.>.> Painted Love ? Prostitution in French Art of the Impressionist Era by Hollis Clayson originated as the author's doctoral dissertation, completed in 1984. The book emerges from a pivotal period in art history during the mid-1970s, characterised by a burgeoning interest in a materialist history of art. This exploration, termed ?the social history of art,? was largely influenced by the vibrant academic environment at the University of California, Los Angeles, where discussions led by notable figures such as Tim Clark, Carol Duncan, Arnold Rubin, and Karl Werckmeister fostered a sense of urgency and optimism in the undertaking of this project.Drawing connections between late nineteenth-century Paris and contemporary issues, Clayson reflects on the changing perceptions of morality, particularly regarding prostitution. While the fears and societal attitudes towards prostitution in Paris may have seemed outdated in the context of the 1970s' sexual liberation, the emergence of the AIDS epidemic and the presidency of Ronald Reagan rendered these historical parallels all the more relevant. The author critically examines the connections drawn between sexually transmitted diseases and deviant lifestyles, highlighting how such beliefs have led to increased scrutiny and societal marginalisation of groups such as homosexual men, drug users, and artists themselves.As readers engage with Painted Love, they will uncover striking similarities between the historical narratives surrounding prostitution and contemporary relationships with sexuality and morality. Clayson?s analysis underscores the recurring themes of suspicion and scapegoating in society, illuminating patterns that persist from the late nineteenth century to modern times. Through this exploration, the book invites a reconsideration of how art reflects and critiques these societal dynamics. (MP).…