Dead Centre (77 results)

Condition: Very Good. A bright, square, and overall a nice copy.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback or Softback. Condition: New. Chekhov's First Play. Book.

Condition: As New. Unread book in perfect condition.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: New.

Paperback. Condition: New. A gunshot in occupied territory. A deaf boy is killed for disobeying orders he couldn't hear. The next day, the whole town wakes up deaf.Adapted from the poems of Ukrainian-American author Ilya Kaminsky, Deaf Republic is an epic modern fable of war, humanity and collective resistance. World-renowned theatre company Dead Centre make their Royal Court debut, collaborating with Sign Language poet Zoë McWhinney. Told through a mix of spoken English, British Sign Language (BSL), creative captioning and silence, Deaf Republic brings together an ensemble of deaf and hearing actors, aerial performers, puppetry, live cinema and poetry.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Im having absolutely nothing to do with the theatre or the human race. They can all go to hell. Anton ChekhovDuring the turmoil of the Russian Revolution in 1917, Maria Chekhov, Antons sister, placed many of her late brothers manuscripts and papers in a safety deposit box in Moscow.In 1921 Soviet scholars opened the box, and discovered a play. The title page was missing. The play they found has too many characters, too many themes, too much action. All in all, its generally dismissed as unstageable. Like life.A new play by Dead Centre, creators of the OBIE / Fringe First winning LIPPY. 'I'm having absolutely nothing to do with the theatre or the human race. They can all go to hell.' - Anton Chekhov Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Paperback. Condition: New. Dead Centre's new solo work for an eleven -year-old boy is devoted to Shakespeare's only son, Hamnet, who died in 1596, only eleven himself.A single letter separates Hamnet from the philosophical heights of Hamlet. Unlike the Prince, he cannot ask 'to be or not to be'. Condemned not to be, he now seeks to understand the world from which he has been wrested. Hamnet is too young to understand Shakespeare. We are too old to understand Hamnet. Two generations, asking each other what they want to pass on and receive. …

Paperback. Condition: New. 'I'm having absolutely nothing to do with the theatre or the human race. They can all go to hell.' - Anton ChekhovDuring the turmoil of the Russian Revolution in 1917, Maria Chekhov, Anton's sister, placed many of her late brother's manuscripts and papers in a safety deposit box in Moscow.In 1921 Soviet scholars opened the box, and discovered a play. The title page was missing. The play they found has too many characters, too many themes, too much action. All in all, it's generally dismissed as unstageable. Like life.A new play by Dead Centre, creators of the OBIE / Fringe First winning LIPPY.…

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Winner of a Scotsman Fringe First Award 2014In 2000 in Leixlip, co. Kildare, an aunt and 3 sisters boarded themselves into their home and entered into a suicide pact that lasted 40 days. We weren't there. We don't know what they said. This is not their story.Winner of the Irish Times Theatre Award for Best Production (2013), and inspired by a real-life event involving the suicide pact of four women in a small town outside Dublin, Lippy is a play about authorship and the role of the writer.…

Paperback. Condition: new. Paperback. A gunshot in occupied territory. A deaf boy is killed for disobeying orders he couldnt hear. The next day, the whole town wakes up deaf.Adapted from the poems of Ukrainian-American author Ilya Kaminsky, Deaf Republic is an epic modern fable of war, humanity and collective resistance. World-renowned theatre company Dead Centre make their Royal Court debut, collaborating with Sign Language poet Zoe McWhinney. Told through a mix of spoken English, British Sign Language (BSL), creative captioning and silence, Deaf Republic brings together an ensemble of deaf and hearing actors, aerial performers, puppetry, live cinema and poetry. Adapted from the poems of Ukrainian-American author Ilya Kaminsky, Deaf Republic is an epic modern fable of war, humanity and collective resistance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. In English.

Condition: New. In English.

Paperback. Condition: Brand New. 55 pages. 8.50x5.25x0.25 inches. In Stock.

Paperback. Condition: Brand New. 64 pages. 8.00x5.00x0.10 inches. In Stock.

Condition: New. In English.

Condition: New. 2017. Paperback. . . . . .

Condition: New.

Paperback. Condition: New. Between 2020 and 2022, theatre had to adapt and, in doing so, challenged ideas of what was possible - and what was even 'theatre'. Due to the global pandemic, an exceptional and wide range of works were made for, or adapted to, brand new conditions and limitations. While these works are defined by interpandemic conditions in the Anthropocene, they serve as portals to thinking about theatre-making in the future. Gathered in this collection are pieces adapted or made for podcast theatre, a livestream illusionist interactive performance, an audience-uploaded hybrid performance, one-on-one online interaction, lip-synch opera-theatre, climate crisis activist manifesto film/theatre, spoken word and gaming installation art and multi-location broadcast plays, providing an accessible introduction to 'Transmedia' theatre. Transmedia theatre has been a boundary-breaking and rich area of performance since the 1990s, but the (by necessity) explosion of works that were created during the early years of the pandemic signalled a new, exciting and accessible method by which theatre-makers could share their work and also challenge their own practices. While these specific works are markers of a specific time in performance history, they also point ways forward, not only in terms of form and function, but in how educators, students and fellow practitioners could conceive of re-staging these works in person and/or on digital platforms. For a generation that has grown up online, whose vocabularies of expression are as much digitally native as they are IRL, transmedia theatre, and the realm too of VR and AR story and audience design which it borders, holds a firm place in busting open the realm of the possible.…

Paperback. Condition: New. Rediscover Anton Chekhov's acclaimed works in radical, creative new ways. The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard: Chekhov's major plays have been perennially popular since the late 19th century. But, as a new wave of diverse, contemporary theatre makers engage with his legendary works, these classics are transformed and reimagined by bold new approaches. In doing so, Chekhov's original drama is not only explored but reanimated and interrogated in revolutionary ways. From an ambitious one-person production, to a dance-poetry-play hybrid, to an intergalactic voyage, Chekhov's work has never been so expansive or his experimental spirit so realised. This collection draws together seven contrasting adaptations, ranging from the formally inventive, to those that relocate the originals in times and places that expose forces of privilege and power. With an introduction by Frances Babbage which equips the reader with key methods of conceptualising dramatic adaptation, as well as providing a critical overview of the long history of Chekhovian rewritings for the stage, Adapting Chekhov in the 21st Century is a much-needed tool for adaptation and theatre studies students and Chekhov enthusiasts alike.…

Condition: New.

Condition: New.