Cornaz Marie (44 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Very Good. A fine copy in fine unclipped dust wrapper that has very light storage marking; no significant wear or damage. Contents fine, with no inscriptions.

Condition: BUONO. Paris, EPEL cm.15,5x22,5, pp.205,(7), alcune ill. in bn.nt., brossura Publ. de l'Ecole Lacanienne de Psychanalyse.

197 S. Kartoniert. Sauberes Exemplar ohne Stempel und Anstreichungen. Name auf Vorsatz. Sehr gut erhalten. Sprache: fra.

Couverture rigide. Condition: Comme neuf. Relié .266p.CD ROM.Nombreuses Illustrations couleurs et noir et blanc.

Condition: fine. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

270 p. Linnen met stofomslag, mooi exemplaar.

Hardcover. Condition: New. Dust Jacket Condition: New. Qto., 267 pages, illustrated in colour. A New copy in dust jacket.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fine. A stunning copy! Still sealed in the original publisher's shrinkwrap! Minty like a box of Altoids. Green Apple Books and Music, Publisher Weekly's Bookstore of the Year 2014, has been San Francisco's favorite independent bookseller since 1967! Shipping costs on oversize / international orders will reflect actual shipping charges and may be more than quoted by ABE. We will need to contact you with true shipping costs and ask for authorization before adjusting cost.…

Condition: Sehr gut. 267 Seiten, bebildert. Buch sehr gut erhalten, nur SU ganz leicht berieben. ISBN: 9782503555577 Der Versand ins Ausland ist gegen Zahlung der Portokosten möglich. Bitte nehmen Sie Kontakt mit uns auf. Sprache: Englisch Gewicht in Gramm: 1600 Gebundene Ausgabe mit Schutzumschlag.

Kartoniert / Broschiert. Condition: New. Jost, Peter, ed|Schile, Klaus, Fingersatz|Zimmermann, Tabea, Fingersatz_mit bezeichneter und unbezeichneter StreicherstimmeDer unstete Lebensweg des Belgiers Vieuxtemps nahm wie kaum ein anderer im 19. Jahrhunderts den europaeischen Gedanken vorweg. .

Couverture rigide. Condition: Très bon. Dust Jacket Condition: Comme neuf. grnad in-4, cartonné sous jaquette, un prix indiqué à l'encre sur le coin supérieur de la page de garde sinon état proche du neuf. très nombreuses illustrations in et hors texte. Attention vendu sans le cd qui l'accompagnait initialement.…

Couverture rigide. Condition: Très bon. Dust Jacket Condition: Très bon. in-4, caronné toilé sous jaquette illustrée. très nombreuses illustrations nb et couleurs in et hors texte. Bien complet du CD.

soft cover. Condition: fine. first edition. In-8° broché, 81 pages - Articles originaux : L'invention au XXe siècle d'une homologia parrêsia côté femmes pour chaque-une plurielle autant que mille, Générations MLF 1968-2008 - Dupe d'un nom pour Jean-Claude Milner, l'Arrogance du présent. Regards sur la décennie 1965-1975 - Les objets,vous dis-je !, pour Tobie Nathan, à qui j'appartiens ? Écrits sur la psychothérapie, sur la guerre et sur la paix.…

Condition: New.

Pleine Toile. Condition: Très bon. Dust Jacket Condition: Très bon. 266 p., nbr. ill. n/b et coul. Inv. 31500. Photographies de Martial Trouillez (illustrator).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First English edition. Numerous colour photographic illustrations, translated from the French by Anna J. Davies. 4to. Near fine publisher's cloth, in a similar dustwrapper, this with some light shelf-wear and a sticky abrasion to rear panel.…

hardcover. Condition: New. 1st.

Taschenbuch. Condition: Gut. Gebraucht - Gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Umschlag durch Lager- oder Transportschaden -Cet ouvrage constitue une nouveauté, car il propose pour la première fois un catalogue exhaustif et fouillé des éditions musicales parues à Bruxelles au XVIIIe siècle. Après une introduction, retraçant les lignes de force de l'histoire de ce commerce musical spécifique, le corps du volume détaille toutes les publications, typographiées et gravées, en les présentant successivement par compositeurs, oeuvres anonymes et recueils. Chaque édition est décrite au sein de rubriques dévolues à la page de titre, à la collation, au contenu musical, à la datation, au référencement RISM, aux exemplaires conservés (et à leurs spécificités éventuelles), aux documents liminaires et autres (dédicace, distribution, liste de souscripteurs, privilège, catalogue d'éditeur) et enfin à quelques données techniques. Agrémenté de soixante-dix illustrations, le catalogue est suivi de deux index : le premier recense les oeuvres, tandis que le second s'attache aux personnalités citées, qu'il s'agisse de compositeurs, d'interprètes, de dédicataires ou encore de souscripteurs. Outil de référence inédit, ce volume apporte sa contribution à l'histoire de l'édition musicale, tout en répertoriant avec précision un corpus musical jusqu'ici insoupçonné. 321 pp. Französisch.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: new. Hardcover. This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d'Arenberg et la musique au xviiie siecle. Histoire d'une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble European families under the Ancien Regime - a family resident in the Spanish and then the Austrian Netherlands, the territory of the future state of Belgium. Today forming an integral part of the private family archives kept at Enghien (in the Hainaut region of Belgium), this exceptional collection of manuscripts and prints from all over Europe began to expand in the last years of the seventeenth century, and grew gradually and continually throughout the eighteenth century. Analysing this collection has afforded a rare opportunity to discover and identify musical sources entirely unknown to us until now; these include works by the Italians Alessandro Scarlatti, Pietro Torri, and Antonio Vivaldi. With the aid of unpublished archival material, it has proved possible also to relate and explain how this important music collection was amassed, and, through the prism of the musical affinities of an aristocratic family, to illustrate the evolution of taste in eighteenth-century Europe. The introduction to the book sets out key milestones in the history of the Arenbergs and their music library. The three chapters that follow trace the development of this collection under Dukes Leopold-Philippe (1690-1754), Charles-Marie-Raymond (1721-1778), and Louis-Engelbert (1750-1820) d'Arenberg, while an Epilogue sheds light on the era of the Prince and composer Paul d'Arenberg (1788-1844). Via music lessons, private and public concerts, operatic performances (not only in Brussels but also in Paris, London, Vienna, and Rome), and contacts with such musicians as Mozart, Paisiello, and Haydn, the Dukes acquired in the region of 1500 music manuscripts and prints, where the above names, as well as those of Lully, Handel, Pergolesi, Gretry, and Salieri, appear alongside those of musical personalities long since fallen into obscurity. Finally, the book tells a hitherto largely untold story of musical life in the former Southern Netherlands and Europe under the Ancien Regime, the family archives shedding particular light on the role played in this by the Dukes of Arenberg as patrons of the Arts. Towards this end, the book makes detailed reference to and reproduces the most significant sources and documents. This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d'Arenberg et la musique au xviiie siecle. Histoire d'une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble Euro Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New. 2015. Hardcover. . . . . .

Condition: As New. Unread book in perfect condition.

Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. prima edizione. The Dukes of Arenberg and Music in the Eighteenth Century. The Story of a Music Collection Marie Cornaz Pages: 267 p. Size:220 x 280 mm Illustrations:184 col. Language(s):English Publication Year:2015 Buy print version € 135,00 EXCL. VAT RETAIL PRICE ISBN: 978-2-503-55557-7 Hardback Available SUBJECT(S) Musicology: Baroque period (c. 1600-1750) Catalogues of manuscripts for an institution REVIEW(S) "The book is beautifully produced and consists of everything a critical reader wishes to find: a fine structure, excellent prose, many full colour reproductions of highest quality, and, above all, a lot of information (…) All in all, this is a lovely book which will easily serve as an adornment on the bookshelves of readers with an interest in western music of the eighteenth century." (Albert Clement in BMGN, 20/11/2017) SUMMARY This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d'Arenberg et la musique au XVIIIe siècle. Histoire d'une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble European families under the Ancien Régime - a family resident in the Spanish and then the Austrian Netherlands, the territory of the future state of Belgium. Today forming an integral part of the private family archives kept at Enghien (in the Hainaut region of Belgium), this exceptional collection of manuscripts and prints from all over Europe began to expand in the last years of the seventeenth century, and grew gradually and continually throughout the eighteenth century. Analysing this collection has afforded a rare opportunity to discover and identify musical sources entirely unknown to us until now; these include works by the Italians Alessandro Scarlatti, Pietro Torri, and Antonio Vivaldi. With the aid of unpublished archival material, it has proved possible also to relate and explain how this important music collection was amassed, and, through the prism of the musical affinities of an aristocratic family, to illustrate the evolution of taste in eighteenth-century Europe. The introduction to the book sets out key milestones in the history of the Arenbergs and their music library. The three chapters that follow trace the development of this collection under Dukes Léopold-Philippe (1690-1754), Charles-Marie-Raymond (1721-1778), and Louis-Engelbert (1750-1820) d'Arenberg, while an Epilogue sheds light on the era of the Prince and composer Paul d'Arenberg (1788-1844). Via music lessons, private and public concerts, operatic performances (not only in Brussels but also in Paris, London, Vienna, and Rome), and contacts with such musicians as Mozart, Paisiello, and Haydn, the Dukes acquired in the region of 1500 music manuscripts and prints, where the above names, as well as those of Lully, Handel, Pergolesi, Grétry, and Salieri, appear alongside those of musical personalities long since fallen into obscurity. Finally, the book tells a hitherto largely untold story of musical life in the former Southern Netherlands and Europe under the Ancien Régime, the family archives shedding particular light on the role played in this by the Dukes of Arenberg as patrons of the Arts. Towards this end, the book makes detailed reference to and reproduces the most significant sources and documents.…

Condition: New.

Condition: New.

Condition: New. 2015. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. exp revised up edition. 267 pages. 11.50x9.25x0.75 inches. In Stock.