Conselman William (17 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. Fred L. Fox (illustrator). 1st Edition. $1.25 Publishers Dust Jacket PriceIntact, Color Illustrations, Rubbings Scuffs Short Tears and Various Dust Jacket Wear Issues, No Foxing a Clean Copy.

Soft cover. Condition: Very Good. No Jacket. Over-sized stapled softbound (quarto). Minor wear to the covers. The covers retain their original luster. No distortion of the book from reading or improper shelving. Pages are tight and clean with no marks. No name of previous owner. No odor. No water damage. No soiling. No sun fading. Size: 4to - over 9¾" - 12" tall.

Soft cover. Condition: Very Good. No Jacket. Over-sized stapled paper covers. Very light wear to the covers. Pages are tight and clean with no marks. Many photo stills from the movie. No name of previous owner. No odor. No water damage. No soiling. No sun fading. Laid in is an 8x10 publicity photo of Shirley,

Soft Cover. Condition: good+. Authorized ed. No. 1767. 10" tall x 9.5"; stapled binding; 32pp + cover; b/w photos from the 20th Century Fox movie; color photo on front cover; a bit of wear & soiling to cover; pp browning slightly. Paperback.

Hardcover. Condition: very good/good. Quarto. 10" x 9". Unpaginated. Black and white illustrations by Fred. L. Fox. Dust jacket is missing spine.

Hardcover. Condition: Good. Fred L. Fox (illustrator). Satirical children's book mocking Adolf Hitler, by the comic strip writer and his daughter. With sparing colour illustrations. Spotting and toning to covers. Rubbing and tear to front joint. Mild toning to page edges, text-block clean and tight. Good overall.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Illustrated by Fred L. Fox (illustrator). Soiling and edge wear to jacket. A nice, bright copy. ; Color Illustrations; 8vo.

Hardcover. Condition: Très bon. Fox, Fred (illustrator). Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Vintage studio still photograph from the 1934 film. A nightclub singer in Shanghai falls in love with an American soldier. When he arrives back in the US he sends her a letter, telling her they cannot continue seeing each other, but the letter is intercepted. She comes to the US to find him. 10 x 8 inches. Very Good, with pinholes at the corner and a corresponding chip at the bottom right corner, and a chip along the top edge.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. FRED L FOX (illustrator). A parody of Hitler and the third Reich . In the end the Bully gets his due .Cute illustrations ---GREAT PROPAGANDA .

Hardback. Red and white boards, 4 to, unpaginated (56 PP.). Drawings by Fred L. Fox. Satirical view of Adolf Hitler and the Nazi regime just before the outbreak of World War II. Owners name and bookplate front paste-down, no marks in book, binding solid. In unclipped dust jacket that shows minor soiling, minor chipping top and bottom of spine, small scuff front cover. Book condition VG in VG- DJ. Binding: HB.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Illustrated by Fred L. Fox (illustrator). First Edition. Pictorial boards. To the front free endpaper it is signed, personalized in pencil by Bill Conselman, Jr. Bumps to the upper corners. Other light wear. Very tight. The dust jacket has some sunning along the spine, minor soiling. Price of $1.25 to the front flap. Conselman was a screenwriter and writer of comic strips. He was the co-creator of the strip, Ella Cinders, which ran for decades. Conselman died soon after Keedle was published. ; Small 4to 9" - 11" tall; Signed by Author.

Hardcover. Condition: Very good. Dust Jacket Condition: Very good. First Edition. Drawings by Fred L. Fox. New York: Hillman-Curl, Inc., 1940. First edition. A satire of Adolf Hitler and the rise of Nazi ideology published on the eve of World War II. This work was a collaboration between screenwriter William Conselman and his daughter Deirdre. Inscribed and dated in December 1939 (just prior to publication) by Deirdre Conselman on the front flyleaf. Small quarto. Original pictorial paper-covered boards. Minor wear to the corners and tips. The dust jacket is browned and somewhat edgeworn, with a chip to the top corner of the front panel; otherwise very good.

Script Format, reprint. Condition: As New. / 1936 FINAL DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/.

Script Format, reprint. Condition: As New. / 1934 FINAL DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Final Draft script for the 1941 film, here under the working title "Corncob Kelly's Benefit." Production No. 301 and copy No. 105 rubber stamped on front wrapper, with FINAL printed at the top right corner of same. Single annotation, in manuscript pencil, of two names on verso of page 119. Eight blue revision pages follow final page of script. Young "Corn Cob" Kelly (Marvin Stephens), a natural with horses, is taught to be a jockey by trainer Duke Martin (Eugene Pallette), but runs into trouble when he gets word racehorse owner Dan Thomas (Richard Lane) is conspiring with gangsters to fix the race. Set in Thousand Oaks, California. Blue titled wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 105 and production No. 301, dated SEPT. 6, 1940. Distribution page present, with receipt intact. Title page present, dated September 6, 1940, noted as Final Script, with credits for screenwriters William Conselman Jr, and Irving Cummings Jr. 129 leaves, with last page of text numbered 95. Mimeograph duplication, rectos only, with blue revision pages following last page, dated 10/17/40. Pages Near Fine, wrapper Very Good plus, bound internally with three gold brads.

Final script for the 1940 film. The AFI Catalog notes: "According to a Twentieth Century- Fox press release, this was the first writing effort for Fox sound man William Brent. After his story was bought, Brent was made a writer at the studio. [Also the first screenwriter assignment for] Irving Cummings, Jr. and William Conselman, Jr. Both men were "second generation Hollywood," as Cummings' father was a director and Conselman's a screenwriter. "According to Twentieth Century-Fox press releases, the football sequences were shot at the Los Angeles Olympic Stadium and at the Pasadena Rose Bowl. Despite a summer heat wave, the extras were required to wear heavy winter coats. As such, large wind machines behind huge cakes of ice were used to cool off the fields. Thirty-four college football players from local universities were used as extras in this film. They included USC's Ambrose Schindler, Bill Howard, Red Morgan, Tony Tonelli, Ollie Day and Owen Hansen, and UCLA's Billy Bob Williams, Bill Overlin and Bill Radovich. Location filming was done at the Inglewood Railway Station as the station received little use. Because only two freight trains used the station each day, movie extras were the only passengers ever to use the station. The press release also reported that the rental cost of a four-car train at the station was $150 per day. HR reported that Fox borrowed Lewis Howard from Universal Pictures for this film." A Fox programmer about a doctor reflecting on his college days, how he was lured onto the football team and away from his studies, a flirtation with a widow and meeting his true love. A strong early vehicle for actor Robert Sterling, and featuring two notable women from the serial film era, Jean Rogers, Pale blue titled wrappers, noted as FINAL on the front wrapper, rubber-stamped copy No. 149 and production No. 518, dated June 24, 1940. Distribution page present, with receipt intact. Title page present, dated June 24, 1940, noted as Final Script, with credits for screenwriters Conselman Jr. and Cummings Jr. 135 leaves, mimeograph duplication, with blue revision pages throughout, dated variously between 6/25/40 and 7/1/40. Pages Near Fine, wrapper Good plus bound internally with three gold brads.