Compton Rebekah (18 results)

Brossura. Condition: new. English Text.Sarzana, 2022; paperback, pp. 214, cm 16,5x23,5. The aim of this volume is to probe the complexities surrounding the idea of "magic" in the early modern period through the specific lens of materials. This collection draws inspiration from a set of papers presented as a double panel, titled "Magical Materials," at the Renaissance Society of America's Virtual Conference in the spring of 2021. The essays address magical materials from an interdisciplinary perspective with topics that draw upon learned and popular forms of philosophy, literature, and art. The authors touch on different geographic and linguistic fields (Greek, Arabic, Hebrew, Latin, and the nascent European vernacular languages). By addressing specific examples of magical materials, the essays provide a glimpse into how philosophers, artists, playwrights, and everyday individuals in Europe made sense of the terrestrial/celestial, natural/supernatural, and legendary/real worlds of magic. The studies cross a large diachronic space, from the fourteenth century to the first half of the seventeenth century, revealing the numerous faces of magic in this kaleidoscopic era. Libro.

Condition: NEW. Sarzana: Agorà & Co., 2022 9791280508225 809 214 p. : ill. col. b/n, indice ; 24 cm. The aim of this volume is to probe the complexities surrounding the idea of "magic" in the early modern period through the specific lens of materials. This collection draws inspiration from a set of papers presented as a double panel, titled "Magical Materials," at the Renaissance Society of America's Virtual Conference in the spring of 2021. The essays address magical materials from an interdisciplinary perspective with topics that draw upon learned and popular forms of philosophy, literature, and art. The authors touch on different geographic and linguistic fields (Greek, Arabic, Hebrew, Latin, and the nascent European vernacular languages). By addressing specific examples of magical materials, the essays provide a glimpse into how philosophers, artists, playwrights, and everyday individuals in Europe made sense of the terrestrial/celestial, natural/supernatural, and legendary/real worlds of magic. The studies cross a large diachronic space, from the fourteenth century to the first half of the seventeenth century, revealing the numerous faces of magic in this kaleidoscopic era. The aim of this volume is to probe the complexities surrounding the idea of "magic" in the early modern period through the specific lens of materials. This collection draws inspiration from a set of papers presented as a double panel, titled "Magical Materials," at the Renaissance Society of America's Virtual Conference in the spring of 2021. The essays address magical materials from an interdisciplinary perspective with topics that draw upon learned and popular forms of philosophy, literature, and art. The authors touch on different geographic and linguistic fields (Greek, Arabic, Hebrew, Latin, and the nascent European vernacular languages). By addressing specific examples of magical materials, the essays provide a glimpse into how philosophers, artists, playwrights, and everyday individuals in Europe made sense of the terrestrial/celestial, natural/supernatural, and legendary/real worlds of magic. The studies cross a large diachronic space, from the fourteenth century to the first half of the seventeenth century, revealing the numerous faces of magic in this kaleidoscopic era.

Condition: NEW. Agorà & Co. (Lugano), 2022 9791280508225 214 p.23,5 cm.

Condition: New.

Condition: New. In.

Condition: New.

Hardcover. Condition: Brand New. 350 pages. 10.00x7.25x1.00 inches. In Stock.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Venus and the Arts of Love offers the first survey of Venus in the art, culture, and governance of Florence from 1300-1600. In the course of deconstructing Venus's trajectory, this book critically examines the materials and techniques that artists employed to fulfill and even enhance the goddess's iconographic demands.

Condition: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Condition: New. 2021. Hardcover. . . . . .

Hardcover. Condition: new. Hardcover. In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era. Venus and the Arts of Love offers the first survey of Venus in the art, culture, and governance of Florence from 13001600. In the course of deconstructing Venus's trajectory, this book critically examines the materials and techniques that artists employed to fulfill and even enhance the goddess's iconographic demands. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Brand New. 350 pages. 10.00x7.25x1.00 inches. In Stock. This item is printed on demand.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Hardcover. Condition: new. Hardcover. In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era. Venus and the Arts of Love offers the first survey of Venus in the art, culture, and governance of Florence from 13001600. In the course of deconstructing Venus's trajectory, this book critically examines the materials and techniques that artists employed to fulfill and even enhance the goddess's iconographic demands. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: New. Print on Demand.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Venus and the Arts of Love offers the first survey of Venus in the art, culture, and governance of Florence from 1300-1600. In the course of deconstructing Venus s trajectory, this book critically examines the materials and techniques that artists employed .

Condition: New. PRINT ON DEMAND.

Hardcover. Condition: new. Hardcover. In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era. Venus and the Arts of Love offers the first survey of Venus in the art, culture, and governance of Florence from 13001600. In the course of deconstructing Venus's trajectory, this book critically examines the materials and techniques that artists employed to fulfill and even enhance the goddess's iconographic demands. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.