Collins Andre (34 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condition: Acceptable. paperback 100% of proceeds go to charity! Acceptable reading copy with obvious signs of use, wear, and/or cosmetic issues. Item is complete and remains readable despite notable condition issues.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

paperback. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media.

Condition: good.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condition: Good. No Jacket. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Soft Cover. Condition: Good to Very Good. 72 pages. Illustrated. Size: 8.5 x 11. Civil War Military Parks.

Soft Cover. Condition: Very Good++. Revised Edition/Third Printing. Soft Cover. Very Good++. Revised Edition/Third Printing. 4to - over 9¾" - 12" tall. A 72-page, easy-to-follow account of the battle of Gettysburg. Includes 20 maps and 50 illustrations. Also features special section with facts on artillery, casualties, brographies, a Civil War glossary and a detailed automobile tour of the battle field with associated color maps. Some wear to wraps primarily along top front edge.…

Hardcover. Condition: Fair. No Jacket. 278 Pages; Two Parts With Several Chapters In Each Part. Pages Tight; Yellowed; Page Edges Darkened; No Markings; End Pages And Title Page Show Slight Staining. Inner Spine Crease Weakened But All Page Intact. Red Linen-Like Hard Covers With Gild Lettering On Spine; Moderate Shelf Wear; Some Fading And Rubbing; Part Headings Are: Odile And Isabelle. Rare Vintage Copy Of This Novel.…

Stapled. Condition: Fine. No Jacket. Fourth Edition. 72 pp.

Soft cover. Condition: Good +. A 72 page, easy to follow account of the battle, including 20 maps and 50 illustrations. Mild toning to the edges and a small area of discoloration where a sticker once was. A color map that was purchased at the same time is laid in.

Soft cover. Condition: Very Good.

Hardcover. Condition: Good -. No Jacket. 1st Edition. Tight binding, clean interior. Red cloth-covered boards with gilt on spine, lightly soiled, corners bumped/rubbed through with no red cloth on front corners. Spine faded slightly. Interior clean and unmarked except for the occasional smudge and a stamp on rear endpaper.…

softcover. Condition: good. 4th revised edition. Good to Very good condition.?Minor wear. Binding tight, pages clean. Pictures?available?upon request.? nd.

Soft cover. Condition: Good. 4th Edition. Sunning along the staple spine, with rubbing to the edges of the cover. Pages are clean and free from markings or creases. Binding is tight. BP/Civil War.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good DJ. First American Edition, First Printing. 278 Pp. Red Cloth, Gilt. Second Printing With "2" On Last Page. A Lightly Used Book, Gilt Still Brilliant, No Wear. Dj Front Flap With Quote From Virginia Woolf, "It Would Be Difficult To Find A Fellow To It In English. One Cannot Bring To Mind At The Moment Any Living English Writer So Intelligent, So Dextrous, So Accomplished As M. Maurois". Dj Lightly Used, Slight Fading, Not Price-Clipped [$2.50], 1" Tear At Top Of Front Spine Edge, 3/4" Tear At Top Of Rear Flap Fold.…

Hardcover. Condition: NEW. Dust Jacket Condition: NEW. 1st. Cloth, xix, 220 pages, illustrations (some colour); 29 cm. Exhibition held November 2, 2003 to March 7, 2004. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "The North Carolina Museum of Art and Blue Cross and Blue Shield of North Carolina launched the nation's most ambitious contemporary art exhibition celebrating the centennial of powered flight. Defying Gravity: Contemporary Art and Flight presents approximately 91 major works and several special commissions derived from the interaction between aviation and the imagination and exploring the human desire to fly.Works included in Defying Gravity were created during the last quarter of the 20th century and the first years of the 21st, and span a diverse range of styles, approaches and media, including painting, sculpture, installations, photography, video and film. Artists featured in the show range from American masters Jonathan Borofsky, Roger Brown, James Rosenquist, Frank Stella and Wayne Thiebaud to international art figures such as Alighiero Boetti, Andreas Gursky, Malcolm Morley and Panamarenko, and to young masters and emerging artists including Lawrence Gipe, Margot Gran, Vera Lutter and Robert and Shana ParkeHarrison. Also featured are several artists with North Carolina connections, such as Brent Cole, Kara Hammond, Marvin Jensen and Michael A. Salter. While straightforward imagery of the airplane is represented in the show, the exhibition also investigates aviation's wide-ranging symbolic implications. For instance, a plane can be a source of anxiety and fear, as revealed in such works as Exploding Plane by Heide Fasnacht and a modern-day Saint Sebastian - an airman whose body is pierced by airplanes rather than arrows - by the late Michael Richards, an artist killed in the attacks on the World Trade Center. It can also triumphantly be a symbol for creativity and transcendence, as in Rosemary Laing's color photographs of an effervescent human figure, reveling in being airborne as seen in the picture above. Man's personal desire to fly is also explored with a video of a self-propelled flight over Greenland by Simone Aaberg K rn and works by Jamaica-born Albert Chong and North Carolina resident Hoss Haley, who were each inspired by the myth of Icarus and Daedalus. Flight's effect on artistic perspective can be detected in aerial views such as Ed Ruscha's maplike painting of Los Angeles streets and in the video component of Brent Cole's installation, which simulates flight by taking viewers on a virtual journey through the Museum, out the door and around the grounds. And equally engaging perspectives can be found at airports themselves: striking, large color photographs taken from inside airport terminals by the Swiss team of Peter Fischli and David Weiss will be joined by Julian Schnabel's photographs, taken from the tarmac, of passengers seen through plane porthole windows and by Leo Rubinfien's views of passengers taken aloft. Additionally, several artists use actual airplane parts and materials to create art, including Donald Lipski, who draws materials from the salvage yard of Grumman Aero-space Corporation, and Mark Newson, who uses the aluminum and rivets more commonly associated with a fuselage to construct futuristic furniture. And Chilean Eugenio Dittborn uses the airplane in a much different manner - folding each of his paintings to fit into an envelope and sending them around the world via airmail, a practice he began in the mid-1980s to circumvent the censorship of the Augusto Pinochet regime and the resulting cultural boycott. Two paintings, each with its envelope detailing the work's itinerary, will be on view. The Museum has commissioned several pieces specifically for the exhibition." - Publisher. Size: 4to. Collectible.…

Staplebound. Condition: Good. 4th revised edition. 72 page guide book including numerous illustrations, glossary and a day by day explanation of the battle complete with color maps. Also includes a tour guide price list. A clean, unmarked copy.

3rd edition stiff wrappers Nice Copy lge. octavo 72pp., b/w pls., col. maps, Inc. useful battle plans & casualty list.

Hardcover. Condition: Near Fine. LIMITED EDITION. (1959) 4to. LIMITED SIGNED EDITION, one of 1500 copies. SIGNED by the illustrator. Lacking glassine d.j. Slight rubbing to extremities of cloth. Lacking slipcase. VG. Illustrator.

Condition: New. Satisfaction Guaranteed or your money back.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New.

paperback. Condition: new.

Hardcover. Condition: Fine. Dust Jacket Condition: Very Good DJ. First American Edition, First Printing. 278 Pp. Red Cloth, Gilt. First Printing With "1" On L;Ast ;Page. A Lightly Used Book, Gilt Still Brilliant, No Wear. Dj Front Flap With Quote From Virginia Woolf, "It Would Be Difficult To Find A Fellow To It In English. One Cannot Bring To Mind At The Moment Any Living English Writer So Intelligent, So Dextrous, So Accomplished As M. Maurois". Dj Lightly Used, Slight Browning To Spine And Rear Panel And Flap Edges, Not Price-Clipped [$2.50], 3/16" V-Chips At Top Corners Of Spine Edge, 1/8" Losses At Upper Tips, A Few Minute Holes In White Areas Of Publisher's Logo On Spine (Possibly Acidic Ink?).…