Published by Cafe Au Gogo New York, NY, 1968
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[2] pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for "Collision Course : An Omnibus of Plays," short plays by 12 playwrights performed at Cafe Au Gogo, New York City, [April 25 - June 3, 1968]. Presented by Lyn Austin, Hale Matthews and Oliver Smith. Plays by Rosalyn Drexler, Jack Larson, Harvey Perr, Martin Duberman, Terrence McNally, Jean-Claude van Itallie, Jules Feiffer, Leonard Melfi, Sharon Thie, Israel Horovitz, Robert Patrick and Lanford Wilson. Performers included Susan Browning, Sam Groom, Meg Myles, Leora Dana, Tom Rosqui, Scott Glenn, Tom Scott. With production design by Michael Davidson, costumes by Diedre Cartier and production directed by Edward Parone. Fair / Good. Folded in four with moderate handling wear including bumping of corners and edges and yellowing of pages. 5 mm. of soiling to page one and two. "PIX" written twice on page two in red ink.
Published by The Constance Press, Iowa City, 1957
Seller: Rulon-Miller Books (ABAA / ILAB), St. Paul, MN, U.S.A.
Edition limited to 50 copies, 8vo, pp. 10, [2]; printed in red and black; original terracotta wrappers, printed paper label wanting (see below); a very good copy. From the library of Kim Merker. This copy inscribed to Merker: "For Kim - What can I say that would be adequate to the years our friendship spans. We set out together with this book - it's been good - And I'm grateful. Bob." My Glass Brother is Dana's first book, and this is, in effect, Merker's first book as well. Berger, Printing and the Mind of Merker, 1: "The only item with the imprint of The Constance Press, named for Merker's wife . This was my first printing and design effort and the first thing I ever set into type on my own. I did this at the Typography Laboratory as my project in Harry Duncan's course in printing . Though I had no idea of being a printer, everyone who did a project at the Type Lab made up a press name for it, which will probably confuse bibliographers in the future. This was before the Stone Wall Press came into existence, obviously . One mistake I made was that I put the labels on the 50 copies with rubber cement, which lasted about a year before the labels fell off." Cornell and Princeton only in OCLC.