David Vaughan Merce Cunningham (23 results)

hardcover. Condition: Very Good. Condition Notes: Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good-. First Edition; First Printing. Color and B&W Photographs; 319 pages; Wear to cover edges, light. Very Good condition otherwise. No other noteworthy defects. No markings. ; - We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Modest shelfwear to cover, clean pages and sound binding.

paperback. Condition: Very Good.

Hardcover with dustjacket, 322 pages; very good condition except a few small tears to top edge of dj; waterstain to top edge of inside of dj; top edge of rear cover and last couple pages (about 3-inches long by 1/2 inch); no other internal marks. Foreign shipping may be extra.

Hardcover with dustjacket and protective plastic overwrap, 322 pages; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. 319pp, lavishly illustrated throughout in colour and b&w. A Near Fine 1st Impression copy with pristine interior, no wear to binding and very little trace of wear to black cloth boards. The unclipped dust wrapper displays only light areas of surface and edge-wear and remains highly presentable. Please see five pictures attached for a closer look. Note: Owing to 2.2kg weight an adjustment to shipping charge may be requested for International ordering.

Soft cover. Condition: Fine. 1st Edition. Qto., 165 pages, illustrated. A Fine, unused copy.

Paperback. First edition, 1997, first printing. Fine paperback with a light bump to one of the back tips; appears to be new and unread. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A chronicle and celebration of the career of the dancer and choreographer Merce Cunningham, with photographs and contributions by Imogen Cunningham, Barbara Morgan, Annie Leibovitz, Peter Hujar, Arnold Eagle, Rudy Burckhardt, John Cage, Allen Ginsberg, Martha Graham, Timothy Greenfield-Sanders, Lois Greenfield, Jasper Johns, Saul Leiter, Roy Lichtenstein, Fred W. McDarrah, Bruce Nauman, Isamu Noguchi, Dorothy Norman, Michael O'Neill, Nam June Paik, Robert Rauschenberg, Frank Stella, Max Waldman, Andy Warhol, and others. Chronicle and commentary by David Vaughan; texts by Merce Cunningham; afterword by Garrison Keillor. 320 pages; color and b&w illustrations throughout; 9.5 x 12 inches. List of dances, chronology, bibliography, index. Due to size and weight, international and expedited shipping will be more than quoted.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9783718658343.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. the slightest of shelf wear to head and tail of D/J spine.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

30x24cm. Soft cover. First edition thus. Published on occasion of exhibition of works of the three friends at the Anthony d'Offay Gallery, London and Tate Gallery, Liverpool. pp165(3) with essays, monochrome photo and colour illustrations, reproduction of musical score, list of works exhibited, and artist chronologies. Card wrappers with wide flaps, front illustrated in colour. Near FINE copy. (Heavy item, overseas shipping at cost.).

Hardcover. Condition: Very Good lettering clipped; Dust Jacket Condition: Very Good. First Edition. Yellow cloth cover with blue spine; no marks or writing, DJ not price clipped; DJ is not price; clipped; Artist signature and inscription on title page; ; 96 pages; Signed by Artist.

Hardcover. Condition: Very Good. First Edition. First Edition; 1997. Inscribed and signed by Merce Cunningham and David Vaughan on title page. Black cloth covered boards with silver spine titles; minimal wear; jacket has light shelf wear; 4to, 9 3/4" - 12" Tall; illustrated throughout; Interior clean and unmarked; 315 pages. Additional shipping charges will be required for international orders. Signed by Author.

First edition and first printing. Hardcover. 315 pages. A retrospective monograph on one of the more important and influential American dancers and choreographers of the 20th century. Edited by Melissa Harris. Features a chronicle and commentary by David Vaughan. Includes numerous color and black and white images, a list of dancers, chronology, bibliography, an index and a text contribution by Garrison Keillor. A close to near fine copy with a small tear to the top of the last three pages in a near fine dust jacket. Signed and inscribed by Cunningham on the title page to his longtime New York City gallerist Margarete Roeder. A very nice association copy.

[2] pp.; 61 x 10.2 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Two sided oversized folded flyer / announcement published in conjunction with the opening of the John Cage Trust of New York City in [1993]. Executive director: Laura Kuhn. Board of Trustees: Merce Cunningham, Anne D'Harnoncourt, Laura Kuhn and David Vaughan. Very Good. Folded in three as issued. Light handling wear including light creases measuring 3.5 cm. (x3) and 1 cm. (x2). Otherwise clean and unmarked.

Hardcover. Condition: Very Good. Dust Jacket Condition: Fine. 1st Edition. First edition. Large quarto; 315pp., indexed; black cloth, silver spine titles, in dust jacket. Signed and inscribed by Vaughan to the front endpaper. Some light rippling along the fore-edge of textblock, a handful of crimped upper page corners, light tanning to perimeters of leaves. Very good (+) in a fine, unclipped jacket. A year-by-year chronicle of Cunningham's choreography. Profusely illustrated in black-and-white and color, with text by Vaughan, who was the Merce Cunningham Dance Company's archivist for over 30 years. Inscribed by Author(s).

16 x 16cm. Paperback, unpaginated [32pp]. A detailed illustrated overview of the dance company's work up to 1963, designed by Marc Ratliff and edited by David Vaughan, published by the newly-founded Foundation for Contemporary Performance Arts set up to support works by avant-garde artists and composers. The year of publication also marked Cunningham's groundbreaking site-specific Walker Art Center New York performances. Foreword by John Cage, who was the musical director for the most of the company's 1963 season (with David Tudor on piano), and Robert Rauschenberg designing the costumes and lighting arrangements. John Wulp supplied some of the photography, including the cover. A series of dances conceived by Cunningham are showcased. From Cage's foreword: "It is assumed that the dance supports itself and does not need support from the music. The two arts take place in a common place and time, but each art expresses this Space-Time in its own way. The result is an activity of interpenetrations in time and space, not counterpoints, nor controlled relationships, but flexibilities as are known from the mobiles of Alexander Calder." A rare and early Merce Cunningham Studio item, with OCLC locating only one copy at New York Public Library. Slightly sunned covers with small areas of abrasion, otherwise very good condition.