Language: English
Published by Aarhus University Press, Aarhus, 1993
ISBN 10: 8772884231 ISBN 13: 9788772884233
Seller: M. & A. Simper Bookbinders & Booksellers, WARRNAMBOOL, VIC, Australia
First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good+. First Edition. From Dustjacket - In The Narrative Jesus. A Semiotic Reading of Mark's Gospel, Ole Davidsen undertakes a radical investigation of the narrative's Jesus, who sees himself as identified by a number of thematic and narrative roles: wonder-worker, proclaimer, and savior. The Markan gospel narrative is defined as a two-fold story whose sequences of events interact and form the characteristic gospel genre. The first sequence concerning the relationship between God and Jesus is fundamental, and recounts the constituent events. The connection between baptism/anointing, crucifixion, and resurrection is analyzed as a unifying structure which establishes the gospel narrative's semiotic unity and reveals the overarching salvation and re-creation project served by these events. Turning against exegetic bigotry and philological pedantry, it is emphasized that the gospel narrative proclaims Jesus Christ as savior. As wonder-worker Jesus already has a part in God's creative power, and as proclaimer his commission is to disclose the hidden salvation project. The second sequence concerning the relationship between Jesus and the disciples shows Jesus as the teacher who tries to induct the disciples as potential apostles for the post-paschal proclamation directed towards Christianity's persistence. The gospel narrative itself appears as literary proof of this proclamation project's successful result. In the narration's register it is Mark who narrates, who plays the part of inductor relative to the reader, in that he discloses the double messianic secret; not only that Jesus is Christ, but also what Christ truly signifies. Mark presents his reader with a narrative christology, since Jesus alone sees himself as identified as Christ through the roles assigned to him by the narrative. Mark reveals a secret that cannot be revealed on terms other than those of the narrative. Whether this narrative is true, whether it is fiction disguised as reality or reality disguised as fiction, will as it were be decided only on the Day of Judgment. Nor is this generation to be given an unambiguous sign from Heaven, but all must be content with the ambiguous story of The Narrative Jesus. ; 250 x 180mm; x, 404 pages.
Universitetsforlaget, Oslo 1961. 77, (1) sidor. Häftad. Illustrerad. Bra skick.
Language: English
Published by EBSCO, The College of St. Catherine, 1997
Paperback. Condition: As New. 21 volume set. Includes Book Reviews, Contemporary Poetry, Literature Articles, and Modern Play Scenes. Softcover. Good bindings and covers. Light wear. Clean, unmarked pages. Interesting articles in this collection include: Zapatista Army of National Liberation: Sixth Declaration of the Selva Lacandona; The Dream of a Public Language: Modernity, Manifesto, and the Citizen Subject by Michael Davidson; New Criticism and the Civil Rights Movement: Identity Politics and the Liberal Arts by Tyrone Williams; 1950 June 28: The Fall of Seoul by Don Mee Choi; Sit in at Bullworth's by Aldon Lynn Nielsen; All Have Joined in the Struggle: The Literature of the United Democratic Front in South Africa by Priya Narismulu; The new voices: Poetry as social commentary in the post-Apartheid South Africa by Vuyisile Msila; Sequence for Mumia Abu-Jamal and I Salute the Jacarandas Anyway by Dennis Brutus; The Spatial Logic of Louis Cabri and Rodrigo Toscano's Urban Poetics by Kim Duff; Hyphenated Anthropologists, Tourist Stand-ins, and the Logic of the Repeat Journey by Ellen Strain; The Guest of Literature: The Issue of Hospitality in Literary Translation by Piotr Gwiazda; What Ethnographies Leave Out by Roger Sanjek; The Poetics of Islam by Kazim Ali; Black Power in Newark by Amiri Baraka; De-Sublimated Multi-Lingualisms by Laura Elrick; Death Sightings by Kathleen Stewart; Left Hook: Brecht, Boxing, and Committed Art by Ole Gram; Assembly Poetics in the Global Economy: Nicaragua by Bruce Campbell; Michael Tremblay's Hosanna and the Queering of National Identity by Elaine Pigeon; Mixed Blood by Wang Ping; People's Theatre, People's Army: Masculinism, Agitprop, Reenactment by Alan Filewod; Racial Actors, Liberal Myths by Josephine Lee; and On the Unbearable Slowness of Being an Anthropologist Now: Notes on a Contemporary Anxiety in the Making of Ethnography by George E. Marcus. Unique poetry in this collection: News Flash: Tagging Death by Allison Hedge Coke; Field Report by Jack Turner; el Puente/the bridge by Elizabeth Burns; 1983 by Walter K. Lew; Tongues by Diane Glancy; The Fifth Direction by Zhang Er; Four Corner Nabs by Allison Hedge Coke; Song of the Andoumboulou: 42 by Nathaniel Mackey; Mao Poems by Kenny Tanemura; and Chaplin Machinery by Mary Kasimor. Contents: No. 1; No. 2; No. 3; No. 4; No. 5; No. 6; No. 8; No. 9; No. 10; No. 11; No. 12; No. 14; No. 15/16; No. 17; No. 18; No. 19; No. 20; No. 21/22; No. 23. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.