Cripps Peter (48 results)

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Original cloth with dustjacket, a very good copy. Please see description or ask for photos.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Condition: New. pp. 198.

Condition: New. pp. 198 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Hardcover. Condition: Good. Dust Jacket Condition: Good. English, hardcover with dust jacket, big format, good condition, small spots on the cover, 96 pages.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Quarto. Pp. 96. A modern "Ornamentalist" potter, who works in earthenware with colored glazes. Fine/ fine.

paperback. Condition: Very Good. Catalogue for the Peter Cripps exhibiton, ACCA 8 June - 25 July 2010, curated by Rebecca Coates, and with texts by Carolyn Barnes, Ann Stephen, Margaret Plant, Robert Lingard, and John Barrett-Lennard; b&w illustrations throughout; this copy with gift-inscription from Cripps to Robert MacPherson "For Bob, Thanks for your support.Best Regards Peter"; Very Good tight clean copy. . 144pp. square 8vo. Very Good. profusely illustrated (illustrator).…

Condition: Gebraucht / Used. Hardcover with dust jacket. Good. 96pp.

paperback. Condition: Very Good. Catalogue for the Robert MacPherson exhibition, September - October 1985 at the Institute of Modern Art Brisbane, curated by Peter Cripps and Malcolm Enright, with essay by Cripps; the show was installed in two hangings; includes a loose-inserted single folded folio listing the works in the first hanging, with details of title, medium, dimensions; b&w illustrations throughout. . unpaginated. 8vo. Very Good. b&w illustrations (illustrator).…

Condition: New.

HARDCOVER. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Large 4to. in black faux cloth, silver lettering to spine. 96pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW clean and bright unmarked and unread copy in an AS NEW complete Dust Jacket. An excellent copy ] . __To see more of our books on Ceramics type DbbPOTTERY in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Hardcover. Dust Jacket Included. 4to. pp. 96. 7 b/w illus. & 84 colour (many full-page). index. cloth. dw. First Edition.

Condition: As New. Unread book in perfect condition.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Condition: New. Dust Jacket Condition: New. Revised Edition, 5th Printing. New copy. david Cripps photos (illustrator).

Paperback. Condition: Brand New. 1st edition. 198 pages. 9.00x6.00x0.50 inches. In Stock.

Hardcover. Dust Jacket Condition: G+. 1st Edition. Introduction; Assymmetry & Dissembling Jug;; Developing View; References; Exhibitions and Public; Writings; Bibliography; Index.; 85 color, 7 b&w; 4to - over; 96 pages; VG+ Cover Damage to top spine. Abstraction Collections 9¾" - 12" tall.

EA. - First edition. Kl.4°. Erste Auflage, 96 S. OPappband, OU. Sprache: Englisch, Mit zahlr. meist farbigen Abbildungen. Schutzumschlag etwas angerändert; gering bestoßen.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Very good condition in dust wrapper, light wear to upper edges on the wrapper, old tape repair to top edges of rear panel.

Hardcover. Condition: New. Text in English and Norwegian. Notes: Exhibition catalog. On the occasion of an exhibition held at Oslo, Kunstnernes Hus, January 30 - March 29, 2015. Description: 190 pages : illustrations ; 22 cm. 'In the summer of 2014, it was 100 years since the shots were fired in Sarajevo. The atrocities of the First World War, with millions of dead soldiers in the miles of trenches, are part of the experience and memory of modernity. The Norwegian artists experienced the war through the news, as most artists do today. Henrik Sørensen was particularly engaged, and resigned, to the Norwegian press' unvarnished coverage of the ravages of war. Economic, rather than human, aspects were emphasized. Art's relationship to war and society has not diminished since then. Instead, it has become more intrusive. We read about bombing, violence, terror, war and grief. About millions of people on the run and how thousands of boat refugees risk their lives for a second chance in Europe. In November 2014, more than 3,000 people died on their way across the Mediterranean to the Italian island of Lampedusa. How should we deal with the wars and suffering of our time? And do artists have a special obligation? Through new source material, with paintings, photographs and drawings that have never been shown before, the role that war and rebellion have played for the artist and for the development of modern art is highlighted. The works committee is concentrated in three periods; 1920 - 40, 1960 70 and 2000 - 2014.'.…

Cloth DW 96pp illus .Fine.