Language: English
Published by Philadelphia Museum of Art, 1996
ISBN 10: 0876331029 ISBN 13: 9780876331026
Seller: Infinite Minds, Greenfield, MA, U.S.A.
Hardcover. Condition: New. New - unused and unread.
Language: English
Published by Philadelphia Museum of Art, 1996
ISBN 10: 0876331029 ISBN 13: 9780876331026
Condition: Very Good. Very Good condition. (Modern art, Exhibitions) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Language: English
Published by The Pennsylvania State University Press, 2002
ISBN 10: 0271022353 ISBN 13: 9780271022352
Seller: Books for Life, LAUREL, MD, U.S.A.
Condition: acceptable. Book is in acceptable condition. May have shelf wear, edge wear, and spine wear, but a very readable copy. May not come with supplemental materials if applicable. Does not include original dustcover jacket. Possibly Ex Library Copy.
Language: English
Published by The Pennsylvania State University Press, 2002
ISBN 10: 0271022353 ISBN 13: 9780271022352
Seller: The Maryland Book Bank, Baltimore, MD, U.S.A.
First Edition
paperback. Condition: Good. 1st Edition. Corners are slightly bent, Used - Good.
Language: English
Published by The Pennsylvania State Universit, 2002
ISBN 10: 0271022353 ISBN 13: 9780271022352
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.
Published by [Cambridge, MA: Harvard University Art Museums], 1993
Seller: T. Brennan, Bookseller since 1998 (ABAA / ILAB), Ellsworth, ME, U.S.A.
Soft cover. Condition: Very Good. Publisher's original stapled illustrated wrappers, quarto, pp. 12. Black and white illustrations. Print exhibition that ran at the Fogg Art Museum, August 7-October 24, 1993. Ensconced in a clear protective display sleeve with white cardstock backing board.
Language: English
Published by Baltimore Museum of Art, Baltimore, Maryland, 2002
ISBN 10: 0271022353 ISBN 13: 9780271022352
Seller: Lowry's Books, Three Rivers, MI, U.S.A.
Paperback. Condition: Very Good. No Jacket. Various (illustrator). Cover is in excellent condition, save for minimal rubbing. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: Folio - over 12" - 15" tall.
Published by Fogg Art Museum, 2006
First Edition
Stapled wraps. Condition: Near Fine. First Edition. Near Fine stapled wraps. Exhibition catalog of protest art with essay by Dackerman. Unpaginated, unmarked. About 10 pages. Harvard University Art Museums Gallery Series No. 54; UO15 OV21; 10 X 8.50 X 0.20 inches.
Language: English
Published by The Pennsylvania State University Press, 2002
ISBN 10: 0271022353 ISBN 13: 9780271022352
Signed
Paperback. Condition: Like New. Inscribed by Susan Dackerman on half title page. Softcover. Good binding and cover. Light wear. Clean, unmarked pages. *Autographed by author.* This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Signed.
Language: English
Published by Pennsylvania State University Press,, 2002
ISBN 10: 0271022353 ISBN 13: 9780271022352
Softcover. Condition: VG+. Dust Jacket Condition: No Dust Jacket. Oversize softbound copy w/scant wear; covers bright, glossy; pgs unmarked. ;
Language: English
Published by Pennsylvania State University Press / Baltimore Museum of Art, Baltimore, 2002
ISBN 10: 0271022353 ISBN 13: 9780271022352
Seller: Warwick Books, member IOBA, South Pasadena, CA, U.S.A.
Association Member: IOBA
First Edition
Softcover. Condition: Fine. Softcover in illustrated glossy wrap. First edition. Fine, unread condition. Published to accompany an exhibition organized by the Baltimore Museum of Art that showed in Baltimore in 2002 and in St. Louis in 2003. Illustrated in color throughout. Folio. 297 pp. including index. Heavy--will likely require additional shipping charges for priority or sales outside the U.S.
Language: English
Published by Philadelphia Museum of Art, 1996
ISBN 10: 0876331029 ISBN 13: 9780876331026
Seller: monobooks, Waterford, MI, U.S.A.
First Edition
Hardcover. Condition: New. No Jacket. 1st Edition. First edition 1996, first printing. Published in conjunction with the exhibition by Philadelphia Museum of Art. Hardcover without DJ as issued. Condition new, square tight and clean book, corners not bumped, no edgewear, no names, no underlinings no highlights, no bent page corners, not a reminder. Oblong 4to, 91 pages, illustrated throughout with full page plates.
Language: English
Published by Philadelphia Museum of Art, 1996
ISBN 10: 0876331029 ISBN 13: 9780876331026
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
Hardcover. Condition: Sehr gut. 1. Auflage. Z : 91 pages, halfcloth - This catalogue marks the second installment of works acquired by the Museum since 1988, when the Museum first exhibited printmaking, drawing, and photography from the collection. Featured in this volume are acquisitions that stretch the established boundaries of composition or imagery, either through the use of centuries-old techniques or new technologies of the camera and the computer. Discussions of each work, contributed by Museum curators, and color reproductions are supplemented by brief biographies of the thirty-five artists featured in this most recent look at a unique collection of contemporary art.
Language: English
Published by Philadelphia Museum of Art, 1996
ISBN 10: 0876331029 ISBN 13: 9780876331026
Seller: Antiquariat Andreas Schwarz, Bonn, Germany
Condition: Sehr gut. 91 S.mit zahlr.Abbildungen; Original-halbleinenband; Quer-4°. Gutes bis sehr gutes Exemplar. (In Englisch).
Language: English
Published by The Pennsylvania State University Press, 2002
ISBN 10: 0271022353 ISBN 13: 9780271022352
Seller: Bernhards Books, Queens Park, NSW, Australia
First Edition
Soft cover. Condition: Fine. Dust Jacket Condition: As New. 1st Edition. Book was a reference library copy in as new condition beautiful covered in plastic and re-shrink wrapped for protection! Excellent buy.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New.
Language: English
Published by Princeton University Press, New Jersey, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. An important new examination of Islamic themes in the art of Albrecht Drer.Albrecht Drer's depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Drer's art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture.In this beautifully illustrated book, Dackerman provides new readings of three of the artist's most enigmatic print projects Sea Monster, Knots, and Landscape with Cannon situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg's development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg's workshop produced a call to crusade and other publications antagonistic to the Muslim East, Drer's prints, she shows, instead emphasize instances of affiliation between Christendom and Islam.A breathtaking work of scholarship, Drer's Knots shows how the artist's prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East. "The first comprehensive study of Duerer's treatment of Islamic themes in his prints"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Speedyhen LLC, Hialeah, FL, U.S.A.
Condition: NEW.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. 2024. hardcover. . . . . .
Language: English
Published by Princeton University Press, US, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
Hardback. Condition: New. An important new examination of Islamic themes in the art of Albrecht DürerAlbrecht Dürer's depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Dürer's art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture.In this beautifully illustrated book, Dackerman provides new readings of three of the artist's most enigmatic print projects-Sea Monster, Knots, and Landscape with Cannon-situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg's development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg's workshop produced a call to crusade and other publications antagonistic to the Muslim East, Dürer's prints, she shows, instead emphasize instances of affiliation between Christendom and Islam.A breathtaking work of scholarship, Dürer's Knots shows how the artist's prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Brook Bookstore On Demand, Napoli, NA, Italy
Condition: new.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 50.54
Quantity: Over 20 available
Add to basketCondition: New.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Majestic Books, Hounslow, United Kingdom
Condition: New.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Ria Christie Collections, Uxbridge, United Kingdom
US$ 59.27
Quantity: 2 available
Add to basketCondition: New. In.
Language: English
Published by Princeton University Press 2024-09-10, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Chiron Media, Wallingford, United Kingdom
US$ 54.85
Quantity: 2 available
Add to basketHardcover. Condition: New.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: Kennys Bookstore, Olney, MD, U.S.A.
Condition: New. 2024. hardcover. . . . . . Books ship from the US and Ireland.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: GreatBookPricesUK, Woodford Green, United Kingdom
US$ 57.63
Quantity: Over 20 available
Add to basketCondition: As New. Unread book in perfect condition.
Language: English
Published by Princeton University Press, 2024
ISBN 10: 0691250448 ISBN 13: 9780691250441
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
US$ 60.30
Quantity: Over 20 available
Add to basketHardback. Condition: New. New copy - Usually dispatched within 4 working days.
Language: English
Published by Yale University Press, 2015
ISBN 10: 0300214715 ISBN 13: 9780300214710
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
Paperback. Condition: Very Good. Dust Jacket Condition: None. Illustrated. 4to. Pap. Slight creasing to spine (not threatening the sewn binding), else a bright, clean copy. A definitive exploration of Corita Kent's art, looking beyond her identity as a radical nun to establish her place amid the vibrant pop art movement of the 1960s Known widely as a Catholic nun with an avant-garde flair, Corita Kent (1918-1986) has a personal legacy that has tended to overshadow her extensive career as an artist. This handsomely illustrated catalogue places Kent in her rightful position among the foremost figures of pop art, such as Andy Warhol, Ed Ruscha, and Roy Lichtenstein. Although Kent has been largely excluded from the academic and critical discourses surrounding 1960s American art, this publication reevaluates her importance and highlights how her work questioned and expanded the boundaries of the pop art movement. Four essays and nearly 90 catalogue entries pull together a variety of topics--art history, religion, politics, linguistics, race, gender, mass media, and advertising--that influenced Kent's life and work during the 1960s. Eminent pop scholars delve into the relationship between her art and that of her contemporaries, and explore how her art both responded to and advanced the changes in modern-day Catholicism stemming from Vatican II. More than 200 vibrant images showcase Kent's ingenious screenprints, which often combine handwritten text and commercial imagery. Offering an unparalleled, rigorous study of an artist who has been largely overlooked, this book is an important contribution to scholarship as well as a fascinating presentation of Kent and her work to a wider audience. .