Covelli Timon (19 results)

paperback. Condition: Good. Bruise/tear to cover.

paperback. Condition: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

paperback. Condition: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condition: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condition: New.

Paperback. Condition: new. Paperback. Atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.Atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.A literal no-place, atopia represents the spatial end-product of a society seemingly flattened by supra-territorial flows of information and material. It expresses both a physical artifact and condition of mass culture, and like the global systems of production and consumption from which it is conceived, atopia is both nowhere and everywhere at once. For the contributors of Perspecta 54, the ephemeral conditions of atopia are also an invitation to an equally unconstrained critical practice. Blurred boundaries-geopolitical, virtual, technical, disciplinary-offer sites for transgressive speculation and critique from beyond the limits of traditional design agency.What results is a form of design practice that ambiguously straddles impossibility and hyperreality. Atopia rejects both the escapist fantasy of utopia and the nihilism of dystopia, favoring instead a conceptual middle ground from which real-world conditions can be productively engaged and challenged. Architecture's traditional objectives of critical inquiry-particularly the location of modes of complicity, agency, and resistance within larger structures-are mediated and reframed through nontraditional strategies of speculative design and fiction. For a profession that is routinely asked to navigate extreme complexity with limited tools, this approach suggests an expanded operational domain and possibilities for reinvigorated creative thought. From urban crises and climate emergencies to border disputes and geopolitics, Perspecta 54 examines atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. Atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged. A literal no-place, atopia represents the spatial end-product of a society seemingly flattened by supra-territorial flows of information and material. It expresses both a physical artifact and condition of mass culture, and like the global systems of production and consumption from which it is conceived, atopia is both nowhere and everywhere at once. For the contributors of Perspecta 54, the ephemeral conditions of atopia are also an invitation to an equally unconstrained critical practice. Blurred boundaries-geopolitical, virtual, technical, disciplinary-offer sites for transgressive speculation and critique from beyond the limits of traditional design agency. What results is a form of design practice that ambiguously straddles impossibility and hyperreality. Atopia rejects both the escapist fantasy of utopia and the nihilism of dystopia, favoring instead a conceptual middle ground from which real-world conditions can be productively engaged and challenged. Architecture's traditional objectives of critical inquiry-particularly the location of modes of complicity, agency, and resistance within larger structures-are mediated and reframed through nontraditional strategies of speculative design and fiction. For a profession that is routinely asked to navigate extreme complexity with limited tools, this approach suggests an expanded operational domain and possibilities for reinvigorated creative thought. From urban crises and climate emergencies to border disputes and geopolitics, Perspecta 54 examines atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Condition: New.

Condition: New. 2022. Paperback. . . . . .

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Paperback. Condition: Brand New. 353 pages. 12.25x9.25x0.50 inches. In Stock.

Paperback. Condition: new. Paperback. Atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.Atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.A literal no-place, atopia represents the spatial end-product of a society seemingly flattened by supra-territorial flows of information and material. It expresses both a physical artifact and condition of mass culture, and like the global systems of production and consumption from which it is conceived, atopia is both nowhere and everywhere at once. For the contributors of Perspecta 54, the ephemeral conditions of atopia are also an invitation to an equally unconstrained critical practice. Blurred boundaries-geopolitical, virtual, technical, disciplinary-offer sites for transgressive speculation and critique from beyond the limits of traditional design agency.What results is a form of design practice that ambiguously straddles impossibility and hyperreality. Atopia rejects both the escapist fantasy of utopia and the nihilism of dystopia, favoring instead a conceptual middle ground from which real-world conditions can be productively engaged and challenged. Architecture's traditional objectives of critical inquiry-particularly the location of modes of complicity, agency, and resistance within larger structures-are mediated and reframed through nontraditional strategies of speculative design and fiction. For a profession that is routinely asked to navigate extreme complexity with limited tools, this approach suggests an expanded operational domain and possibilities for reinvigorated creative thought. From urban crises and climate emergencies to border disputes and geopolitics, Perspecta 54 examines atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: New. Atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged. A literal no-place, atopia represents the spatial end-product of a society seemingly flattened by supra-territorial flows of information and material. It expresses both a physical artifact and condition of mass culture, and like the global systems of production and consumption from which it is conceived, atopia is both nowhere and everywhere at once. For the contributors of Perspecta 54, the ephemeral conditions of atopia are also an invitation to an equally unconstrained critical practice. Blurred boundaries-geopolitical, virtual, technical, disciplinary-offer sites for transgressive speculation and critique from beyond the limits of traditional design agency. What results is a form of design practice that ambiguously straddles impossibility and hyperreality. Atopia rejects both the escapist fantasy of utopia and the nihilism of dystopia, favoring instead a conceptual middle ground from which real-world conditions can be productively engaged and challenged. Architecture's traditional objectives of critical inquiry-particularly the location of modes of complicity, agency, and resistance within larger structures-are mediated and reframed through nontraditional strategies of speculative design and fiction. For a profession that is routinely asked to navigate extreme complexity with limited tools, this approach suggests an expanded operational domain and possibilities for reinvigorated creative thought. From urban crises and climate emergencies to border disputes and geopolitics, Perspecta 54 examines atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.

Condition: New. Melinda Agron, Timon Covelli, Alexis Kandel, and David Langdon are all graduates of Yale School of Architecture.Atopia as both the site of architecture&rsquos critical confrontation with hegemonic systems and the theoretical space in which its own p.

Paperback. Condition: New. Atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged. A literal no-place, atopia represents the spatial end-product of a society seemingly flattened by supra-territorial flows of information and material. It expresses both a physical artifact and condition of mass culture, and like the global systems of production and consumption from which it is conceived, atopia is both nowhere and everywhere at once. For the contributors of Perspecta 54, the ephemeral conditions of atopia are also an invitation to an equally unconstrained critical practice. Blurred boundaries-geopolitical, virtual, technical, disciplinary-offer sites for transgressive speculation and critique from beyond the limits of traditional design agency. What results is a form of design practice that ambiguously straddles impossibility and hyperreality. Atopia rejects both the escapist fantasy of utopia and the nihilism of dystopia, favoring instead a conceptual middle ground from which real-world conditions can be productively engaged and challenged. Architecture's traditional objectives of critical inquiry-particularly the location of modes of complicity, agency, and resistance within larger structures-are mediated and reframed through nontraditional strategies of speculative design and fiction. For a profession that is routinely asked to navigate extreme complexity with limited tools, this approach suggests an expanded operational domain and possibilities for reinvigorated creative thought. From urban crises and climate emergencies to border disputes and geopolitics, Perspecta 54 examines atopia as both the site of architecture's critical confrontation with hegemonic systems and the theoretical space in which its own processes can be challenged.