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Paperback. Condition: New. Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKS's vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists-including Grigori Kozintsev and Leonid Trauberg-and uses their own theoretical contributions to undo the "foundations" of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKS's body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself.
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Paperback. Condition: new. Paperback. Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKSs vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists-including Grigori Kozintsev and Leonid Trauberg-and uses their own theoretical contributions to undo the foundations of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKSs body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself. In a city reeling from Bolshevik revolution, a group of Ukrainian transplants formed the Factory of the Eccentric Actor--a collective devoted to the revolutionary overhaul of stagnant cultural institutions. The story of these artists and their first steps in cinema is perhaps the best kept secret in early Soviet culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Add to basketPaperback. Condition: new. Paperback. Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKSs vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists-including Grigori Kozintsev and Leonid Trauberg-and uses their own theoretical contributions to undo the foundations of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKSs body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself. In a city reeling from Bolshevik revolution, a group of Ukrainian transplants formed the Factory of the Eccentric Actor--a collective devoted to the revolutionary overhaul of stagnant cultural institutions. The story of these artists and their first steps in cinema is perhaps the best kept secret in early Soviet culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Published by Yale University Press, for the Metropolitan Museum of Art in New York, New Haven, Connecticut / London, England, 2012
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Hardcover. Condition: Very good condition. Dust Jacket Condition: Very good. xx, 331 pp. Catalogue of the Exhibition held at the Metropolitan Museum of Art, New York, 14 March - 08 July 2012.
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Paperback. Condition: new. Paperback. Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKSs vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists-including Grigori Kozintsev and Leonid Trauberg-and uses their own theoretical contributions to undo the foundations of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKSs body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself. In a city reeling from Bolshevik revolution, a group of Ukrainian transplants formed the Factory of the Eccentric Actor--a collective devoted to the revolutionary overhaul of stagnant cultural institutions. The story of these artists and their first steps in cinema is perhaps the best kept secret in early Soviet culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Taschenbuch. Condition: Neu. Neuware - In a city reeling from Bolshevik revolution, a group of Ukrainian transplants formed the Factory of the Eccentric Actora collective devoted to the revolutionary overhaul of stagnant cultural institutions. The story of these artists and their first steps in cinema is perhaps the best kept secret in early Soviet culture.
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Condition: New. Über den AutorPATRICE PETRO is a professor of film and media studies, Dick Wolf Director of the Carsey-Wolf Center, and Presidential Chair in Media Studies at the University of California, Santa Barbara. She is the author, edit.
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Add to basketPaperback. Condition: New. Monuments Askew: An Elliptical History of the Factory of the Eccentric Actor presents a cultural history of the Factory of the Eccentric Actor (FEKS), an avant-garde collective of Ukrainian artists whose unique approach to monumental history generated a new kind of cinema for a modernizing Soviet era. Often lost in the shuffle of this period, FEKS's vibrant and experimental cinematic output initiated a youthful and cheeky overhaul of Soviet revolutionary culture. Monuments Askew reveals the foundational role of this understudied group of artists-including Grigori Kozintsev and Leonid Trauberg-and uses their own theoretical contributions to undo the "foundations" of our understanding of Soviet media and arts. As a counter to a solely cinema-focused conceptualization of this era, Corrigan develops a transnational media theory of eccentricity. Defining eccentric circles as warped, irregular orbits that force a realignment of centers, Monuments Askew shows how FEKS's body of work inspires an eccentric realignment of the pillars of Soviet visual culture, and indeed of monumentality itself.