Dad Aisha (8 results)

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  • Language: English

    Published by Harvard University Press, Cambridge, Mass, 2026

    0674303318 / 9780674303317

    • Softcover

    Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail

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    Paperback. Condition: new. Paperback. Anarkali, an Orientalized persona assigned to the harem of the Mughal Emperor Akbar, is also the lover of Akbar's son, Salim, the future Mughal Emperor Jahangir. Her body and narrative occupy the liminal and contentious space between Akbar and Salim especially as construed under the male gaze of seventeenth-century European travelers. But while both Akbar and Salim are historically attested personalities, Anarkali is not. And yet, her narrative is pervasive in South Asia, appearing in everything from architecture to film. Up to this point studies of the enigma of Anarkali have centered on uncovering her historicity. But in the tragic performance of the poetics of the body, Anarkali embodies the ultimate conflation of the female body with narrative construction. Informed by oral poetics, performance theory, and memory studies, Through the Looking Glass approaches Anarkali not as a historical enigma but rather as a qissa, an oral narrative. The so-called evidence of her historicity is the performance and reperformance of her qissa across different media: the Tomb of Anarkali in Lahore; early travel writings; Imtiaz Ali Taj's seminal play Anarkali; and the Indian Cinema films Anarkali and Mughal-e-Azam. The poetics and performance of her body fundamentally signify the foreign and domestic anxieties at stake in the imperial personalities of Akbar and Salim. Informed by oral poetics, performance theory, and memory studies, Through the Looking Glass approaches Anarkalithe supposed lover of both the Mughal emperor Akbar and his son Jahangir not as a historical enigma, but rather as a qissa, an oral narrative occupying a liminal and contentious space. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Language: English

    Published by New Alexandria Foundation, 2026

    0674303318 / 9780674303317

    • Softcover

    Seller: California Books, Miami, FL, U.S.A.California Books

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  • Language: English

    Published by Harvard University Press, 2026

    0674303318 / 9780674303317

    • Softcover

    Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.

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    Condition: New. 2026. paperback. . . . . .

  • Language: English

    Published by New Alexandria Foundation, 2026

    0674303318 / 9780674303317

    • Softcover

    Seller: Russell Books, Victoria, BC, CanadaRussell Books

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    paperback. Condition: New. Special order direct from the distributor.

  • Language: English

    Published by New Alexandria Foundation, 2026

    0674303318 / 9780674303317

    • Softcover

    Seller: Revaluation Books, Exeter, United KingdomRevaluation Books

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    Paperback. Condition: Brand New. 200 pages. 8.25x5.75x8.28 inches. In Stock.

  • Language: English

    Published by Harvard University Press, 2026

    0674303318 / 9780674303317

    • Softcover

    Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore

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    Condition: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

  • Language: English

    Published by New Alexandria Foundation, 2026

    0674303318 / 9780674303317

    • Softcover

    Seller: moluna, Greven, Germanymoluna

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  • Language: English

    Published by Harvard University Press Sep 2026, 2026

    0674303318 / 9780674303317

    • Softcover

    Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH

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    Taschenbuch. Condition: Neu. Neuware - Anarkali, an Orientalized persona assigned to the harem of the Mughal Emperor Akbar, is also the lover of Akbar's son, Salim, the future Mughal Emperor Jahangir. Her body and narrative occupy the liminal and contentious space between Akbar and Salim especially as construed under the male gaze of seventeenth-century European travelers. But while both Akbar and Salim are historically attested personalities, Anarkali is not. And yet, her narrative is pervasive in South Asia, appearing in everything from architecture to film. Up to this point studies of the enigma of Anarkali have centered on uncovering her historicity. But in the tragic performance of the poetics of the body, Anarkali embodies the ultimate conflation of the female body with narrative construction.Informed by oral poetics, performance theory, and memory studies, Through the Looking Glass approaches Anarkali not as a historical enigma but rather as a qissa, an oral narrative. The so-called evidence of her historicity is the performance and reperformance of her qissa across different media: the Tomb of Anarkali in Lahore; early travel writings; Imtiaz Ali Taj's seminal play Anarkali; and the Indian Cinema films Anarkali and Mughal-e-Azam. The poetics and performance of her body fundamentally signify the foreign and domestic anxieties at stake in the imperial personalities of Akbar and Salim.