Deborah Schaeffer (23 results)

Hardcover. Condition: Very Good.

Cloth. Condition: Fine. Book is in excellent condition: clean, bright, and tight, with a touch of wear at the outer corners and the lower edge of the spine.

Hardcover. Condition: Vg. First Edition. 180 pages. Light tan binding with green lettering on spine and front cover. Bottom corner tips bumped. Inscription in pencil on ffep. A few pages have some titles check marked in pencil. Other notations in pencil scattered through the book. Light staining on foredge of book. Photos of book on request. Signed by Author(s).…

Hardcover. Condition: Near Fine. hardback book in near fine condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardback or Cased Book. Condition: New. Irish Folk Music: A Selected Discography. Book.

Hardback. Condition: New. Irish folk music has, since time immemorial, been a means of Irish self-expression and nationalism, with tunes and songs passed down through the generations preserving Ireland's lively oral tradition. With the advent of the phonograph, radio, and TV, Irish music reached a more varied, worldwide audience. This international enthusiasm produced, over the last three decades, an Irish folk music revival--a renaissance that came into full bloom in the 1970s and continues vigorously today. The ballad bands of the 1950s and 1960s, the more traditional music of pioneer Sean O'Riada, the purist approach of the internationally renowned Chieftains as well as late 1960s subtle ballad groups like Sweeney's Men form the rich tapestry of music and musicians that preceeded the evolution of such 1970s groups as Planxty and Skara Brae. They, in turn, spawned bands that accompanied traditional Gaelic songs with acoustic guitars and clavichord, among other instruments, and showed the influences of rock, jazz, classical, and pop music. Recent trends include Celtic fusion, an energized new age music, and excursions into rock'n'roll and pop. If anything, the current Irish music scene--composers and performers--is internationally visible, highly marketable, alive, and growing. Musicians, scholars, and cognoscenti of Irish music will be pleased to find references to Donal Lunny, Dolores Keane, and Mick Moloney in this valuable reference that covers the 1960s to the Spring of 1987.The first work to exclusively address and evaluate Irish folk music recordings, this selective annotated discography lists some 200 recordings and has citations to an additional 100 or more. Each entry is fully indexed by musician(s), producer, and contents of the recording, and entries also include main artists, year of release, record label, number, and more. The appendixes consist of a glossary of Irish words, musical terms, and a current directory of sources for obtaining the recordings. Informative annotations follow the basic discographic information and most entries have been critiqued by the author. This unique reference focuses mainly on recordings from the 1970s onward and, with few exceptions, all entries are in print and are released by United States and Irish record labels.…

Condition: New. pp. 192 Index.

Condition: New. pp. 192 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

Hardcover. Condition: new. Hardcover. Irish folk music has, since time immemorial, been a means of Irish self-expression and nationalism, with tunes and songs passed down through the generations preserving Ireland's lively oral tradition. With the advent of the phonograph, radio, and TV, Irish music reached a more varied, worldwide audience. This international enthusiasm produced, over the last three decades, an Irish folk music revival--a renaissance that came into full bloom in the 1970s and continues vigorously today. The ballad bands of the 1950s and 1960s, the more traditional music of pioneer Sean O'Riada, the purist approach of the internationally renowned Chieftains as well as late 1960s subtle ballad groups like Sweeney's Men form the rich tapestry of music and musicians that preceeded the evolution of such 1970s groups as Planxty and Skara Brae. They, in turn, spawned bands that accompanied traditional Gaelic songs with acoustic guitars and clavichord, among other instruments, and showed the influences of rock, jazz, classical, and pop music. Recent trends include Celtic fusion, an energized new age music, and excursions into rock'n'roll and pop. If anything, the current Irish music scene--composers and performers--is internationally visible, highly marketable, alive, and growing. Musicians, scholars, and cognoscenti of Irish music will be pleased to find references to Donal Lunny, Dolores Keane, and Mick Moloney in this valuable reference that covers the 1960s to the Spring of 1987.The first work to exclusively address and evaluate Irish folk music recordings, this selective annotated discography lists some 200 recordings and has citations to an additional 100 or more. Each entry is fully indexed by musician(s), producer, and contents of the recording, and entries also include main artists, year of release, record label, number, and more. The appendixes consist of a glossary of Irish words, musical terms, and a current directory of sources for obtaining the recordings. Informative annotations follow the basic discographic information and most entries have been critiqued by the author. This unique reference focuses mainly on recordings from the 1970s onward and, with few exceptions, all entries are in print and are released by United States and Irish record labels. Irish folk music has, since time immemorial, been a means of Irish self-expression and nationalism, with tunes and songs passed down through the generations preserving Ireland's lively oral tradition. With the advent of the phonograph, radio, and TV, Irish music reached a more varied, worldwide audience. This international enthusiasm produced, over the last three decades, an Irish folk music revival--a renaissance that came into full bloom in the 1970s and continues vigorously today. The ballad bands of the 1950s and 1960s, the more traditional music of pioneer Sean O'Riada, the purist approach of the internationally renowned Chieftains as well as late 1960s subtle ballad groups like Sweeney's Men form the rich tapestry of music and musicians that preceeded the evolution of such 1970s groups as Planxty and Skara Brae. They, in turn, spawned bands that accompanied traditional Gaelic songs with acoustic guitars and clavichord, among other instruments, and showed the influences of rock, jazz, classical, and pop music. Recent trends include Celtic fusion, an energized new age music, and excursions into rock'n'roll and pop. If anything, the current Irish music scene--composers and performers--is internationally visible, highly marketable, alive, and growing. Musicians, scholars, and cognoscenti of Irish music will be pleased to find references to Donal Lunny, Dolores Keane, and Mick Moloney in this valuable reference that covers the 1960s to the Spring of 1987. The first work to exclusively address and evaluate Irish folk music recordings, this selective annotated discogra Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 190 pages. 9.50x6.25x0.75 inches. In Stock.

Hardcover. Condition: new. Hardcover. Irish folk music has, since time immemorial, been a means of Irish self-expression and nationalism, with tunes and songs passed down through the generations preserving Ireland's lively oral tradition. With the advent of the phonograph, radio, and TV, Irish music reached a more varied, worldwide audience. This international enthusiasm produced, over the last three decades, an Irish folk music revival--a renaissance that came into full bloom in the 1970s and continues vigorously today. The ballad bands of the 1950s and 1960s, the more traditional music of pioneer Sean O'Riada, the purist approach of the internationally renowned Chieftains as well as late 1960s subtle ballad groups like Sweeney's Men form the rich tapestry of music and musicians that preceeded the evolution of such 1970s groups as Planxty and Skara Brae. They, in turn, spawned bands that accompanied traditional Gaelic songs with acoustic guitars and clavichord, among other instruments, and showed the influences of rock, jazz, classical, and pop music. Recent trends include Celtic fusion, an energized new age music, and excursions into rock'n'roll and pop. If anything, the current Irish music scene--composers and performers--is internationally visible, highly marketable, alive, and growing. Musicians, scholars, and cognoscenti of Irish music will be pleased to find references to Donal Lunny, Dolores Keane, and Mick Moloney in this valuable reference that covers the 1960s to the Spring of 1987.The first work to exclusively address and evaluate Irish folk music recordings, this selective annotated discography lists some 200 recordings and has citations to an additional 100 or more. Each entry is fully indexed by musician(s), producer, and contents of the recording, and entries also include main artists, year of release, record label, number, and more. The appendixes consist of a glossary of Irish words, musical terms, and a current directory of sources for obtaining the recordings. Informative annotations follow the basic discographic information and most entries have been critiqued by the author. This unique reference focuses mainly on recordings from the 1970s onward and, with few exceptions, all entries are in print and are released by United States and Irish record labels. Irish folk music has, since time immemorial, been a means of Irish self-expression and nationalism, with tunes and songs passed down through the generations preserving Ireland's lively oral tradition. With the advent of the phonograph, radio, and TV, Irish music reached a more varied, worldwide audience. This international enthusiasm produced, over the last three decades, an Irish folk music revival--a renaissance that came into full bloom in the 1970s and continues vigorously today. The ballad bands of the 1950s and 1960s, the more traditional music of pioneer Sean O'Riada, the purist approach of the internationally renowned Chieftains as well as late 1960s subtle ballad groups like Sweeney's Men form the rich tapestry of music and musicians that preceeded the evolution of such 1970s groups as Planxty and Skara Brae. They, in turn, spawned bands that accompanied traditional Gaelic songs with acoustic guitars and clavichord, among other instruments, and showed the influences of rock, jazz, classical, and pop music. Recent trends include Celtic fusion, an energized new age music, and excursions into rock'n'roll and pop. If anything, the current Irish music scene--composers and performers--is internationally visible, highly marketable, alive, and growing. Musicians, scholars, and cognoscenti of Irish music will be pleased to find references to Donal Lunny, Dolores Keane, and Mick Moloney in this valuable reference that covers the 1960s to the Spring of 1987. The first work to exclusively address and evaluate Irish folk music recordings, this selective annot Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Hardback. Condition: New. Irish folk music has, since time immemorial, been a means of Irish self-expression and nationalism, with tunes and songs passed down through the generations preserving Ireland's lively oral tradition. With the advent of the phonograph, radio, and TV, Irish music reached a more varied, worldwide audience. This international enthusiasm produced, over the last three decades, an Irish folk music revival--a renaissance that came into full bloom in the 1970s and continues vigorously today. The ballad bands of the 1950s and 1960s, the more traditional music of pioneer Sean O'Riada, the purist approach of the internationally renowned Chieftains as well as late 1960s subtle ballad groups like Sweeney's Men form the rich tapestry of music and musicians that preceeded the evolution of such 1970s groups as Planxty and Skara Brae. They, in turn, spawned bands that accompanied traditional Gaelic songs with acoustic guitars and clavichord, among other instruments, and showed the influences of rock, jazz, classical, and pop music. Recent trends include Celtic fusion, an energized new age music, and excursions into rock'n'roll and pop. If anything, the current Irish music scene--composers and performers--is internationally visible, highly marketable, alive, and growing. Musicians, scholars, and cognoscenti of Irish music will be pleased to find references to Donal Lunny, Dolores Keane, and Mick Moloney in this valuable reference that covers the 1960s to the Spring of 1987.The first work to exclusively address and evaluate Irish folk music recordings, this selective annotated discography lists some 200 recordings and has citations to an additional 100 or more. Each entry is fully indexed by musician(s), producer, and contents of the recording, and entries also include main artists, year of release, record label, number, and more. The appendixes consist of a glossary of Irish words, musical terms, and a current directory of sources for obtaining the recordings. Informative annotations follow the basic discographic information and most entries have been critiqued by the author. This unique reference focuses mainly on recordings from the 1970s onward and, with few exceptions, all entries are in print and are released by United States and Irish record labels.…

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorDEBORAH L. SCHAEFFER is Public Services Librarian and Social Sciences/Humanities Bibliographer at the JFK Memorial Library, California State University, Los Angeles.KlappentextIrish .…

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Irish folk music has, since time immemorial, been a means of Irish self-expression and nationalism, with tunes and songs passed down through the generations preserving Ireland's lively oral tradition. With the advent of the phonograph, radio, and TV, Irish music reached a more varied, worldwide audience. This international enthusiasm produced, over the last three decades, an Irish folk music revival--a renaissance that came into full bloom in the 1970s and continues vigorously today. The ballad bands of the 1950s and 1960s, the more traditional music of pioneer Sean O'Riada, the purist approach of the internationally renowned Chieftains as well as late 1960s subtle ballad groups like Sweeney's Men form the rich tapestry of music and musicians that preceeded the evolution of such 1970s groups as Planxty and Skara Brae. They, in turn, spawned bands that accompanied traditional Gaelic songs with acoustic guitars and clavichord, among other instruments, and showed the influences of rock, jazz, classical, and pop music. Recent trends include Celtic fusion, an energized new age music, and excursions into rock'n'roll and pop. If anything, the current Irish music scene--composers and performers--is internationally visible, highly marketable, alive, and growing. Musicians, scholars, and cognoscenti of Irish music will be pleased to find references to Donal Lunny, Dolores Keane, and Mick Moloney in this valuable reference that covers the 1960s to the Spring of 1987.…

Buch. Condition: Neu. Irish Folk Music | A Selected Discography | Deborah L. Schaeffer | Buch | Gebunden | Englisch | 1989 | Greenwood | EAN 9780313253126 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.