Crowdy Denis (38 results)
Language: English
Published by University of Hawaii Press, 2017
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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Language: English
Published by University of Hawai'i Press, US, 2017
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering musicians who formed a band they named ""Sanguma."" These Melanesian artists heard an imag…ined future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music.In Hearing the Future, Australian ethnomusicologist Denis Crowdy documents and analyzes the music and activities of the Sanguma band, arguing that their music was a vital form of cultural expression in sync with sociopolitical change then taking place in PNG. Drawing from rock, jazz, and nascent ""world music"" influences, Sanguma reached audiences far from their home nation, introducing the world to modern music, Melanesia-style, with its fusion of old and new, local and global. Performances ranged from ensembles of Melanesian log drums (garamuts) to extended songs and improvisations involving electric guitars, synthesizers, saxophone, trumpet, bamboo percussion, panpipes, and kuakumba flutes. The band sang in a variety of local vernacular languages, as well as in Tok Pisin and English. To further emphasize their ancestral style, the musicians wore decorative headdresses and body decoration from all around the nation, along with distinctive pants featuring indigenous designs.As the optimism of the early years of the nation faded due to harsh economic and social realities, and as an increasingly commercial popular music scene came to dominate public music culture, tensions between a once heard future and the sounding present emerged. Continuing a theoretical trajectory in ethnomusicology, Crowdy explores the role of music in imagining, constructing, and representing national and regional identity. The analysis reveals inherent tensions between distinctly Melanesian ideals and the complexities in navigating the realities of local neoliberal capitalism.
Language: English
Published by Univ of Hawaii Pr, 2017
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. reprint edition. 183 pages. 9.00x6.00x0.75 inches. In Stock.
Language: English
Published by University of Hawaii Press, 2017
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
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Condition: New. 2017. Reprint. paperback. . . . . .
Language: English
Published by University of Hawai'i Press, 2017
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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Language: English
Published by University of Hawaii Press, 2017
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
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Condition: New. 2017. Reprint. paperback. . . . . . Books ship from the US and Ireland.
- Softcover
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Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a "code musicology," then outlines what that should entail. A code musicology opens a conduit… between musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focus-IT and software-centered transnational commerce-as a result of sectorial transformation.Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the author's own music apps and associated distribution infrastructure provides unique insights into the machinations of music "appification.".
- Softcover
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Condition: As New. Unread book in perfect condition.
Language: English
Published by University of Hawai'i Press, 2017
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
Seller: Joseph Burridge Books, Dagenham, United KingdomJoseph Burridge Books
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Soft cover. Condition: New. Summary:During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence. It was an exciting time for a diverse group of pioneering musicians who formed a band they named "Sanguma". Australian ethnomusicologist Denis Crowdy argues that the Sanguma band's music was a…vital form of cultural expression in sync with sociopolitical change then taking place in PNG.
Published by University of Hawai'i Press 2016, 2016
- Hardcover
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New ZealandHard to Find Books NZ (Internet) Ltd.
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Add to basketImperial octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Kulele 3: Occasional Papers on Pacific Music and Dance
Don Niles; Julie To'Liman-Turalir; Michael Webb; Anton Krähenheide; Philip Gibbs; Elizabeth Mackinlay; Esther Lakia; Denis Crowdy; Philip Hayward; Justin Tonti-Filippini
Published by Institute of Papua New Guinea Studies, 2001
- Softcover
Seller: Masalai Press, Oakland, CA, U.S.A.Masalai Press
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Add to basketSoft cover. Condition: Very Good. 124 pp., illustrations, maps, bibliography. Contents: Editors' introduction to Krähenheide's "Music of the Gunantuna in the Vicariate of Rabaul"; Music of the Gunantuna in the Vicariate of Rabaul; Ol Singsing Enga; "Same but Different": musical behavior, gender roles, and the transference of pow…er in Yanyuwa society; Three traditional songs form Malala, Madang Province; Questions of origin: George Telek and David Birdie's collaborative recordings; Meekamui: music of Bougainville's war; Recording review: Betel Nuts by Christopher Roberts.
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- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: New.
Language: English
Published by University of Hawaii Press, 2016
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Hardcover
Seller: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, U.S.A.Michener & Rutledge Booksellers, Inc.
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Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Text clean and tight; Music and Performing Arts of Asia and the Pacific; 9.13 X 6.57 X 1.11 inches; 198 pages.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: As New. Unread book in perfect condition.
Language: English
Published by University of Hawai'i Press, 2016
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Hardcover
Seller: Joseph Burridge Books, Dagenham, United KingdomJoseph Burridge Books
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Hardcover. Condition: New. Dust Jacket Condition: New. xiii, 183 pages : illustrations, music : 24 cm. Summary:During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering musici…ans who formed a band they named 'Sanguma'. These artists heard an imagined future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music. In 'Hearing the Future', Denis Crowdy documents and analyzes the music and activities of the Sanguma band.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 158 pages. 9.00x6.00x0.38 inches. In Stock.
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- Hardcover
Seller: Fables Books, Goshen, IN, U.S.A.Fables Books
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Condition: like_new. Appears unused. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller.
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Language: English
Published by University of Hawai'i Press, US, 2017
Series: Book 2 of 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
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Paperback. Condition: New. During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering musicians who formed a band they named ""Sanguma."" These Melanesian artists heard an imag…ined future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music.In Hearing the Future, Australian ethnomusicologist Denis Crowdy documents and analyzes the music and activities of the Sanguma band, arguing that their music was a vital form of cultural expression in sync with sociopolitical change then taking place in PNG. Drawing from rock, jazz, and nascent ""world music"" influences, Sanguma reached audiences far from their home nation, introducing the world to modern music, Melanesia-style, with its fusion of old and new, local and global. Performances ranged from ensembles of Melanesian log drums (garamuts) to extended songs and improvisations involving electric guitars, synthesizers, saxophone, trumpet, bamboo percussion, panpipes, and kuakumba flutes. The band sang in a variety of local vernacular languages, as well as in Tok Pisin and English. To further emphasize their ancestral style, the musicians wore decorative headdresses and body decoration from all around the nation, along with distinctive pants featuring indigenous designs.As the optimism of the early years of the nation faded due to harsh economic and social realities, and as an increasingly commercial popular music scene came to dominate public music culture, tensions between a once heard future and the sounding present emerged. Continuing a theoretical trajectory in ethnomusicology, Crowdy explores the role of music in imagining, constructing, and representing national and regional identity. The analysis reveals inherent tensions between distinctly Melanesian ideals and the complexities in navigating the realities of local neoliberal capitalism.
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Language: English
Published by Port Moresby/Eigenverlag des Institutes of Papua New Guinea Studies., 2000
- Softcover
Seller: Dobben-Antiquariat Dr. Volker Wendt, Oldenburg, GermanyDobben-Antiquariat Dr. Volker Wendt
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24x18 cm, Softcover/Paperback. Condition: Gut. 182 S. mit einigen s/w Illustrationen. Seltenes Werk mit den Schwerpunkten "Popular Music", "Traditional Music & Changing Contexts" sowie "Church Music". - Der vordere Buchdeckel weist oben rechts einen kleinen Knick auf. Gut erhaltenes Exemplar. Bitte beachten: Lieferung nach Vorau…szahlung. An Buchhandel, Antiquariate, Behörden, öffentliche Bibliotheken, Universitäten und Museen liefern wir auf Wunsch mit Rechnung. Sprache: Englisch Gewicht in Gramm: 360.
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- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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Paperback. Condition: New. Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a "code musicology," then outlines what that should entail. A code musicology opens a conduit… between musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focus-IT and software-centered transnational commerce-as a result of sectorial transformation.Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the author's own music apps and associated distribution infrastructure provides unique insights into the machinations of music "appification.".
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Hardcover. Condition: Brand New. 141 pages. 9.25x6.25x0.75 inches. In Stock.
- Softcover
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Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
- Softcover
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Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
- Softcover
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Paperback. Condition: new. Paperback. Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a code musicology, then outlines what that should entail. A code musicology opens…a conduit between musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focusIT and software-centered transnational commerceas a result of sectorial transformation.Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the authors own music apps and associated distribution infrastructure provides unique insights into the machinations of music appification. Code Musicology opens a conduit between musicology and software studies. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms and directs attention to IT industries and software-centered transnational commerce as a result of sectorial transformation. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
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Paperback. Condition: new. Paperback. Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a code musicology, then outlines what that should entail. A code musicology opens…a conduit between musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focusIT and software-centered transnational commerceas a result of sectorial transformation.Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the authors own music apps and associated distribution infrastructure provides unique insights into the machinations of music appification. Code Musicology opens a conduit between musicology and software studies. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms and directs attention to IT industries and software-centered transnational commerce as a result of sectorial transformation. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
- Hardcover
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Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
