Crivellari (398 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Hardcover in excellent condition (slight handling, gift inscription on the front endpaper, otherwise unmarked), with VG dust jacket (slight wear, slight spine fading, price-clipped). 250 pages with English text, profusely illustrated. [2.1 lbs]. Book.…

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Madeo, Mari (illustrator).

Condition: MOLTO BUONO. Milano, Electa cm.16x24, pp.120, illustrazioni. brossura, copertina figurat a colori. Collana Guide Artistiche. Testo Inglese.

Hardcover. Condition: Bon. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condition: Très bon. Légères traces d'usure sur la couverture. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Slight signs of wear on the cover. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Gut. 461 S. With figures. Guter Zustand/ Good Sprache: Englisch Gewicht in Gramm: 811 Hardcover/ Pappband fest gebunden.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

square black hardcover ~ 2º 4to ~ 4º (quarto). large book (8"x8"). dustwrapper in protective plastic book jacket cover. fine cond. binding square & tight. covers clean. edges clean. contents free of markings. dustwrapper in fine cond. small tear on front, not price clipped (no price listed). nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing (NAP). 2 color title pg. 249p. glossy pages throughout. 203 glossy photos & illustrations, many full page, some in color. 9 intinerary b&w maps at rear with numbered sites listed. world history. history of italy. medieval history. renaissance history. art history. ~Venice: "most noble and singular city", "triumphant city", "unique in the world". Enthusiastic adjectives have been employed in her description, a vast literature on the subject of this city is now in existence. A great deal of what has been written fastens on 1797 ~ the year of the fall of the "Most Serene Republic" ~ as an emblematic date signifying a traumatic rupture between a "before" whose nobility and magnifence is praised, and an "after" in which by contrast only decline and uneasiness are perceived. This literature, along with the stereotyped pictures that we come across every day, is still under the influence of the Romantic tradition of the 19th century and of the myth of the "death of Venice". In this brief historical sketch an attempt is made to outline a different approach to more than a thousand years of history of the city that through antonomasia came to be known as the "Dominante". It seeks first of all the prerequisites that permitted the assertion of the growing naval and commercial power of the inhabitants of the Rialto archipelago, and then the causes of the grandiose and impetuous growth of trade on the routes of the East, due in part to her "singular government" and to the particular economic and social formation that the Republic gave to herself and that is the true key to understanding the lasting power of the "Queen of the Adriatic". Her slow decline was of course partly determined by external factors, such as the opening up of new transoceanic trade routes and the assertion of the great nation states in the 16th century, but also, and perhaps in a more decisive manner, by internal causes which are identified above all in the sclerosis of a social structure which did not allow the replacement of ruling classes that was required in order to deal with the "new world". The "fall of the Republic", the inevitable outcome of this decline is nothing but an obligatory stage in the descending parabola of Venice, but this is effectively resisted, before and after, when the remedies proposed set the city in search of a new and different identity. It is not really a question of a debate over historical interpretations, simply because history cannot merely serve for the study of what has been in order perhaps to make it the object of romantic regret: the connection between past and present is important above all in the understanding of the processes of the present day. Venice is in need, as is said today, of a "productive reconversion", which would exploit the potentialities of her historic function as centre of cultural and commercial mediation, thus restoring vigour to the fabric of her economy and consequently permitting the maintenance of her social fabric in all its rich variety. Nor can the "monumental restoration" set itself the unique objective of preserving, in an immense museum consecrated to tourism, the testimony of the "triumphant city" as seen through the eyes of admiring travellers in the 16th century. At the same time the exploitation of the city for tourism also has to change: precisely because Venice is an unrepeatable "unicum" it is not sufficient to fuel the myth of a few places delegated to its representation. For this reason the final part of the book gives space to a series of itinerar.…

Hardcover. Condition: Near Fine. Near Fine. Color and black and white illustrations throughout. Translated from the Italian by Christopher Huw Evans. First edition thus. Near fine in a near fine dust jacket. B00415ZFE6.

Hardcover. Condition: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2019. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2019. Ammareal gives back up to 15% of this item's net price to charity organizations. Audouin, Laurent (illustrator). …

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Loose Leaf. Condition: New. Reproduction. Original title: Holy Family German: Heilige Familie French: Sainte famille Spanish: Sagrada Familia High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1735). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault German: Tafel 1: Querschnitt des Saales des Instituts von Bologna, das als Residenz der Clementine Akademie diente, mit Fresken von Pellegrino Tibaldi im Gewölbe French: Plaque 1: section transversale de la Salle de l'Institut de Bologne, qui a servi de résidence pour l'Académie Clémentine, avec des peintures fresques de Pellegrino Tibaldi dans la voûte Spanish: Placa 1: sección transversal de la Sala del Instituto de Bolonia, que sirvió de residencia para la Academia Clementine, con pinturas al fresco de Pellegrino Tibaldi en la bóveda High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1756). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Plate 2: cross-section of the Hall of the Institute of Bologna German: Tafel 2: Querschnitt des Saales des Instituts von Bologna French: Plaque 2: section transversale de la Salle de l'Institut de Bologne Spanish: Placa 2: sección transversal de la Sala del Instituto de Bolonia High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1756). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Plate 3: cross-section of the Hall of the Institute of Bologna German: Tafel 3: Querschnitt des Saales des Instituts von Bologna French: Plaque 3: section transversale de la Salle de l'Institut de Bologne Spanish: Placa 3: sección transversal de la Sala del Instituto de Bolonia High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1756). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condition: New. Reproduction. Original title: Plate 5: view of the ceiling with its ornaments and frescoed paintings German: Tafel 5: Blick auf die Decke mit ihren Ornamenten und Fresken French: Plaque 5 : vue du plafond avec ses ornements et ses peintures fresques Spanish: Placa 5: vista del techo con sus ornamentos y pinturas al fresco High-quality fine-art reproduction based on an original work from the Met. Creation period: 18th century (1756). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Black boards with silver spine titling. Dust Jacket not clipped. Mylar protected. Unmarked. Square corners. Beautifully produced scholarly work. Illustrated with some color and numerous b&w plates. 249 pp. An excellent tight and bright Venice volume. Lovely near fine copy.…

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Hardcover in fine condition with fine dust jacket.

Condition: New.

Condition: New.

4°. 100 S., 1 Bl. mit sehr zahlreichen, teils ganzseitigen bzw. farbigen Abbildungen und Photos. Farbig illustrierter Okart. Einband mit minimalen Gebrauchsspuren (keine Defekte!), sonst sehr gutes Exemplar. In italienischer Sprache. Ausgestellt wurden die Bühnenkostüme und private Garderobe des französischen Opernstars italienischer Herkunft (1885-1969). Zeppilli debütierte am Royal Opera House in London und erlebte zwischen 1906 und 1914 den Höhepunkt ihrer Karriere in den USA wo sie sehr populär wurde. Auch in Monte Carlo, wo ihr Vater Orchesterdirigent war, war sie sehr beliebt. Dort und in New York arbeitete sie nach ihrem Bühnenabschied als Gesangslehrerin. Zusammen mit ihrem Mann war sie eng mit Gabriele d'Annunzio befreundet. Sprache: it.…

Condition: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.