Crippa Roberto, Used (39 results)

Paperback. Condition: Good. Good Plus, internally clean, solid paperback exhibition catalog, text in English and Italian. Some light stains to the covers. #250 of 500 copies on glossy Kromekote paper printed "sur les presses de la Tipostle de Milan". #.

[14] pp.; 22.4 x 17.4 cm.; accordion; other special feature[s]; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Monograph on the work of Roberto Crippa with texts by Robert Lebel and Franco Russoli in French. Designed by Sergio Tosi. Fair. Rubbing and dusting of covers with gentle bumping of edges and corners. Light yellowing along right side edge of title page. Accordion fold pages have been cut into completely separate sections in five places. 17.3 cm. area of loss to second to last page. Contents otherwise clean and unmarked.

Hardcover. Condition: Near Fine. No Jacket. Crippa, Roberto (illustrator). First Edition. Boards, in near fine condition, very slight browning to bottom of cover and top of first page edge The collection contains 12 full page plates including two in color. Includes an essay by Guido Ballo. The text is in English, French and Italian. Published on the occasion of the exhibition, 26 May to 22 June 1962. Scarce item in this fine condition. Size: 7¾" - 9¾" Tall.

[68] pp.; 20 x 14.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and numbered; offset-printed Monograph on the work of Roberto Crippa with essay by Giampiero Giani. Inludes biography and index / exhibition checklist. Text in English. Good. Rubbing, dusting, and yellowing of covers with discoloration and light soiling. 2.2 cm. dog-ear to bottom right corner of recto and 4 cm. crease to top right corner of recto. 1.8 cm. gentle crease to pages and light rippling of endpaper. Contents otherwise clean and unmarked.

Softcover, 18 pages; in French; very good condition; light rubbing to white cover; no internal marks.

Zustand: gut bis sehr gut gebundenes Buch mit Schutzumschlag im Schuber / leichte Gebrauchsspuren.

Paperback. Condition: Used: Good. Palazzo Reale sala delle Cariatidi; The book is paperback in good overall; there is a bump at the top corner, and some mild edgewear; 2 lbs 1 oz.

[48] pp.; 22.2 x 16.6 cm.; sewn bound; black-and-white & color; edition size 500; unsigned and numbered; offset-printed Monograph on the work of Roberto Crippa with text by André Pieyre de Mandiargues in English, French, and Italian. Very Good. Rubbing of dust-jacket edges. Light yellowing of pages. Contents clean and unmarked. Numbered 294/500.

Hardcover without dustjacket as issued, 112 pages; Italian; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condition: Good. Catalogo di mostra, 21 maggio - 6 giugno 1970. Uno scritto di Franco Passoni. Con 30 illustrazioni in bianco enero. Elenco delle 30 opere esposte . 8vo. pp. 32. . Ottimo (Fine). . . . Book.

Condition: Bon état. plaquette petit in-4, brochée, jaquette illustrée, 10 pp. (jaquette usée), reproductions en noir. Bon état.

Gebundene Ausgabe. Condition: Wie neu. 1. 240 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Sprache: Deutsch Gewicht in Gramm: 1550.

256 p., 31 cm, tela editoriale, sovr.

Collage; 26 S. Text mit 1 S/W-Porträt, sowie 51 Farbtafeln, Galleria Cortina, Milano 1969, gr-8°, Orig.Broschur, vord. Deckel etwas unfrisch, allg. geringe Gebr.Spuren ** Erstausgabe --- Texte F/I/E >> Versand ab Deutschland möglich << ??? PREIS ZU HOCH ODER ZU TIEF ??? ANGEBOT ERWÜNSCHT !!! 700 Gramm.

30 x 26. 240 Seiten. Mit zahlreichen Abbildungen. Gebunden mit Schutzumschlag. In Papp-Schuber. Sehr guter Zustand. Gewicht über 1 kg. Sprache: Deutsch Gewicht in Gramm: 1832.

loose_leaf. Condition: Very Good. Brochure della 244ma mostra del Cavallino, dedicata a Sei artisti spaziali (Giuseppe Capogrossi, Roberto Crippa, Gianni Dova, Beniamino Joppolo, Roberto Matta, Cesare Peverelli), Venezia, 20-26 settembre 1952. Testo di Berto Morucchio su due facciate . Cm 17x12 (aperto / open 34x24 cm). . . Molto buono (Very Good). . . . Book.

paperback. Condition: Fine. Prima edizione (First Edition). Testo in inglese di Giampiero Giani. Con 17 tavole in bianco e nero fuori testo, 6 immagini in bianco e nero nel testo. Due grafiche originali (xilografie) di Roberto Crippa firmate su lastra, eseguite appositamente per questo catalogo. Con una accurata bibliografia a cura di Milena Milani e Giampiero Giani . Cm 24x18. pp. 20 + 17 tavole. . Ottimo (Fine). . Prima edizione (First Edition). . Book.

First Edition. 22 x 23cm good card-covered publication, some marks to rear off-white covers, some hand-writing at top of the rear cover, minor detachment to front free end paper. The painter-sculptor Roberto Crippa was born in Milan in 1921. He studied at the Brera Art Academy in Milan where he was the fellow student of Aldo Carpi, d Achille Funi and Carlo Carra. At the beginning of his career, like lots of young painters of his generation, Roberto Crippa was influenced by neo-cubism and was thus generalized. His first solo exhibition was at the Bergamini Gallery in Milan in 1947.The artists was one of the first in Italy, to practice gestural painting, which he produced between 1948-1952 his sharply-colored spiral webs. In 1948, Crippa becomes one of the founding members of the Spacialist group, a group founded around Lucio Fontana. Italian text with single page colour reproductions.

Paris, Galerie-Editions du Dragon, 1956, in-8, broché, jaquette illustrée, 14 p. Texte de Jacques Charpier. 4 reproductions hors-texte en noir et blanc. Notes biographiques.

Hardcover. Condition: Very Good. No Jacket. Light blue cloth binding has faint tanning. Written in Italian. Contains numerous full pg illustrations in black-and-white & color. Book.

Haus Lange Verlag. 1963. 4°. 8 Seiten. Mit ganzseitigen Abbildungen auch in Farbe. Broschur. Einband etwas unfrisch, sonst sehr gut. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Card covers. Condition: Good in wraps. First Edition. 17 x 23cm good card-covered publication with French text plus colour reproductions. Minor bumps to corners. The painter-sculptor Roberto Crippa was born in Milan in 1921. He studied at the Brera Art Academy in Milan where he was the fellow student of Aldo Carpi, d Achille Funi and Carlo Carra. At the beginning of his career, like lots of young painters of his generation, Roberto Crippa was influenced by neo-cubism and was thus generalized. His first solo exhibition was at the Bergamini Gallery in Milan in 1947.The artist was one of the first in Italy, to practice gestural painting, which he produced between 1948-1952 his sharply-colored spiral webs. In 1948, Crippa becomes one of the founding members of the Spacialist group, a group founded around Lucio Fontana.

Condition: Buono (Good). Eseguita per BOLAFFIARTE (timbro in basso a sinistra).  Esemplare n. 4548. riproduzione fotolitografica foglio cm. 24.5 x 30 Buono (Good) Buon es., lievi tracce di foxing. Book.

Hardcover. Condition: Very Good. 1st Edition. 8° - 14pp - 2 Lithographs and B/w Plates of Sculptures. Figurations by Roberto Crippa (1921-1972) Italian painter and sculptor. First edition, text in Italian. Original boards. In Very good condition.

Paperback. Condition: Good. Dutch.

loose_leaf. Condition: Ottimo (Fine). Serigrafia originale di Roberto Crippa.  La serigrafia faceva parte della cartella "La Cartullina e altre poesie" di Vann'Antò, edita dal La Pergola Edizioni d'Arte, Pesaro nel 1969, con pesie di Vann'Antò e 7 serigrafie originali. Serigrafia tirata nello Studio La Pergola di Pesaro su carta a mano della cartiera Milani di Fabriano.  Esemplare n. IV/XXV. Cm 44x34. . . Ottimo (Fine). . Edizione originale di 90 + XXV esemplari numerati e firmati (Original edition of 1000 numbered and signed copies). . Edizione originale di 90 + XXV esemplari numerati e firmati (Original edition of 1000 numbered and signed copies). Book.

loose_leaf. Condition: Ottimo (Fine). Acquaforte acquatinta originale a due colori (nero e verde) firmata, numerata e datata a matita dall'Artista (esemplare 98/100) Tiratura di 100 esemplar numerati e firmati. L'incisione fu realizzata in occasione della pubblicazione del catalogo per la mostra tenutasi presso Krefelder nel 1963 ed è contenuta nella sua cartelletta originale con il nome dell'Artista impresso al piatto anteriore. Lastra cm 24,5x18 - Foglio cm 25,5x31,5. . . Ottimo (Fine). . . . Book.

Broschiert. Dust Jacket Condition: mit Schutzumschlag. Quart. Unpag. Broschur mit transp. Schutzumschlag. Mit zahlr., teils farb. Abb. auf dem Titelblatt mit einer Orig.-Filzstiftzeichnung (Sonne), handschriftlicher Widmung an Johannes Cladders, Datierung und Signatur von Roberto Crippa - sehr gutes Exemplar. Signatur des Verfassers.

Condition: Ottimo (Fine). 994 Stefanini Gimmi e Crippa jr Roberto Stefanini Gimmi e Crippa jr Roberto, Roberto Crippa. Catalogo generale delle opere. Volume 2., Edizioni Galleria Pace, 2013. MIlano, Edizioni Galleria Pace 2013 italiano, in quarto 395 14300994Stefanini Gimmi e Crippa jr Roberto, Roberto Crippa. Catalogo generale delle opere. Volume 2., Edizioni Galleria Pace, 2013, in-4, rilegato a tutta tela, pp.395, illustrazioni b/n e a colori n.t. Ottime condizioni. Book.

Milano, Galleria Schwarz, collana «Antologia Internazionale dell'incisione contemporanea diretta da Tristan Sauvage. I contemporanei», n. 2, 1962, Edizione originale. Esemplare non numerato appartenente alla tiratura di 75 in ottimo stato di conservazione Elegante volume realizzato dalla milanese Galleria Schwarz nel 1962 con dieci acqueforti originali di Roberto Crippa firmate e testi di Tristan Sauvage (ovvero Arturo Schwarz, scrittore e poeta oltre che editore e gallerista). Un libro a due, in cui le incisioni dell'artista monzese sostengono le parole di Sauvage/Schwarz, a loro volta realizzate - come recita il sottotitolo in francese - «pour mieux comprendre Crippa et moi-même». E un libro, al tempo stesso, doppio, con due diversi frontespizi a introdurre il fruitore/il lettore alla sezione di Crippa - intitolata «Dix eaux-fortes. Illustrées par Tristant Sauvage» - e a quella di Sauvage - «D'une pierre deux coups». Realizzata in 100 esemplari - 75 numerati da 1 a 75 e XXV con cifre romane -, l'opera fa parte della collana «Antologia internazionale dell'incisione contemporanea» diretta dallo stesso Tristan Sauvage, in 8°, tela beige illustrata con titoli neri al piatto e al dorso, astuccio in cartoncino nero, pp. [28], 10 incisioni originali firmate protette da cornici in cartone e acetato. Edizione originale. Esemplare non numerato appartenente alla tiratura di 75 in ottimo stato di conservazione tela beige illustrata con titoli neri al piatto e al dorso, astuccio in cartoncino nero,