Dangelo, Signed (22 results)

Condition: Good. Signed Copy . Signed/Inscribed by author on half title page. Slightly dampstained.

Condition: Good. Signed Copy . Signed by author on title page.

perfect. Condition: Very Good. Rocco Urbisci (with Additional Drawings By Paul D'angelo) (illustrator). Signed. Inscribed by Zimbalist. Very mild shelfwear. Signed/autographed. I note every flaw I find, so buy with confidence.

Soft cover. Condition: Fine. 1st Edition. 154 Pages, Illus. Signed by Author(s).

Soft Cover. Condition: vg-. SIGNED "God Bless You 8/10/82" by the author on half title pg; 177pp + blank 'notes' pp; text clean; 8.25" tall; wear to edges of tan cover with gray & white il'd cross on front. Paperback.

Soft cover. Condition: New. 1st Edition. Pristine softback copyright 2004; SIGNED BY AUTHOR on title page; 327 spotless pages (ewlr). Signed by Author(s).

HARDCOVER. Condition: Used; Good. Used; Good. 6-A-28 1st Books Library 2002 Hardcover. SIGNED and Inscribed by author on title page. There is some red discoloration on first two pages and last two pages. Text is clean and unmarked. Jacket has light wear. Book Condition; Good Jacket Condition; Good . 2002. HARDCOVER.

Condition: Good. Signed Copy . Acceptable dust jacket. Inscribed by author on front endpage. (Acting, Drama, Theater).

Soft cover. Condition: Very Good. 1st Edition. 12mo. Original card covers. Essay by the artist, b/w illusts, documentation. From the library of the Surrealist, collector and book-seller John Lyle, with his book-plate and a presentation inscription from Dangelo 'To John Lyle, the Evergreen Apple that groves in Finland, Sergio.'. Signed by Author(s).

In-8° pp. 119. Bross. edit. ill. Dedica autografa dell'autrice all'interno.

In-8° pp. 115, bross. edit. ill. Dedica autografa dell'autrice all'interno.

Couverture souple illustrée. Condition: Très bon. Claudio D'Angelo (illustrator). Ed. numérotée. Grand in-8. 235 pages. Exemplaire no. 140/1500. Belle dédicace en page de garde au dessinateur Frédéric Back et ses proches. Ouvrage romancé par un ornithologue réputé. Signé par l'auteur.

Condition: buono. Classica Antica Fiction and Poetry Classical Fiction Ancient Literatures bross. edit. con titoli a due colori - con firma dell'autore - prima edizione OTTIME CONDIZIONI.

Soft Cover. Condition: New. Signed by the photographer\n\nBoth an artist's book and comprehensive inquisition of D'Angelo Lovell Williams's work to date, Contact High offers an expansive engagement with the visualisation of desire and depiction of the Black body. Williams's narrative images reflect the many forms in which Black queer people exist and have existed historically within each other's lives, picturing them as sitters, lovers, caregivers, or shadows. Williams's work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title Contact High references the importance of touch and gesture in Williams's work, and alludes to heightened senses and intuitive movement.\n\n\nFrom self-portraits to collaborations with community, Williams's photographs visualise the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williams's unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualised as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions.\n\n \nOTA bound paperback\n23 x 27.8 cm, 104 pages\n\nISBN 978-1-913620-62-2.

paperback. Illustrations originales de Matta et Sergio Dangelo (illustrator). Bibliothèque Phantomas 1969. in-12. 160 pages. Bibliothèque Phantomas 1969. in-12. 160 pages. Nb de volume : 1. Envoi autographe signé de l'auteur : " Pour M. et C. S. amis de l'art et de la révolution, cordial souvenir, Michel Vachey." ENRICHI d'une lettre de remerciements de voeux sous enveloppe de Michel Vachey écrite avec plusieurs couleurs d'encre différentes sous forme d'un poème naïf et signé par Michel Vachey . Envoi autographe signé de l'auteur : " Pour M. et C. S. amis de l'art et de la révolution, cordial souvenir, Michel Vachey." ENRICHI d'une lettre de remerciements de voeux sous enveloppe de Michel Vachey écrite avec plusieurs couleurs d'encre différentes sous forme d'un poème naïf et signé par Michel Vachey . Bon état de la couverture, intérieur propre . Illustrations originales de Matta et Sergio Dangelo .

Couverture souple. Condition: bon. R320087918: 1985. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 17 pages agrafées - 2 PHOTOS DISPONIBLES - ENVOI DE L'AUTEUR - . . . . Classification Dewey : 97.2-Dédicace, envoi.

Brossura. Condition: Discreto. Cm.24,3x16,2. Pg.72. Lieve mancanza all'occhiello per rimozione del destinatario di una dedica autografa dell'autrice. Lievi fioriture. Esemplare intonso. 200 gr.

Condition: Very good. 1st Edition. 32 x 48cm folded once to form a christmas card (watercolour paper). Blank white outer. Inside, on the left, "Arturo Schwarz ha fatto eseguire cento esemplari di questo collage con acquaforte originale di Sergio Dangelo per gli amici della galleria. Questo esemplari e stato eseguito per Victor Musgrave (signature in blue ink), Natale 1962". On the opposite page, an abstract etching, with grey watercolour addition and brown card collage, signed in pencil by Dangelo. Slightly worn but generally very good condition.

Milano, Edizioni del Triangolo, «Collana di Immagini e Testi diretta da Roberto Sanesi», 1957, Prima edizione. Esemplare siglato «F.C.» [fuori commercio] di una tiratura di 350 copie numerate, in ottime condizioni (minime scoloriture ai margini dei piatti, dorso reincollato), pregiato dalla dedica autografa del traduttore Vittorio Sereni. Nel cuore della lunga fase di silenzio poetico di Sereni da «Diario d'Algeria» del 1947 a «Gli strumenti umani» (Einaudi, 1965) -, ecco questa raccolta di componimenti di William Carlos Williams tradotti dal poeta di Luino. Accompagnata dalle immagini in bianco e nero di Sergio Dangelo, l'edizione in tiratura numerata limitata a 360 esemplari qui presentata segna un punto importante nel confronto di Sereni con Williams, avviato nel 1951 e culminato con l'antologia «Poesie» curata per Einaudi nel 1961. in 8° quadrato, brossura originale di colore blu, pp. 28 [4]. Prima edizione. Esemplare siglato «F.C.» [fuori commercio] di una tiratura di 350 copie numerate, in ottime condizioni (minime scoloriture ai margini dei piatti, dorso reincollato), pregiato dalla dedica autografa del traduttore Vittorio Sereni. brossura originale di colore blu,

Vinyl. Condition: Sehr gut. 2 Vinyls. Katalog-Datum auf Rückseite der Hülle . Vinyls sehr gut erhalten. Altersfreigabe FSK ab 0 Jahre Sprache: Italienisch Gewicht in Gramm: 1550.

Large thick oblong quarto, 300 pages, 8 photographic plates, illustrated throughout. Printed stiff wrappers. Very fine. - First edition. One of 100 numbered copies (this being no. 13) with an original numbered and signed silk screen print. This artist's book has four main sections, each divided by heavy black paper and introduced by a series of photographic plates. The chapters print either com¬puter generated abstract series. D'Angelo also experiments with the placement of text on the empty surface of the page. Like in several other Italian artists' books, the photographic images seem to function as an anchorage in reality. With short texts about Clau¬dio d'Angelo's work by Giulio Carlo Argan, Italo Tomassoni, Nello Ponente, Umbro Apollonio. "I am interested in the process, not the result. My research consists of the organization of modular elements and try to produce an interaction between them." Redazione e grafica di Magdalo Mussio e Claudio d'Angelo. Imaginazione Olivio Galassi. Elaborazione fotografica Luisa Scarabotto. Realiz¬zazione grafica Paolo Sacchetta e Giacomo Germonddari.

Portfolio précédé de Farewell, Anaïs, farewell? par Alain-Valery Aelberts - Saint-Pierre-Capelle (Belgique) : Lettera Amorosa, 1972 - un volume en feuilles, 32x40,5cm comprenant quatre gravures originales toutes signées par les artistes : lithographie en couleurs rehaussée à la main par Sergio Dangelo, eau-forte en noir d?Adrien Dax, pochoir en couleurs de Wout Hoeboer et eau-forte en bistre de Massimo Radicioni - très bon état - Edition originale en tirage limité à 33 exemplaires : un des 24 exemplaires sur vélin de Lana (exemplaire N°5) avec un envoi autographe signé de Alain-Valery Aelberts. Livres.