Danson Andrew (29 results)

Softcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Tight unmarked book in glossy card covers with matching (sunned) dust jacket. ; 173 pages.

Soft cover. Condition: Very Good. 1st Edition. pgs.173 clean tight copy flyleaf has a couple of strips presumably where a name place was removed covers wrapped in plastic with tape marks on front cover top and bottom. soft cover crease to lower front right corner, hinge crease, Discard stamped in red lower edge.

Soft cover. Condition: Fine. 45 pages. Oblong (21.5 cm. x 18 cm.). Pictorial card covers. Illustrated with color and b/w plates (artworks). Catalogue of an exhibition held at Vaclav Spata Gallery, Prague, June 9 - July 14, 2004 [and] Martin-Gropius-Bau, Berlin, September 23 - November 8, 2004. EPHEMERA inserted : "Kanadska fotografie Broken Ground 9.6 - 14.7.2004" Galerie Vaclav Spala, Prague", Leaflet folded in 4 parts making 8 sections. A new exhibition catalog.

Condition: Fine. no pagination Pp. B&W photo portraits one to a page with subject's name & where they were interned opposite(app 50) Card covers with dust jacket with cutout frame showing portrait on front cover.

Softcover. First Edition. pp. 173. 4to. Stiff card covers. Replete with black-and-white photographs, portraits. No detectable flaws, contents bright, clean, and unmarked with tight, sound binding; fine in fine dustjacket.

Soft cover. Condition: Very Good. 1st Edition.

folio. pp. 173. profusely illus. in b/w. wrs. dw. (spine & upper front edge sunned). Exhibition Catalogue.

1987. (4to paperback) Very good in very good dust jacket. 173pp. Photographs, catalogue, bibliography. The pink dust jacket has mostly faded to green. Locale: Canada. (Art--Canada, Photography, Politicians--Canada, Politics--Canada, Portrait Photography).

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Bound in white limp wraps, with plain black wrapper, this softcover First Edition is VG. Contains some 80 B/W portraits, one per page of Japanese Canadians interned during WW2. Cover photo by Dentaro Miyamoto, printed on 100 lb Phoenix Imperial Cream Gloss. Size is 10" x 8", Condition VG.

Condition: new.

Soft cover. Condition: New in Shrinkwrap. 1st Canadian Edition. Vintage Calendar for 1990 containing 12 pages, each with a studio portrait by photographer Andrew Danson of a famous Canadian author and with a list of titles. Includes : Margaret Atwood, Marilyn Bowering, Robertson Davies, Timothy Findley, Northrop Frye, Marie-Louise Gay, Hugh MacLennan, Antonine Maillet, Robert Munsch, Josef Skvorecky, Michel Tremblay, Eric Wright. 12p. Size: 13x10 inches [ NO copy listed in Worldcat or in Library & Archives Canada].

Condition: New. 2025. hardcover. . . . . .

Condition: New.

Hardback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. Print on Demand.

Condition: New. Print on Demand.

Condition: New. PRINT ON DEMAND.

Hardcover. Condition: new. Hardcover. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Brand New. 288 pages. 9.21x6.14x9.21 inches. In Stock. This item is printed on demand.

Hardcover. Condition: new. Hardcover. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Condition: Neu. Bad Poetry? New Perspectives on the Value of Sixteenth-Century Literature | Richard Danson Brown (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 2025 | D.S.Brewer | EAN 9781843847229 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present.

Hardcover. Condition: new. Hardcover. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically.In the wake of C. S. Lewis's still-contested taxonomy of 'drab' and 'golden' poetic ages, this volume rethinks the critical and aesthetic stakes of bad poetry in early modern England-not to dismiss it, but to ask what it meant, how it functioned, and why it mattered.Revisiting poets like Arthur Gorges, Walter Ralegh, Thomas Lodge, and Thomas Churchyard, contributors interrogate the literary marketplace, aesthetic judgment, and evolving generic conventions between 1520 and 1609. Through close readings of works by Spenser, Shakespeare, Skelton, and others-alongside notorious outliers like Richard Stanyhurst-the collection considers poetic failure as both historical artifact and interpretive opportunity. From the clumsy excess of hexameters to the ideological weight of neo-Latin verse, from scribal emendations of Mother Hubberds Tale to the uncertain metrical charge of the lengthy fourteener, these essays reveal how poets and readers alike navigated shifting ideas of taste, style, and literary value.Grounded in close reading, textual scholarship, and formal analysis, this collection offers a model of sustained, comparative literary criticism that is both theoretically engaged and deeply historicised. It foregrounds the interpretive value of stylistic awkwardness and aesthetic resistance while charting the long afterlives of poetic judgment from Lewis to the present. An examination of the messy, often contradictory processes of poetic production and reception. The volume offers an invitation to read widely, question deeply and think critically. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.