Crone Bridget (41 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Bringing together contributions by artists, writers and theorists, Fieldwork for Future Ecologies addresses the role that art practice and art-based research plays in expanding notions of fieldwork. At once a handbook for research and practice and a philosophical speculation, this book offers the unique opportunity to explore ways of working within vastly diverse climates and terrains using image, sound, movement and other sensing technologies. It also offers more creative and speculative interventions into the idea and location of the field itself.Focusing on a range of projects from across different geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies offering a valuable intervention into current discussions of artistic practice and research. Fieldwork for Future Ecologies presents a series of propositions and speculations . radical practices for radical times.Contributing authors: Angus Carlyle, Alliance of the Southern Triangle/AST (D Bauer, F Grodin, P M Hernandez, E Kedan), Bianca Hester, Bridget Crone, David Burns, Henriette Gunkel and Eline McGeorge, Imani Jacqueline Brown, Julie Gough, Kate Pickering, Kreider + OLeary, Kristen Sharp, Melody Jue, Nicholas Mangan, Philip Samartzis, Polly Stanton, Ruth Maclennan, Sam Nightingale, Saskia Beudel, Simon OSullivan, Susan Schuppli, Therese Keogh.Editor Bio's Bridget Crone is Senior Lecturer in Visual Cultures at Goldsmiths, The University of London. Her work as a curator and writer is situated at the intersections between theory and practice; her work weaves across fields of practice to propose new forms of encounter between body, image. Books include The Edinburgh Companion to Curatorial Futures (edited with Bassam El Baroni) forthcoming with Edinburgh University Press, and The Sensible Stage: Staging and the Moving Image, Intellect / University of Chicago Press, 2017. Recent essays include: Future (2019, with Henriette Gunkel, The Bloomsbury Handbook for 21st Century Feminist Theory, London: Bloomsbury); Flicker-time and Fabulation: from flickering images to crazy wipes (2017, Fictions and Futures, London: Repeater Books); Liquid States and the Image (2015, Technologism, Monash University Museum of Art, Melbourne).Sam Nightingale is an artist and researcher working within environmental media. He works with creative methodologies to re-imagine and re-image the spectral-material complexities of settler colonialism, extractivism and their ongoing environmental, ethical, and political impact on human and non-human worlds. Nightingale is involved in various interdisciplinary projects, including running field-labs and working with rural communities, scientists, geographers and social scientists in Europe and Australia. He is a member of the Centre for Research Architecture (Goldsmiths, University of London) an international cohort of artist-researchers working at the intersection of architecture, law, media and climate science, where he is also a PhD candidate. He is tutor in the Royal Collage of Arts School of Architecture.Polly Stanton is an artist and filmmaker. Her films and installations focus on contested sites, presenting landscape as a politically charged field of negotiation, entangled with history, technology and capital. Sound and listening also play a critical role in Stantons work, as a process of attunement and as a means to attend to what is unseen and excluded. Pollys mode of working is expansive and site-based, with her practice intersecting across a number of disciplines from film production, sound design, field research, writing and publication. Polly has exhibited widely in both Australia and overseas and has been the recipient of numerous grants and Artist-in-Residence programs. She is a lecturer and Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. Bringing together contributions by artists, writers and theorists, 'Fieldwork for Future Ecologies' addresses the role that art practice and art-based research plays in expanding notions of fieldwork. At once a handbook for research and practice and a philosophical speculation, this book offers the unique opportunity to explore ways of working within vastly diverse climates and terrains using image, sound, movement and other sensing technologies. It also offers more creative and speculative interventions into the idea and location of the 'field' itself. Focusing on a range of projects from across different geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies offering a valuable intervention into current discussions of artistic practice and research. 'Fieldwork for Future Ecologies' presents a series of propositions and speculations . radical practices for radical times. Contributing authors: Angus Carlyle, Alliance of the Southern Triangle/AST (D Bauer, F Grodin, P M Hernandez, E Kedan), Bianca Hester, Bridget Crone, David Burns, Henriette Gunkel and Eline McGeorge, Imani Jacqueline Brown, Julie Gough, Kate Pickering, Kreider + O'Leary, Kristen Sharp, Melody Jue, Nicholas Mangan, Philip Samartzis, Polly Stanton, Ruth Maclennan, Sam Nightingale, Saskia Beudel, Simon O'Sullivan, Susan Schuppli, Therese Keogh. Editor Bio's Bridget Crone is Senior Lecturer in Visual Cultures at Goldsmiths, The University of London. Her work as a curator and writer is situated at the intersections between theory and practice; her work weaves across fields of practice to propose new forms of encounter between body, image. Books include The Edinburgh Companion to Curatorial Futures (edited with Bassam El Baroni) forthcoming with Edinburgh University Press, and The Sensible Stage: Staging and the Moving Image, Intellect / University of Chicago Press, 2017. Recent essays include: "Future" (2019, with Henriette Gunkel, The Bloomsbury Handbook for 21st Century Feminist Theory, London: Bloomsbury); "Flicker-time and Fabulation: from flickering images to crazy wipes" (2017, Fictions and Futures, London: Repeater Books); "Liquid States and the Image" (2015, Technologism, Monash University Museum of Art, Melbourne). Sam Nightingale is an artist and researcher working within environmental media. He works with creative methodologies to re-imagine and re-image the spectral-material complexities of settler colonialism, extractivism and their ongoing environmental, ethical, and political impact on human and non-human worlds. Nightingale is involved in various interdisciplinary projects, including running field-labs and working with rural communities, scientists, geographers and social scientists in Europe and Australia. He is a member of the Centre for Research Architecture (Goldsmiths, University of London) - an international cohort of artist-researchers working at the intersection of archi.…

Paperback. Condition: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condition: New. pp. 544.

Condition: New. 2022. Paperback. . . . . .

Paperback. Condition: New. Bringing together contributions by artists, writers and theorists, 'Fieldwork for Future Ecologies' addresses the role that art practice and art-based research plays in expanding notions of fieldwork. At once a handbook for research and practice and a philosophical speculation, this book offers the unique opportunity to explore ways of working within vastly diverse climates and terrains using image, sound, movement and other sensing technologies. It also offers more creative and speculative interventions into the idea and location of the 'field' itself. Focusing on a range of projects from across different geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies offering a valuable intervention into current discussions of artistic practice and research. 'Fieldwork for Future Ecologies' presents a series of propositions and speculations . radical practices for radical times. Contributing authors: Angus Carlyle, Alliance of the Southern Triangle/AST (D Bauer, F Grodin, P M Hernandez, E Kedan), Bianca Hester, Bridget Crone, David Burns, Henriette Gunkel and Eline McGeorge, Imani Jacqueline Brown, Julie Gough, Kate Pickering, Kreider + O'Leary, Kristen Sharp, Melody Jue, Nicholas Mangan, Philip Samartzis, Polly Stanton, Ruth Maclennan, Sam Nightingale, Saskia Beudel, Simon O'Sullivan, Susan Schuppli, Therese Keogh. Editor Bio's Bridget Crone is Senior Lecturer in Visual Cultures at Goldsmiths, The University of London. Her work as a curator and writer is situated at the intersections between theory and practice; her work weaves across fields of practice to propose new forms of encounter between body, image. Books include The Edinburgh Companion to Curatorial Futures (edited with Bassam El Baroni) forthcoming with Edinburgh University Press, and The Sensible Stage: Staging and the Moving Image, Intellect / University of Chicago Press, 2017. Recent essays include: "Future" (2019, with Henriette Gunkel, The Bloomsbury Handbook for 21st Century Feminist Theory, London: Bloomsbury); "Flicker-time and Fabulation: from flickering images to crazy wipes" (2017, Fictions and Futures, London: Repeater Books); "Liquid States and the Image" (2015, Technologism, Monash University Museum of Art, Melbourne). Sam Nightingale is an artist and researcher working within environmental media. He works with creative methodologies to re-imagine and re-image the spectral-material complexities of settler colonialism, extractivism and their ongoing environmental, ethical, and political impact on human and non-human worlds. Nightingale is involved in various interdisciplinary projects, including running field-labs and working with rural communities, scientists, geographers and social scientists in Europe and Australia. He is a member of the Centre for Research Architecture (Goldsmiths, University of London) - an international cohort of artist-researchers working at the intersection of archi.…

Condition: new.

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New. In English.

Paperback. Condition: Brand New. 544 pages. 8.50x5.50x1.46 inches. In Stock.

Condition: New. pp. 544.

Condition: New. pp. 544.

Condition: NEW.

Paperback. Condition: new. Paperback. Bringing together contributions by artists, writers and theorists, Fieldwork for Future Ecologies addresses the role that art practice and art-based research plays in expanding notions of fieldwork. At once a handbook for research and practice and a philosophical speculation, this book offers the unique opportunity to explore ways of working within vastly diverse climates and terrains using image, sound, movement and other sensing technologies. It also offers more creative and speculative interventions into the idea and location of the field itself.Focusing on a range of projects from across different geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies offering a valuable intervention into current discussions of artistic practice and research. Fieldwork for Future Ecologies presents a series of propositions and speculations . radical practices for radical times.Contributing authors: Angus Carlyle, Alliance of the Southern Triangle/AST (D Bauer, F Grodin, P M Hernandez, E Kedan), Bianca Hester, Bridget Crone, David Burns, Henriette Gunkel and Eline McGeorge, Imani Jacqueline Brown, Julie Gough, Kate Pickering, Kreider + OLeary, Kristen Sharp, Melody Jue, Nicholas Mangan, Philip Samartzis, Polly Stanton, Ruth Maclennan, Sam Nightingale, Saskia Beudel, Simon OSullivan, Susan Schuppli, Therese Keogh.Editor Bio's Bridget Crone is Senior Lecturer in Visual Cultures at Goldsmiths, The University of London. Her work as a curator and writer is situated at the intersections between theory and practice; her work weaves across fields of practice to propose new forms of encounter between body, image. Books include The Edinburgh Companion to Curatorial Futures (edited with Bassam El Baroni) forthcoming with Edinburgh University Press, and The Sensible Stage: Staging and the Moving Image, Intellect / University of Chicago Press, 2017. Recent essays include: Future (2019, with Henriette Gunkel, The Bloomsbury Handbook for 21st Century Feminist Theory, London: Bloomsbury); Flicker-time and Fabulation: from flickering images to crazy wipes (2017, Fictions and Futures, London: Repeater Books); Liquid States and the Image (2015, Technologism, Monash University Museum of Art, Melbourne).Sam Nightingale is an artist and researcher working within environmental media. He works with creative methodologies to re-imagine and re-image the spectral-material complexities of settler colonialism, extractivism and their ongoing environmental, ethical, and political impact on human and non-human worlds. Nightingale is involved in various interdisciplinary projects, including running field-labs and working with rural communities, scientists, geographers and social scientists in Europe and Australia. He is a member of the Centre for Research Architecture (Goldsmiths, University of London) an international cohort of artist-researchers working at the intersection of architecture, law, media and climate science, where he is also a PhD candidate. He is tutor in the Royal Collage of Arts School of Architecture.Polly Stanton is an artist and filmmaker. Her films and installations focus on contested sites, presenting landscape as a politically charged field of negotiation, entangled with history, technology and capital. Sound and listening also play a critical role in Stantons work, as a process of attunement and as a means to attend to what is unseen and excluded. Pollys mode of working is expansive and site-based, with her practice intersecting across a number of disciplines from film production, sound design, field research, writing and publication. Polly has exhibited widely in both Australia and overseas and has been the recipient of numerous grants and Artist-in-Residence programs. She is a Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condition: New. New Book, Direct from Publisher.

Paperback. Condition: New. Bringing together contributions by artists, writers and theorists, 'Fieldwork for Future Ecologies' addresses the role that art practice and art-based research plays in expanding notions of fieldwork. At once a handbook for research and practice and a philosophical speculation, this book offers the unique opportunity to explore ways of working within vastly diverse climates and terrains using image, sound, movement and other sensing technologies. It also offers more creative and speculative interventions into the idea and location of the 'field' itself. Focusing on a range of projects from across different geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies offering a valuable intervention into current discussions of artistic practice and research. 'Fieldwork for Future Ecologies' presents a series of propositions and speculations . radical practices for radical times. Contributing authors: Angus Carlyle, Alliance of the Southern Triangle/AST (D Bauer, F Grodin, P M Hernandez, E Kedan), Bianca Hester, Bridget Crone, David Burns, Henriette Gunkel and Eline McGeorge, Imani Jacqueline Brown, Julie Gough, Kate Pickering, Kreider + O'Leary, Kristen Sharp, Melody Jue, Nicholas Mangan, Philip Samartzis, Polly Stanton, Ruth Maclennan, Sam Nightingale, Saskia Beudel, Simon O'Sullivan, Susan Schuppli, Therese Keogh. Editor Bio's Bridget Crone is Senior Lecturer in Visual Cultures at Goldsmiths, The University of London. Her work as a curator and writer is situated at the intersections between theory and practice; her work weaves across fields of practice to propose new forms of encounter between body, image. Books include The Edinburgh Companion to Curatorial Futures (edited with Bassam El Baroni) forthcoming with Edinburgh University Press, and The Sensible Stage: Staging and the Moving Image, Intellect / University of Chicago Press, 2017. Recent essays include: "Future" (2019, with Henriette Gunkel, The Bloomsbury Handbook for 21st Century Feminist Theory, London: Bloomsbury); "Flicker-time and Fabulation: from flickering images to crazy wipes" (2017, Fictions and Futures, London: Repeater Books); "Liquid States and the Image" (2015, Technologism, Monash University Museum of Art, Melbourne). Sam Nightingale is an artist and researcher working within environmental media. He works with creative methodologies to re-imagine and re-image the spectral-material complexities of settler colonialism, extractivism and their ongoing environmental, ethical, and political impact on human and non-human worlds. Nightingale is involved in various interdisciplinary projects, including running field-labs and working with rural communities, scientists, geographers and social scientists in Europe and Australia. He is a member of the Centre for Research Architecture (Goldsmiths, University of London) - an international cohort of artist-researchers working at the intersection of archi.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Bringing together contributions by artists, writers and theorists, Fieldwork for Future Ecologies addresses the role that art practice and art-based research plays in expanding notions of fieldwork. At once a handbook for research and practice and a philosophical speculation, this book offers the unique opportunity to explore ways of working within vastly diverse climates and terrains using image, sound, movement and other sensing technologies. It also offers more creative and speculative interventions into the idea and location of the field itself.Focusing on a range of projects from across different geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies offering a valuable intervention into current discussions of artistic practice and research. Fieldwork for Future Ecologies presents a series of propositions and speculations . radical practices for radical times.Contributing authors: Angus Carlyle, Alliance of the Southern Triangle/AST (D Bauer, F Grodin, P M Hernandez, E Kedan), Bianca Hester, Bridget Crone, David Burns, Henriette Gunkel and Eline McGeorge, Imani Jacqueline Brown, Julie Gough, Kate Pickering, Kreider + OLeary, Kristen Sharp, Melody Jue, Nicholas Mangan, Philip Samartzis, Polly Stanton, Ruth Maclennan, Sam Nightingale, Saskia Beudel, Simon OSullivan, Susan Schuppli, Therese Keogh.Editor Bio's Bridget Crone is Senior Lecturer in Visual Cultures at Goldsmiths, The University of London. Her work as a curator and writer is situated at the intersections between theory and practice; her work weaves across fields of practice to propose new forms of encounter between body, image. Books include The Edinburgh Companion to Curatorial Futures (edited with Bassam El Baroni) forthcoming with Edinburgh University Press, and The Sensible Stage: Staging and the Moving Image, Intellect / University of Chicago Press, 2017. Recent essays include: Future (2019, with Henriette Gunkel, The Bloomsbury Handbook for 21st Century Feminist Theory, London: Bloomsbury); Flicker-time and Fabulation: from flickering images to crazy wipes (2017, Fictions and Futures, London: Repeater Books); Liquid States and the Image (2015, Technologism, Monash University Museum of Art, Melbourne).Sam Nightingale is an artist and researcher working within environmental media. He works with creative methodologies to re-imagine and re-image the spectral-material complexities of settler colonialism, extractivism and their ongoing environmental, ethical, and political impact on human and non-human worlds. Nightingale is involved in various interdisciplinary projects, including running field-labs and working with rural communities, scientists, geographers and social scientists in Europe and Australia. He is a member of the Centre for Research Architecture (Goldsmiths, University of London) an international cohort of artist-researchers working at the intersection of architecture, law, media and climate science, where he is also a PhD candidate. He is tutor in the Royal Collage of Arts School of Architecture.Polly Stanton is an artist and filmmaker. Her films and installations focus on contested sites, presenting landscape as a politically charged field of negotiation, entangled with history, technology and capital. Sound and listening also play a critical role in Stantons work, as a process of attunement and as a means to attend to what is unseen and excluded. Pollys mode of working is expansive and site-based, with her practice intersecting across a number of disciplines from film production, sound design, field research, writing and publication. Polly has exhibited widely in both Australia and overseas and has been the recipient of numerous grants and Artist-in-Residence programs. She is a Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New. Bringing together contributions by artists, writers and theorists, 'Fieldwork for Future Ecologies' addresses the role that art practice and art-based research plays in expanding notions of fieldwork. At once a handbook for research and practice and a philosophical speculation, this book offers the unique opportunity to explore ways of working within vastly diverse climates and terrains using image, sound, movement and other sensing technologies. It also offers more creative and speculative interventions into the idea and location of the 'field' itself. Focusing on a range of projects from across different geographic locations and situations, the book highlights the crucial contribution that art can make to environmental and climate studies offering a valuable intervention into current discussions of artistic practice and research. 'Fieldwork for Future Ecologies' presents a series of propositions and speculations . radical practices for radical times. Contributing authors: Angus Carlyle, Alliance of the Southern Triangle/AST (D Bauer, F Grodin, P M Hernandez, E Kedan), Bianca Hester, Bridget Crone, David Burns, Henriette Gunkel and Eline McGeorge, Imani Jacqueline Brown, Julie Gough, Kate Pickering, Kreider + O'Leary, Kristen Sharp, Melody Jue, Nicholas Mangan, Philip Samartzis, Polly Stanton, Ruth Maclennan, Sam Nightingale, Saskia Beudel, Simon O'Sullivan, Susan Schuppli, Therese Keogh. Editor Bio's Bridget Crone is Senior Lecturer in Visual Cultures at Goldsmiths, The University of London. Her work as a curator and writer is situated at the intersections between theory and practice; her work weaves across fields of practice to propose new forms of encounter between body, image. Books include The Edinburgh Companion to Curatorial Futures (edited with Bassam El Baroni) forthcoming with Edinburgh University Press, and The Sensible Stage: Staging and the Moving Image, Intellect / University of Chicago Press, 2017. Recent essays include: "Future" (2019, with Henriette Gunkel, The Bloomsbury Handbook for 21st Century Feminist Theory, London: Bloomsbury); "Flicker-time and Fabulation: from flickering images to crazy wipes" (2017, Fictions and Futures, London: Repeater Books); "Liquid States and the Image" (2015, Technologism, Monash University Museum of Art, Melbourne). Sam Nightingale is an artist and researcher working within environmental media. He works with creative methodologies to re-imagine and re-image the spectral-material complexities of settler colonialism, extractivism and their ongoing environmental, ethical, and political impact on human and non-human worlds. Nightingale is involved in various interdisciplinary projects, including running field-labs and working with rural communities, scientists, geographers and social scientists in Europe and Australia. He is a member of the Centre for Research Architecture (Goldsmiths, University of London) - an international cohort of artist-researchers working at the intersection of archi.…

Condition: New. In English.

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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Hardcover. Condition: new. Hardcover. What function do concepts like the future and futurity play in the field of curating and the curatorial? TheEdinburgh Companion to Curatorial Futures is the first curatorial studies volume to engage with the increasingly ubiquitous idea of the future and its exponential growth in the fields of artistic research, curating, art and academia. In thirty-two original chapters, the contributors to this volume go beyond Western Europe and the United States to highlight new voices pushing against disciplinary boundaries and engaging with practices outside of established institutional, political and geographic contexts. Exploring themes such as sonic intervention, Indigenous curating, datafication, bio-fiction and questions of worlding, they emphasise the global relevance of non-standard curatorial practices, strategies and activism for opening up spaces of possibility and collectivity. At a time when techno-capitalist societies are experiencing intense financialisation and overtourism and rapid advances in machine learning are challenging conventional artistic and curatorial labour, this volume reflects on both the shape the future may take and the purchase it has in the present. Ultimately, it asks the question: how can the curatorial help build alternative futures? The first curatorial studies volume to engage with the concept of the future. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. 2026. hardcover. . . . . .

Hardback. Condition: New. In a so-called post-neoliberal world, it can seem like culture is stuck in a perpetual presentism where history and the future are but mere data points for speculative calculations of gains, and culture seems all but a string of endlessly repeating commodities. In such an environment, can we rescue the future for art, for curating and the curatorial, and for culture more generally? Do we need to? What function do concepts like the future and futurity play in the field of curating and the curatorial? What use is 'the future' to curators and others working within the field of the curatorial? The Edinburgh Companion to Curatorial Futures is the first curatorial studies volume to engage with the increasingly ubiquitous concept of 'the future' and its exponential growth in the fields of artistic research, curating, art and academia. What is it we need to know as we think towards the future.…

Condition: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condition: New. In a so-called post-neoliberal world, it can seem like culture is stuck in a perpetual presentism where history and the future are but mere data points for speculative calculations of gains, and culture seems all but a string of endlessly repeating commodities. In such an environment, can we rescue the future for art, for curating and the curatorial, and for culture more generally? Do we need to? What function do concepts like the future and futurity play in the field of curating and the curatorial? What use is 'the future' to curators and others working within the field of the curatorial? The Edinburgh Companion to Curatorial Futures is the first curatorial studies volume to engage with the increasingly ubiquitous concept of 'the future' and its exponential growth in the fields of artistic research, curating, art and academia. What is it we need to know as we think towards the future.…