De Moss Catherine (6 results)

Hardcover. Condition: Good. No Jacket. Ex-School library copy, cover has some light edge wear and rubbing and some faint discolorations, pages a bit discolored. Book.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Inscribed by author on half title page. Binding tight, content clean and straight. Unclipped illustrated dust jacket in good condition, upper spine corner piece is missing above the word "blue", minor chips along lower edge, slight toning and rubbing along edges where it folds to flaps, in protective mylar. If purchasing internationally, please inquire about shipping charges before purchase. Ships within 1-2 business days. Inscribed by Author(s). …

Original Cloth. Condition: NVG. NVG. First Edition. Book has bumped corners. Dj has edgewear, rear cover soiling. Book.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. Gift inscription on front endpaper otherwise fine, dust jacket has some short edge tears and moderate wear, presents well in a protective mylar sleeve.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.…

8vo. 139, [3] pp. Blue cloth, blue lettering & decoration (offsetting on endpapers & 2 leaves from clippings), w/ d.j. (slight chipping head & foot of spine, couple small closedtears), VG-/VG- copy, inscribed by the author on the ffep., and former ownership signature. First edition, inscribed, of this semi-historical novel based on original diaries and other original sources found near her family's land claim in Eastern Oregon, describing the discovery of the Blue Bucket gold find somewhere along the route of the tragic wagon train that followed Joe Meek in the Meek Cut-off in 1845. Meek and others tried to return to the spot where the discovery had been made in 1868, but they could not find it. Scarce in dustjacket. De Moss (1882-1955) was the daughter of George & Phoebe Cornwall who had taken the Applegate Trail in 1846 to the Oregon Country, and went onto teach over 26 years in and around Hermiston & Umatilla, OR, as well as write several books and poetry.…