Colby Chamberlain (35 results)

Paperback. Condition: Very Good +. Cabinet: A Quarterly of Art and Culture Issue 35 Fall 2009: DUST with works by Dillon, brian; Whatman, Susanna; Jasper, Adam; Connor, Steven; Turner, Christopher; Guins, Raiford; Chamberlain, Colby; Cardia, Alexandra; Sagan, Dorion; Smith, Valerie and others. 112 pages, paper with stiff cover, inserts. Color and black and white reproduction, Very good plus condition.…

Paperback. Condition: Very Good +. Cabinet: A Quarterly of Art and Culture Issue 45 Spring 2012 / Games edited by Sina Najafi. Pieces by Najafi, Sina; Trainor; James; Burnett, D. Graham; Sherman, William H; Glenn, Joshua; Dolven, Jeff; Dayal, geeta; Laws, Joanne; Wang, Michael; Chamberlain, Colby; Welter, Volker and others. 112 pages, paper with stiff cover. Color and black and white reproductions. Very good plus condition. …

dvd. Condition: Used - Good.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Softcover. Condition: Fine. First Edition. [INTERNET]. Ed. Colby Chamberlain. "The Binder and the Server." Brooklyn, NY: Triple Canopy; Stamford, CT: Franklin Street Works Press, 2012. English language. Softcover with black-and-white wrappers and spine. Nonfiction text on art, media, and politics, with black-and-white illustrations. 7 x 4 1/4 inches. 3 oz. 70 pp. Shelf-wear. Text clean. No Issue. Fine to As New. ISBN: 9780984734610. "An expanded and illustrated paperback version of the essay by the same name, which originally appeared in the winter 2011 issue of Art Journal. 'The Binder and the Server' is the outcome of several group discussions among Triple Canopy editors, and was written by senior editor Colby Chamberlain. The essay details the history of Triple Canopy in order to stake out their position on the ideology of Internet culture.". …

Soft cover. Condition: As New. 1st Edition. Softcover 1st edition in AS NEW condition. Actual book is pictured. See images provided. Synopsis: an expanded and illustrated paperback version of the essay by the same name, which originally appeared in the winter 2011 issue of Art Journal. The Binder and the Server is the outcome of several group discussions among Triple Canopy editors, and was written by senior editor Colby Chamberlain. The essay details the history of Triple Canopy in order to stake out their position on the ideology of Internet culture. "About this title" may belong to another edition of this title.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Hardcover. Condition: new. Hardcover. A new, innovative approach to the work of Fluxus artist George Maciunas. Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas's varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy. In this deeply researched study, Chamberlain traces how Maciunas's art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas's ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Hardback. Condition: New. A new, innovative approach to the work of Fluxus artist George Maciunas. Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas's varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy. In this deeply researched study, Chamberlain traces how Maciunas's art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas's ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time.…

Condition: New.

Hardback. Condition: New. A new, innovative approach to the work of Fluxus artist George Maciunas. Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas's varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy. In this deeply researched study, Chamberlain traces how Maciunas's art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas's ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time.…

Hardcover. Condition: Brand New. 288 pages. 9.00x7.00x1.00 inches. In Stock.

Condition: New.

Condition: New.

hardcover. Condition: New.

Condition: New. In English.

Soft cover. Condition: Fair. 1st Edition. As is. 4.25" x 6.5" softcover book in card wraps. 63pp. ilustrated in black and white. Extreme soiling notably to center of front cover and ensuing 4 leaves, though text remains fully legible. Additional spot of soiling to spine and front joint. Essay written by Triple Canopy senior editor Colby Chamberlain, emerging from group discussions, on the history of the magazine "in order to stake out [their] position on the ideology of Internet culture". Save for the soiling, book with very little wear, with sound binding. Scarce in fair condition.…

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Hardcover. Condition: new. Hardcover. A new, innovative approach to the work of Fluxus artist George Maciunas. Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas's varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy. In this deeply researched study, Chamberlain traces how Maciunas's art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas's ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: NEW.

Hardcover. Condition: new. Hardcover. A new, innovative approach to the work of Fluxus artist George Maciunas. Though widely recognized as the founder of the legendary Fluxus movement, George Maciunas has long been a puzzling figure in the history of twentieth-century art. Many have questioned whether he should be considered an artist at all. In Fluxus Administration, critic and art historian Colby Chamberlain reveals the consistent artistic practice hidden behind Maciunas's varied work in architecture, music, performance, publication, graphic design, film, and real estate as an attempt to create models for community through structures of bureaucracy. In this deeply researched study, Chamberlain traces how Maciunas's art insinuated itself into settings as unlikely as the routes of the postal service, the fine print of copyright law, the zoning strictures of urban planning, and the corridors of hospitals. These shifting frames of reference expand our understanding of where an artistic practice can operate and what forms it might assume. In particular, Chamberlain draws on media theory to highlight Maciunas's ingeniously crafted paperwork, much of which is beautifully reproduced here for the first time. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condition: New. &Uumlber den AutorColby Chamberlain is assistant professor of art history at the Cleveland Institute of Art. His scholarship and criticism have appeared in publications including Artforum, ARTMargins, Grey Room.