Craig Patsy (43 results)

Hardback. Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Condition: Fine. Dust Jacket Condition: No Jacket as issued. 1st Edition. First printing with complete number string. Virtually as new.

Paperback. Condition: new. Paperback. In the 15th century the ideas of the great Renaissance artists required the attentions of engineers and artisans to construct and explain the dynamics of their ambitious works. Leonardo da Vinci's helicopter was built in a studio; very probably his submarine was also built. Today that endeavour and enquiry is represented by Mike Smith, whose studio in the Old Kent Road in London furnishes the architecture for the most pressing installations and sculptures of young British artists. He is the carborundum that enables the best artists working in Britain today to realize their work - Rachel Whiteread's monument in Trafalgar Square is a testament to his work. The painter Patsy Craig has unravelled the activities of the Mike Smith Studios, including the symbiosis of the studio with the process of creation of such artists as Damien Hirst, Mona Hatoum, Keith Tyson, Darren Almond and Mark Wallinger. She has collected from the Studio's archives, along with the detritus, the correspondence, notes, ideas, failures and successes of these and other artists at the studio. They are a diary and vade mecum of the construction of a significant theory in current British art.It is an assembly of the very templates of the thinking, design and creation of art in Britain today. Mike Smith Studios furnishes the architecture for the installations and sculptures of young British artists. This text unravels the activities of Mike Smith Studios, including its role in the creation of the work of such artists as Damien Hirst, Mona Hatoum, and Mark Wallinger. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: new.

Paperback. Condition: New. Making Art Work unravels the activities of the Mike Smith Studios, including the symbiosis of the studio with the process of creation of such artists as Damien Hirst, Mona Hatoum, Keith Tyson, Darren Almond and Mark Wallinger. Over the last 12 years she has collected from the Studio's archives, along with the detritus, the correspondence, notes, ideas, failures and successes of these and other artists at the studio.Even in Renaissance times the construction of works of art was often by the hand of someone other than the artist. Mike Smith's studio on the Old Kent road has been witness to the making of many important works of the Young British Artists, including Damien Hirst, Keith Tyson and Rachel Whiteread. Here the processes and practices of his studio are revealed.In the 15th century the ideas of the great Renaissance artists required the attentions of engineers and artisans to construct and explain the dynamics of their ambitious works. Leonardo da Vinci's helicopter was built in a studio; very probably his submarine too.Today that endeavour and enquiry is represented by Mike Smith, whose studio in the Old Kent Road in London furnishes the architecture for the most pressing installations and sculptures of young British artists. He is the carborundum that enables the best artists working in Britain today to realise their work - Rachel Whiteread's Monument in Trafalgar Square is a testament to his work.The painter Patsy Craig, out of Connecticut and Peru, has, in Making Art Work, unravelled the activities of the Mike Smith Studios, including the symbiosis of the studio with the process of creation of such artists as Damien Hirst, Mona Hatoum, Keith Tyson, Darren Almond and Mark Wallinger. Over the last 12 years she has collected from the Studio's archives, along with the detritus, the correspondence, notes, ideas, failures and successes of these and other artists at the studio. They are a diary and vade mecum of the construction of a significant theory in current British art.It is an extraordinary assembly of the very templates of the thinking, design and creation of art in Britain today, edited with a painter's eye to the relevant and a disdain for the irrelevant. It is as if one were provided with a pop-up illustration of how and why artists think, and how their ideas are engineered by those who translate their odysseys into reality. Germano Celant, a Senior Curator for Guggenheim New York, has contributed the critical text. William Furlong, from Audio Arts, has conducted the artists' interviews.

Condition: New. Editor(s): Craig, Patsy. Num Pages: 528 pages, colour and b&w photographs. BIC Classification: 1DBK; ACXJ; AFKN. Category: (G) General (US: Trade). Dimension: 237 x 191 x 35. Weight in Grams: 1578. . 2003. illustrated edition. hardcover. . . . .

Condition: Neuf.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. Editor(s): Craig, Patsy. Num Pages: 528 pages, colour and b&w photographs. BIC Classification: 1DBK; ACXJ; AFKN. Category: (G) General (US: Trade). Dimension: 237 x 191 x 35. Weight in Grams: 1578. . 2003. illustrated edition. hardcover. . . . . Books ship from the US and Ireland.

Condition: New.

20 pp.; 21.6 x 28.1 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the University Art Museum, University of New Mexico, Albuquerque, in 1979. Curated by William Hemmerdinger. Essay by Melinda Wortz. Artists include Lita Albuquerque, Craig Antrim, Karl Benjamin, Jerrold Burchman, James De France, Dennis Farber, William Hemmerdinger, Charles Christopher Hill, Craig Kauffman, Ted Kerzie, Patsy Krebs, Jay McCafferty, Margit Omar, and Jean St. Pierre. Includes exhibition histories. Good. Rubbing and light soiling of recto and bumping of top and bottom right corners of publication. Foxing and light soiling of verso. Contents clean and unmarked.

Paperback. Condition: Brand New. illustrated edition edition. 528 pages. 9.50x7.75x1.50 inches. In Stock.

Condition: New.

Paperback. Condition: new. Paperback. In the 15th century the ideas of the great Renaissance artists required the attentions of engineers and artisans to construct and explain the dynamics of their ambitious works. Leonardo da Vinci's helicopter was built in a studio; very probably his submarine was also built. Today that endeavour and enquiry is represented by Mike Smith, whose studio in the Old Kent Road in London furnishes the architecture for the most pressing installations and sculptures of young British artists. He is the carborundum that enables the best artists working in Britain today to realize their work - Rachel Whiteread's monument in Trafalgar Square is a testament to his work. The painter Patsy Craig has unravelled the activities of the Mike Smith Studios, including the symbiosis of the studio with the process of creation of such artists as Damien Hirst, Mona Hatoum, Keith Tyson, Darren Almond and Mark Wallinger. She has collected from the Studio's archives, along with the detritus, the correspondence, notes, ideas, failures and successes of these and other artists at the studio. They are a diary and vade mecum of the construction of a significant theory in current British art.It is an assembly of the very templates of the thinking, design and creation of art in Britain today. Mike Smith Studios furnishes the architecture for the installations and sculptures of young British artists. This text unravels the activities of Mike Smith Studios, including its role in the creation of the work of such artists as Damien Hirst, Mona Hatoum, and Mark Wallinger. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Buch. Condition: Neu. Neuware.

Paperback. Condition: New. Making Art Work unravels the activities of the Mike Smith Studios, including the symbiosis of the studio with the process of creation of such artists as Damien Hirst, Mona Hatoum, Keith Tyson, Darren Almond and Mark Wallinger. Over the last 12 years she has collected from the Studio's archives, along with the detritus, the correspondence, notes, ideas, failures and successes of these and other artists at the studio.Even in Renaissance times the construction of works of art was often by the hand of someone other than the artist. Mike Smith's studio on the Old Kent road has been witness to the making of many important works of the Young British Artists, including Damien Hirst, Keith Tyson and Rachel Whiteread. Here the processes and practices of his studio are revealed.In the 15th century the ideas of the great Renaissance artists required the attentions of engineers and artisans to construct and explain the dynamics of their ambitious works. Leonardo da Vinci's helicopter was built in a studio; very probably his submarine too.Today that endeavour and enquiry is represented by Mike Smith, whose studio in the Old Kent Road in London furnishes the architecture for the most pressing installations and sculptures of young British artists. He is the carborundum that enables the best artists working in Britain today to realise their work - Rachel Whiteread's Monument in Trafalgar Square is a testament to his work.The painter Patsy Craig, out of Connecticut and Peru, has, in Making Art Work, unravelled the activities of the Mike Smith Studios, including the symbiosis of the studio with the process of creation of such artists as Damien Hirst, Mona Hatoum, Keith Tyson, Darren Almond and Mark Wallinger. Over the last 12 years she has collected from the Studio's archives, along with the detritus, the correspondence, notes, ideas, failures and successes of these and other artists at the studio. They are a diary and vade mecum of the construction of a significant theory in current British art.It is an extraordinary assembly of the very templates of the thinking, design and creation of art in Britain today, edited with a painter's eye to the relevant and a disdain for the irrelevant. It is as if one were provided with a pop-up illustration of how and why artists think, and how their ideas are engineered by those who translate their odysseys into reality. Germano Celant, a Senior Curator for Guggenheim New York, has contributed the critical text. William Furlong, from Audio Arts, has conducted the artists' interviews.

Condition: New. In.

Condition: New. In.

Paperback. Condition: New.

Condition: New. pp. VIII, 263 19 illus. Softcover reprint of the original 1st ed. 2017 edition NO-PA16APR2015-KAP.

Hardcover. Condition: Brand New. 263 pages. 9.25x6.25x0.75 inches. In Stock.

Taschenbuch. Condition: Neu. New Dimensions in Community Well-Being | Patsy Kraeger (u. a.) | Taschenbuch | Community Quality-of-Life and Well-Being | viii | Englisch | 2018 | Springer | EAN 9783319856520 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume addresses new innovations in quality of life and well-being from the perspectives of the individual, society and community. Itaggregates the perspectives, research questions, methods and results that consider how quality of life is influenced in our modern society. Chapters in this volume present theoretical and practical examples on different aspects of quality of life and community well-being representing American, European, Native American and African perspectives. This volume is of interest to scholars in sociology, psychology, economy, philosophy, health research as well as practitioners across the social sciences.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume addresses new innovations in quality of life and well-being from the perspectives of the individual, society and community. Itaggregates the perspectives, research questions, methods and results that consider how quality of life is influenced in our modern society. Chapters in this volume present theoretical and practical examples on different aspects of quality of life and community well-being representing American, European, Native American and African perspectives. This volume is of interest to scholars in sociology, psychology, economy, philosophy, health research as well as practitioners across the social sciences.