Daniel Abbe (94 results)

Paperback. Condition: New. The first English-language collection of Takuma Nakahira's influential writings on photography.At the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing. As part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira's essays brim with urgency, relentlessly interrogating photography's relationship to power, the connection between language and images, and the gaze. As editors and translators Daniel Abbe and Franz Prichard write, Nakahira's essays "both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world.".

Paperback or Softback. Condition: New. At the Limits of the Gaze: Selected Writings by Takuma Nakahira. Book.

Condition: New.

Paperback. Condition: New. The first English-language collection of Takuma Nakahira's influential writings on photography.At the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing. As part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira's essays brim with urgency, relentlessly interrogating photography's relationship to power, the connection between language and images, and the gaze. As editors and translators Daniel Abbe and Franz Prichard write, Nakahira's essays "both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world.".

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Muy bueno. : En este libro, Abbé Pierre y el Padre Pedro, dos figuras emblemáticas en la lucha contra la pobreza y la exclusión, unen sus voces para lanzar un llamado a la justicia y la paz. A través de conversaciones reveladoras, comparten sus experiencias y reflexiones sobre la desigualdad global, ofreciendo perspectivas de esperanza y acción para las generaciones futuras. El Padre Pedro, conocido por su trabajo en Madagascar, continúa el legado del Abbé Pierre, demostrando que la pobreza no es una fatalidad y que cada individuo puede contribuir a construir un mundo más justo. EAN: 9782750900441 Tipo: Libros Categoría: Religión y Espiritualidad Título: Pour un monde de justice et de paix Autor: Abbé Pierre| Père Pedro| Anne Facérias| Daniel Facérias Editorial: Presses de la Renaissance Idioma: fr Páginas: 224 Formato: tapa blanda.

Paperback. Condition: new. Paperback. The first English-language collection of Takuma Nakahira's influential writings on photography.At the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing. As part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira's essays brim with urgency, relentlessly interrogating photography's relationship to power, the connection between language and images, and the gaze. As editors and translators Daniel Abbe and Franz Prichard write, Nakahira's essays 'both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world'. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: new.

Condition: New.

paperback. Condition: New. Brand New.

Condition: binding (fair) pages (good). 1953 336 pages paperback (broché).

Paperback. Condition: Brand New. 208 pages. 8.20x5.20x1.00 inches. In Stock.

paperback. Condition: New. Special order direct from the distributor.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condition: Good. Dust Jacket Condition: Acceptable. Good condition. Some light shelf wear, some fading and dicoloration from age. stamp on the title page. includes dust cover with light to moderate shelf wear. Pages are clean and unmarked. 2.

Couverture souple. Condition: Satisfaisant. 2,00 ? Etat Correct Stock disponible : 1 Pays d'expédition : France Expédition (?) :Normal ? Suivi ? Recommandé - Point de retrait So Colissimo ? Chronopost ? Point relais Mondial Relay Commentaire de l'annonce : Les frais d'envoi postaux, ou autres seront calculés, au plus juste sans prise de marge du vendeur. Pour l'étranger, Tarif "livres et brochures". Au dessus de 500g SVP par Mondial Relay moins onéreux que la Poste et plus fiable quant au respect physique du colis. photo non contractuelle envoi d'autres photos sur demande. Retrait possible sur Paris 9e et Département de l'Oise Retrait possible chez le vendeur (60850).

Paperback. Condition: Brand New. 208 pages. 8.20x5.20x1.00 inches. In Stock.

Paperback. Condition: Brand New. 208 pages. 8.20x5.20x1.00 inches. In Stock.

Abondamment illustré. Préface par Yves Amiot. Broché. 205 pages.

Cartonné. 356 pages. 9x14 cm. Rousseurs.

Couverture souple. Condition: Assez bon. GLN-737.

Couverture souple. Condition: Bon. 175 p. Cote, cachet et porte-carte de biblio. Ill. Pages glacées. No du propriétaire inscrit à l'encre sur la page titre.

Paperback. Condition: New. The first English-language collection of Takuma Nakahira's influential writings on photography.At the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing. As part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira's essays brim with urgency, relentlessly interrogating photography's relationship to power, the connection between language and images, and the gaze. As editors and translators Daniel Abbe and Franz Prichard write, Nakahira's essays "both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world.".

Paperback. Condition: new. Paperback. The first English-language collection of Takuma Nakahira's influential writings on photography.At the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing. As part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira's essays brim with urgency, relentlessly interrogating photography's relationship to power, the connection between language and images, and the gaze. As editors and translators Daniel Abbe and Franz Prichard write, Nakahira's essays 'both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world'. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condition: NEW.

Paperback. Condition: new. Paperback. The first English-language collection of Takuma Nakahira's influential writings on photography.At the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing. As part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira's essays brim with urgency, relentlessly interrogating photography's relationship to power, the connection between language and images, and the gaze. As editors and translators Daniel Abbe and Franz Prichard write, Nakahira's essays 'both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world'. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.