Language: English
Published by MIT List Visual Arts Center and Contemporary Arts Museum Houston, 2010
ISBN 10: 193361921X ISBN 13: 9781933619217
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 100 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.
Published by Henry Art Gallery, Seattle, 2008
Seller: 246 Books, Seattle, WA, U.S.A.
Paperback. Condition: New. THE VIOLET HOUR: MATTHEW DAY JACKSON / JEN LIU / DAVID MALJKOVIC Henry Art Gallery / June 21--October 12, 2008 curated by Sara Krajewski. This brochure / ephemera includes a sheet of text on the exhibition by Krajewski and three folded sheets, one on each artist with text about that artist and color reproductions of their works. All held together by a colorful belly band. Folded, 12" x 8 ". Each artist's sheet is a 3-fold that opens out to 24" x 12". New.
Hard cover. Condition: Very good. No jacket. Excellent condition. Inside is clean and unmarked.
Language: English
Published by MIT List Visual Arts Center Cambridge / Contemporary Arts Museum, Houston, 2009
ISBN 10: 193361921X ISBN 13: 9781933619217
Seller: David Bunnett Books, London, United Kingdom
First Edition
US$ 45.14
Quantity: 1 available
Add to basketSOFTCOVER. Condition: New. 1st Edition. 1st printing. Large 4to. in colour printed stiff card covers, with very large folded poster as dust jacket, 99pp variously on glossy art paper and matt stock paper, colour plates, etc. Jackson was MIT's artist in residence 2008 - 09 . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.
Language: English
Published by Amsterdam : Grimm Gallery, 2010
ISBN 10: 9081313738 ISBN 13: 9789081313735
Seller: Klondyke, Almere, Netherlands
Condition: As New. Original decorated boards, illustrated with numerous (foldable) colour photographs, unpaged, 4to.
Published by New York, Peter Blum Edition., 2010
First Edition
4° and 8°. OPp. OSchuber. This two-volume slipcased publication is produced on the occasion of Day Jackson's exhibitions at Blum's two New York galleries. The first volume, The Tomb / In Search of, records one of the artist's most powerful works: a sculpture of eight astronaut pallbearers (rendered from scraps of wood and plastic) carrying a life-size figure enshrined in a glass case, titled The Tomb. Based on a fifteenth-century sculpture by Antoine Le Moiturier, The Tomb carries echoes of the wars in Iraq and Afghanistan, Day Jackson's own mortality and Paul Thek's 1967 Tomb. In Search of, the Film is based upon the eponymous 1970s TV series hosted by Leonard Nimoy, which investigated paranormal phenomena. Day Jackson's video looks at varieties of anthropomorphism in our view of other life forms, the allegories of artists journeys and the transmission of history through artifacts. - 2 Bände in bedrucktem Schuber, tadellos. Sprache: Englisch.
Condition: Very good.
Published by Distanz and ZKM Karlsruhe, Germany, 2013
Seller: Marcus Campbell Art Books, London, United Kingdom
First Edition
US$ 91.69
Quantity: 1 available
Add to basketFirst Edition. 24 x 30cm near fine hardback the most extensive monograph on the work of the artist to date. Has a Hauser & Wirth library stamp at foot of title page. Large-format images provide an overview of Jackson's work and show the development of his multilayered practice from 2003 until today. Featuring essays and interviews by internationally renowned authors, the book offers rich insight into various aspects of Matthew Day Jackson's prolific oeuvre. The work of Matthew Day Jackson opens up a dialogue between various aspects of the history of Western culture and progress, including technology and pop culture, as well as art history and philosophy. Through a variety of art forms - sculpture, painting, installation, photography, and video - Jackson's technically complex works condense historical facts into a deeply descriptive aesthetic fabric. In a continuous confrontation with American history, the artist challenges firmly established perspectives of the world with a unique combination of ingenuity and craft. In the form of an artistic debate on the substance and future of the American Dream, Jackson weaves its aftereffects into his works. In this process, the artist's self-mythologisation invariably lies at the core of his wide-ranging modes of production, thus contextualizing the physicality and destructive results of the human power of invention.A very heavy book, may need extra postage.