Colaizzi Vittorio (20 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Good. 1st Edition. Good+/VG minus. Softcover. Rear wrap with a 3" scuff mark only seen in certain light conditions. Front wrap with a 3-1/2" dog ear to top corner and soft bend up through page 33. Tiny top dog ear to same. All else very good. Small orange spot to fore edge text block. Shelf 8e.…

Condition: New.

Paperback. Condition: Fine. 1st. 383 pages; 21 cm. Tight, clean copy. *** "Through an extremely restricted vocabulary, Robert Ryman became a leading figure on the fringes of Minimalist and Conceptual art. This anthology of essays reviews and charts the evolution of the artist's critical reception. A comprehensive selection of over 60 essays and exhibition reviews has been collated into one volume, including texts by some of the most influential art historians and critics. The writings look at Ryman s work within the context of the 'challenge to painting' in the 1960s, as well as the artist's work in relation to other influential painters in art history. Drawing upon the words of key contemporary thinkers, an introduction by Vittorio Colaizzi explores the importance of elements of support, colour, brushstroke in Ryman's paintings." - Publisher. *** CONTENTS: Robert Ryman: Critical texts since 1967: The Silent Art, 1967, by Lucy R. Lippard; Review. Robert Ryman: Paul Bianchini Gallery, 1967, by Joseph Kosuth; New York Commentary, 1969, by Dore Ashton; Robert Ryman's Double Positive, 1971, by Carter Ratcliff; Robert Ryman, 1971, by Willis Domingo; Review. Robert Ryman at Fischbach Gallery and Dwan Gallery, 1971, by Kenneth Baker; Review. Art: Ryman's White-on-White Oeuvre, 1972, by John Canaday; "Ryman" Brand Paintings, 1972, by Naomi Spector; Ryman, Marden, Manzoni: Theory, Sensibility, Mediation, 1972, by Robert Pincus-Witten; Opaque Surfaces, 1973, by Douglas Crimp; Robert Ryman, John Weber Gallery, 1973, by Bruce Boice; Review. Strata: paintings, drawings and prints by Ellsworth Kelly, Brice Marden, Agnes Martin, Robert Ryman and Cy Twombly, 1974, by Lynda Morris; Robert Ryman: Unfinished III (Position), 1974, by Barbara R. Reise; Review. Robert Ryman: John Weber Gallery, 1974, by Ellen Lubell Note continued: Robert Ryman; active painting, 1975, by Catherine Millet; Review. Robert Ryman: John Weber Gallery, 1975, by Hilton Kramer; Appreciating Ryman, 1975, by Jeremy Gilbert-Rolfe; Ryman Dossier: About the destruction of the surface entity, 1978, by Christian Bonnefoi; Review. Robert Ryman: Sidney Janis Gallery, 1979, by Jeff Perrone; Robert Ryman: Reductionism [actual symbol not reproducible] Entropy, 1979, by Donald B. Kuspit; Robert Ryman: Another View, 1979, by Marcia Hafif; Irreproducible Ryman, 1980, by Thierry de Duve; Painting in Shreds, 1981, by Jean Clay; The End of Painting, 1981, by Douglas Crimp; Ryman's Tact, 1981, by Yve-Alain Bois; Review. Robert Ryman: Bonnier Gallery, 1983, by Stephen L. Kaplan; Review. Robert Ryman: Maeght Lelong, 1984, by Gerrit Henry; This Is Not a White Square, 1984, by Jean Fremon; Review. Robert Ryman: Leo Castelli Gallery, 1986, by Ellen Handy; Art at the Edge: Ryman's Vector and Cezanne, 1986, by Walter Thompson Note continued: Robert Ryman: The Charter Series: A Meditative Room for the Collection of Gerald S. Elliott, 1987, by Neal Benezra; Nonrepresentation in 1988: Meaning; production beyond the Scope of the Pious, 1988, by Jeremy Gilbert-Rolfe; Review. Robert Ryman: Dia Art Foundation, 1989, by Meyer Raphael Rubinstein, by Daniel Wiener; Red Desert and Arctic Dreams, 1989, by Donald B. Kuspit; Signed Ryman, 1990, by Jean-Pierre Criqui; Surprise and Equanimity, 1990, by Yve-Alain Bois; Robert Ryman: Ode to a Clean Slate, 1991, by Dan Cameron; Review. Robert Ryman: Pace Wildenstein, 1991, by Franklin Sirmans; Absence Made Visible: Robert Ryman's "Realist" Painting, 1992, by Thomas McEvilley; Interpretation or projection? Robert Ryman; after-thoughts on the retrospective in Schaffhausen, 1992, by Laura Arici; Robert Ryman Prints 1969-1993, 1993, by Amy Baker Sandback; Simple Gifts, 1993, by Robert Storr; A Paler Shade of White, 1993, by Robert Hughes Note continued: Ryman, 1993, by Arthur Coleman Danto; Review. New York, Museum of Modern Art: Robert Ryman, 1993, by David Carrier; Ryman's Poetics, 1994, by Christopher S. Wood; Review. Robert Ryman: Pace Wildenstein, 1996, by Lee Siegel; Robert Ryman: "Standard," 1967, 1996, by Klaus Kertess; The Ineffable; About Ryman's Work, 1999, by Daniel Buren; About Robert Ryman, 1999, by Christel Sauer; Notes on Obsessive Whiteness (Ethnic Identities Of Whites), 2000, by Ernesto Pujol; Painting as space of experience, 2000, by Christoph Schreier; Boundary, 2000, by Volker Adolphs; About Hand-writing, 2000, by Bernhart Schwenk; Taking Care of Painting, 2000, by Thierry De Duve; Radiant Dispersion: Robert Ryman's Philadelphia Prototype, 2002, 2002, by Jeffrey Weiss; Robert Ryman: Works On Paper 1957-1964, 2004, by Joseph Marioni; The Education of Robert Ryman, 2004, by John Yau; Review. Robert Ryman: PaceWildenstein, 2005, by Roberta Smith; Robert Ryman, 2005, by Jan Dibbets Note continued: Interview. Ryman Paintings and Ryman Exhibitions, 2006, by Urs Raussmuller; Abstraction Problem: Two new shows on an old idea, 2007, by Peter Schjeldahl. Size: 8vo. Collectible.…

Condition: As New. Unread book in perfect condition.

Soft Cover. Condition: Near Fine. Dust Jacket Condition: No Jacket, as Issued. First Edition. soft cover, folded card covers., minor exterior wear. clean, no writing or markings. no tears or bumps. strong sewn binding.; 383pp., writings, essays, reviews, articles, etc. by 59 individuals, including, bois, daniel buren, arthur danto, jan dibbets, thierry de duve, klaus kertess, joseph kosuth, donald kuspit, lucy lippard, robert storr, jeffrey weiss, john yau. Size: 8vo - over 7¾" - 9¾" tall. …

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

Hardcover. Condition: new. Hardcover. Through an extremely restricted vocabulary, Robert Ryman became a leading figure on the fringes of Minimalist and Conceptual art. This anthology of essays reviews and charts the evolution of the artist's critical reception. A comprehensive selection of over 60 essays and exhibition reviews has been collated into one volume, including texts by some of the most influential art historians and critics. The writings look at Ryman's work within the context of the 'challenge to painting' in the 1960s, as well as the artist's work in relation to other influential painters in art history. Drawing upon the words of key contemporary thinkers, an introduction by Vittorio Colaizzi explores the importance of elements of 'support, colour, brushstroke' in Ryman's paintings. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Brand New. 384 pages. 8.25x6.25x1.25 inches. In Stock.

Kartoniert / Broschiert. Condition: New.

Hardcover. Condition: new. Hardcover. Through an extremely restricted vocabulary, Robert Ryman became a leading figure on the fringes of Minimalist and Conceptual art. This anthology of essays reviews and charts the evolution of the artist's critical reception. A comprehensive selection of over 60 essays and exhibition reviews has been collated into one volume, including texts by some of the most influential art historians and critics. The writings look at Ryman's work within the context of the 'challenge to painting' in the 1960s, as well as the artist's work in relation to other influential painters in art history. Drawing upon the words of key contemporary thinkers, an introduction by Vittorio Colaizzi explores the importance of elements of 'support, colour, brushstroke' in Ryman's paintings. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New.

Condition: New Sealed. Published on the occasion of the exhibition at Galerie Eva Presenhuber. September 10 â" October 23, 2021. This publication features images of Feldmanâs Mothercolor exhibition at Eva Presenhuber, New York, and essays by Gesine Borcherdt, Vittorio Colaizzi, and Barry Schwabsky.

Hardcover. Condition: Very Good. Minimal wear to cover. Pages clean and binding tight. Hardcover.

Hardcover. Condition: Used - Very Good. The only comprehensive monograph on the artist whose abstract 'white' paintings have inspired generations.A much-revered figure in the art world, Robert Ryman has, over six decades, continuously and methodically experimented with the different possibilities inherent within a painting - abolishing colour in order to focus on material, brushstroke, support, and scale. This, the only comprehensive monograph covering his career to date, places his famous square 'white' paintings with lesser-known but increasingly exhibited works, in order to show that he is not a reductionist, but in fact a restless experimenter. White cover shows a little black finger marks. Otherwise a wonderful copy.…

Hard Cover. Condition: Near Fine. First Edition. This is a near fine hardcover copy without dust jacket as issued with almost no wear. Small light stain to front cover, otherwise completely clean. Illustrated in color throughout. Bibliography. 12" high X 10" wide, 343 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. …