Constable Rosalind (3 results)

0 Includes illustrations. Good. moderate shelfwear, ex museum stamps.

146 pp.; 30.5 x 22.8 cm.; glue bound; black-and-white & color; edition size 50,000; unsigned and unnumbered; offset-printed; January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. Varian; "Public Art and Private Gallery," by James Wines; "Money for Money's Sake," by Jean Lipman; "Rediscovery: William O. Golding;" "New Talent - The Computer," by Stan VanDerBeek; "At Home With Art: The Samuel Rautbord House;" "Presenting Charles Close," by Cindy Nemser; "Francis Bacon at Sixty," by John Russell; "Paris: The Lettrist Movement," by Carol Cutler; "Vancouver: Scene and Unscene," by Peter Selz with Alvin Balkind; "Boston's Centenary Acquistions;" "Letters to the Editor;" "The State of Taste: Culturettes," by Russell Lynes; "Readers' Choice: Monet's La Terrasse," by Douglas Dillon; "New York Gallery Notes: The New Decade.at Dawn," by Grace Glueck; "Forum: The Vanishing Indian," by Rosalind Constable; "Graphics '70: Paul Jenkins," presented by Donald H. Karshan and "Books: Ambitious Projects," by Jay Jacobs. Cover: Robert Indiana. Includes "Phenomena Tide Finder," a 1969 full color original offset lithograph by Paul Jenkins printed by the Triton Press, bound into the magazine, and published in an edition of 50,000. Good. Yellowing of covers, light edgewear, and slight curl to publication. 3.5 cm. blue pen mark on recto. Contents clean and unmarked.

9 pp.; 28 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Critical theory essay, "Some Notes on the Current Art Magazines," by Time Magazine writer Rosalind Constable, dated March 15, 1961. The essay suggests that American critics have an open hostility toward the art of the New York School of artists, and as a result the only way to gain an understanding of what was happening in the New York scene was through art magazines published abroad. The essay outlines these magazines and their contributions to contemporary art reporting. Good. Date circled in red pencil. Name to whom the article is addressed written in blue ink. Light yellowing of recto and yellowing and soiling to verso.