Croissant Doris (49 results)

softcover. Condition: Fine copy. exhib. cat. 4to, 80 pp. Profusely illustrated (illustrator).

Ingenaaid, groot formaat. Lichte leesvouw op rug, verder in goede staat. Please see description or ask for photos.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Gut. 28 x 23 cm 621 S. Hardcover mit Schutzumschlag. zahlr. Ill. Zustand: Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Schnitt unten gering angestaubt-fleckig; Schutzumschlag (hat leichte Gebrauchsspuren), oben hat einen Riß; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Eine Austellung der 43. Berliner Festwochen im Martin-Gropius-Bau Berlin. Softcover. Near fine. 621 Pages, 591 colour images. German text. Excellent exhibition catalogue of the influences of Japanese art on Europe and vice versa.

Eine Ausstellung des Museums für Photographie der Stadt Ta kya, des Edo-Ta kya-Museums und der "43. Berliner Festwochen" im Martin-Gropius-Bau Berlin, 12. September bis 20. November 1993. Berlin: Argon Verlag, 1993. Rote, farb. illustr. OBrosch. 622 Seiten mit 591 meist farb. u. teils ganzs. Abbildungen und Fotos. - 27 x 21. * Druckfrisch und noch originalverpackt; also garantiert unbenutzt. - Versand nur mit Paketporto-Aufpreis möglich . …

Softcover. Condition: Sehr gut. Leichte Gebrauchsspuren. Ohne Unterstreichungen oder Notizen vom Vorbesitzer. Gepflegter, sauberer zustand. Sprache - Deutsch Gewicht in Gramm: 2500.

Softcover. Condition: Sehr gut. Einband leichte Lagerspuren, nur stellenweise gelesen, sehr guter Zustand.

Gr.-8°, Pp. Condition: Gut. 621 S. : zahlr. Ill., falt Tafeln. Gebraucht; SU. leicht berieben, innen guter bis sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 2564.

4°, drahtgehefter OKartbd.; Seite 88 bis 162 mit 19 s/w-Abbildungen auf Tafeln im Anhang (= Reprint from Monumenta Serica Vol. XXIII). - Einband lichtrandig. Sauberes Exemplar.

Condition: Good.

Hardcover. Condition: As New. 1st Edition. Firm cover and clean pages that may have very minor cosmetic defects. A solid, nice copy to enjoy. All Items in stock ready for immediate shipping! Satisfaction Guaranteed.

Softcover. Condition: Very Good. Geprüfte Qualität. Siehe Bilder.

Condition: very good. Taschenbuch. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. Broschiert.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Large-format hardcover, xxi + 360 pages, illustrated throughout, glossy paper, NOT ex-library. Weight 2.32kg. Gentle wear, book is clean and bright with unmarked text, free of inscriptions and stamps, firmly bound. Untorn dust jacket shows faint staining along the lower edges of inner panels, light shelfwear. -- An exploration of Japanese secular painting spanning five centuries, as showcased in the esteemed Museum of East Asian Art in Cologne. This richly illustrated volume offers an in-depth look at the evolution of Japanese painting, focusing on non-religious themes that reflect the cultural, social, and artistic trends of the time. Key features of the book include: - Historical Context (a comprehensive introduction to the historical and cultural background of Japan from the 15th to the 19th century, setting the stage for the art discussed); - Artistic Evolution (detailed analysis of the development of secular painting styles and techniques across different periods, highlighting significant shifts and continuities); - Thematic Diversity (exploration of a wide range of subjects depicted in secular paintings, including landscapes, portraits, scenes of daily life, and nature, reflecting the broad spectrum of Japanese artistic expression); - Notable Artists (profiles of prominent artists whose works are featured in the collection, providing insights into their lives, influences, and contributions to Japanese art); - Curatorial Insights (commentary by experts from the Museum of East Asian Art, offering valuable perspectives on the selection, preservation, and interpretation of these artworks); - Visual Feast (high-quality reproductions of paintings, allowing readers to appreciate the intricate details, vibrant colors, and delicate brushwork characteristic of Japanese art). "Splendid Impressions" is an essential resource for scholars, art historians, and enthusiasts of Japanese art, providing a deep understanding of the secular painting tradition in Japan and its significance within the broader context of East Asian art. The book serves not only as a catalog of the museum's collection but also as a scholarly work that enriches appreciation and knowledge of Japanese cultural heritage.…

Condition: new.

Pappband. mit Schutzumschlag. Quart. 621 S. Pp. mit Schutzumschlag. Mit zahlr. farb. u. schw.-w. Abb. Papier an den Rändern minimal gebräunt, gutes Exemplar.

27 x 24. 621 Seiten mit zahlreichen Abbildungen. OKart. Guter/sehr guter Zustand. Gewicht über 2 kg. Sprache: Deutsch Gewicht in Gramm: 2500.

Stuttgart, Linden-Museum, (1999). 366 Mit sehr zahlr. s/w und farb. Abb. auf Kunstdruckpappier; 493 TextS. 33 cm. OLn im geprägten OLn-Schmuckschuber. Die Sammlung bietet einen Überblick über die Stilentwicklungen und Schulen der japanischen Malerei währen der Edo-Periode (603-1868) und der Meji-Ära (1868-192). [Bd. 1]: Textband, mit 875 Objektbeschreibungen mit Original-Name und Inschriften in japan. Schrift. Indexen, Bibliographie, Glossar. Hrsg. v. Klaus J. Brandt]; [2.]: Tafelband mit 1334 Abb., davon 3 in Farbe. Für den Tafelband zeichnet teilweise der Kodansha Verlag verantwortlich. - Erwin von Bälz (1849-1913), Arzt. Wegbereiter der modernen Medizin in Japan,gilt als kultureller Vermittler zwischen Deutschland und Japan. - Sehr gut erhalten.…

Hardcover. Condition: Brand New. 01 edition. 360 pages. 11.75x9.75x1.25 inches. In Stock.

621 p. Paperback.

Berliner Festspiele/ Argon Berlin 1993. 4to. 622 pages. Illustrated in colour. Original soft cover. Initials to the halftitlepage. Near fine-.

OKart., XV+445 Seiten, mit zahlr. SW-Abb. im Text u. 16 farbigen Abb. vorne im Bildteil, 4° (17 x 25 cm), untere Deckelecken bestoßen, innen tadellos, insgesamt sehr guter Zustand. Book Language/s: English.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Good. No Jacket. English text.; Hardcover (cloth in slipcase). 24 x 32.5 x 10 cm.; 5.8 Kg.; 366 pages (text volume) plus 495 pages (plate volume).; 2 VOLUMES IN SLIPCASE, ONE WITH TEXT AND THE OTHER WITH PLATES.; Used with signs of wear on the exterior of the slipcase, which show wear signs throughout, namely some blue marks on the exterior of the slipcase. Interior of both volumes in very good condition.; "The inventory, compiled in 1893 or slightly later, of the paintings collected by Erwin Baelz contains 3,131 items, and includes 463 mounted hanging scrolls and 2,668 unmounted hanging scrolls, handscrolls, drawing books for instructions and single-sheet drawings. This huge amount of visual material has survived almost completely, despite two world wars. After an appraisal, roughly half of the items were further researched and examined to establish their authenticity. For the catalogue, a further selection was made according to quality and historical interest. We have tried to include all authentic scrolls and drawings which are either signed or have inscriptions identifying them as copies after well-known masters. Among anonymous works, nearly all the Buddhist paintings and handscrolls have been included. Unsigned anonymous drawings ascribed to different schools of painting have been selected in view or their quality and iconographic significance, Works which could be clearly identified as fakes have only been included when they may be helpful for the reconstruction of the lost ouevre of a master artist. A few items have been included from two bequests to the Linden-Museum, those of Anna and Christian Trumpf and of professor Jakob Fisher, where they complement works from the Baelz collection. The catalogue contains 875 entries of some 1,200 single items, which occasionally form part of a series, of diptychs, triptychs or of several handscrolls or picture albuns. The main significance of this collection of paintins is its sheer quantity, which allows a comprehensive overview of the various stylistic developments and schools of Japanese painting during the middle and late Edo period (1603-1868) and early Meiji era (1868 to 1912). An important point of reference is the fact that all objects must date from before 1893, the year they entered the collection of the former Koniglich Wurt-tembergisches Landes-Gewerbemuseum in Stuttgart. Of particular interest is the large number of unmounted drawings, sketches and copies (mekuri), which provide valuable documentary material on the organization of painting workshops, the training of pupils and the production methods of painting masters during the late Edo period, subjects which have been very little researched." excerpt from the introduction by Doris Croissant.…

Hardcover. Condition: New. &Uumlber den AutorDoris Croissant is senior professor of East Asian art history at the University of Heidelberg (Germany). She has published on funeral art and portraiture in China, Rinpa painting, the concepts of realism and pho.

Buch. Condition: Neu. Neuware - Uniquely covering literary, visual and performative expressions of culture, this volume aims to correlate the conjunctions of nation building, gender and representation in late 19th and early 20th century China and Japan. Focusing on gender formation, the chapters explore the changing constructs of masculinities and femininities in China and Japan from the early modern up to the 1930s. Chapters focus on the dynamism that links the remodeling of traditional arts and media to the political and cultural power relations between China, Japan, and the Western world. A true tribute to multidisciplinary studies.…

Condition: gut. 2011. Splendid Impressions: Japanese Secular Painting 1400-1900 in the Museum of East Asian Art, Cologne In deutscher Sprache. pages.

Hardcover. Condition: New. This publication focuses on the collection of Japanese secular painting in the Museum of East Asian Art in Cologne, a large part of which was acquired by the museums founders Adolf and Frieda Fischer before 1913. Six internationally renowned specialists of Japanese art present new insights and approaches to pre-modern Japanese visual culture in this exquisitely illustrated catalogue.The publication is divided into two parts: the first section discusses the reception of Japanese art and the dawn of East Asian art history in Germany, as well as shedding new light on the role of the monk painter as mediator between Chinese and Japanese concepts of secular art. The main body of the publication is the catalogue section. Here, 94 works (divided into seven subject categories) are presented: hand scrolls, fans, hanging scrolls and folding screens. All works are reproduced in full colour, many scrolls being shown in their entirety. Each chapter is preceded by an introduction, elucidating the historiographical, aesthetic and methodological questions that are central to current research in the visual culture of pre-modern Japan. The illuminating entries are followed by a comprehensive appendices section, including photographs of the paintings signatures, seals and transcriptions of the inscriptions in the paintings. Splendid Impressions will serve as a reference source not only for curators, scholars and students of Japanese art and culture, but also for anyone who has a personal interest in Japanese painting.…