Delft E a (23 results)

Original publisher's sewn paperback, pictorial frontcover, thick 8vo: 678pp., 6030 titles described, general bibliography, index publisher's & presses, index authors - artists - editors. Very fine copy - as new. Printed in 650 copies.

Condition: As New. First Edition. Studeren 1e druk is een boek van D. Delft E.A. uitgegeven bij Balans. ISBN 9789050185738 Studeren is een vak. Een vak dat je moet leren en dat niet iedereen komt aanvliegen. Studenten stranden vaak in hun studie omdat ze een aantal elementaire regels niet toepassen. In het hoger onderwijs wordt als vanzelfsprekend aangenomen dat de student de vaardigheden heeft om zijn studie naar behoren in te richten. Een misverstand. Daarom heeft de redactie van NRC Handelsblad een reeks handleidingen voor een succesvolle afronding van de studie samengesteld: StudiemethodenHet ordenen van informatieHet maken van een multiple choice-tentamenTime managementHet schrijven van een leesbare scriptieSuccesvol studeren in het buitenlandDoorgaan in wetenschapHet houden van een presentatieOri?ntatie op de arbeidsmarkt Negen zeer deskundige schrijvers geven praktische aanwijzingen en slimme adviezen over onderwerpen waar elke student mee te maken krijgt.; Puntgaaf exemplaar met schoon en fris binnenwerk.

Condition: Very good.

Original publisher's brown cloth hardback, gilt lettering spine & frontcover, 8vo: 146pp., [38]pp., very richly illustrated, list illustrations, table of contents, 38 pages with advertisements.

Condition: Very good.

Original publisher's sewn blue paperback, pictorial front- & backcover, large 4to: 228pp. very richly illustrated, catalogue of 104 writers with their books described, general bibliography, notes on authors, index, colophon. - as new.

Original publisher's gray cloth hardback, black lettering spine, black & yellow lett. and coat-of-arms front-cover, large 8vo: 322pp., richly illustrated photogr., 2 folding coloured maps. Added 1 letter and 1 postcard adressed to the writer, and some newspaper clippings. Very fine copy.,

Condition: very good. Deventer : Kluwer,1993. Paperback. xii,218p. Index. (Consument & Recht 12). Condition : very good copy. ISBN 9789026824548. Keywords : RECHT, burgerlijk recht.

Condition: very good. Deventer : Kluwer,1994. Paperback. xii,255 pp. Index. (Consument & Recht 13). Condition : very good copy. ISBN 9789026826078. Keywords : RECHT, burgerlijk recht.

Condition: very good. Deventer : Kluwer,1995. Paperback. xii,264 pp. Index. (Consument & Recht 14). Condition : very good copy. ISBN 9789026827860. Keywords : RECHT, burgerlijk recht.

Lannoo/KB/Racine, 2012. 54,5 x 36,5 cm. Hardcover. Illustrated in color throughout. Text in Dutch, English and French.- AS NEW * **** Facsimile edition of 'Theatrum ichnographicum omnium urbium et praecipuorum oppidorum Belgicarum XVII Provinciarum per accurate delineatarum' ; Amsterdam, Frederick de Wit, 1698. [Bijzonder / Special [Bijzonder] Cartografie / Cartography ].

Condition: New.

Gebunden. Condition: New. Jozsef Szilagyi, Andras Szollosi NagyThis textbook is a practical guide to real-time streamflow forecasting that provides a rigorous description of a coupled stochastic and physically based flow routing method and its practical applications. This method.

Condition: Neu. Neuware.

Couverture rigide. Condition: bon. ROD0126877: NON DATE. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 100 pages augmentées de nombreuses illustrations en couleurs dans et/ou hors texte. . . . Classification Dewey : 635.9-Plantes ornementales, fleurs.

Zwolle, Waanders / Den Haag, Koninklijke Bibliotheek, 2002. 29 x 24,5 cm. Paperback / Softcover. Rijk geïllustreerd in kleur en z/w. 227 pag. GOED EXEMPLAAR [Jeugdboek / Children Book [Jeugdboeken] ].

Rotterdam, Duo/Duo, 1997. 27,5 x 21,5 cm. Gebonden. Hardcover. Foto's van Frank van Delft en Wiesje Peels. 103 pag. NIEUW EXEMPLAAR [Architecture / Dutch [Nederlandse Architectuur] Photography / Dutch [Nederlandse Fotografie] ].

Rotterdam, Duo/Duo, 1997. 27,5 x 21,5 cm. Gebonden. Hardcover. Foto's van Frank van Delft en Wiesje Peels. 103 pag. NIEUW EXEMPLAAR [Architecture / Dutch [Nederlandse Architectuur] Photography / Dutch [Nederlandse Fotografie] ].

Zwolle, Waanders/Den Haag Koninklijke Bibliotheek, 2006. 29 x 23,5 cm. Paperback / Softcover. Rijk geïllustreerd in kleur en z/w. 231 pag. NIEUW EXEMPLAAR [Journalistiek / Journalism ].

Zwolle, Waanders / Den Haag, Koninklijke Bibliotheek, 2002. 29 x 24,5 cm. Paperback / Softcover. Rijk geïllustreerd in kleur en z/w. 227 pag. NIEUW EXEMPLAAR [Jeugdboek / Children Book [Jeugdboeken] ].

Leaf: 172 x 115 mm. (6 3/4 x 4 1/2"). Frame: 242 x 190 mm. (9 1/2 x 7 1/2"). In an attractive wooden frame. A FINELY PAINTED MINIATURE OF THE NATIVITY within an arch-topped compartment, the parents of the Christ Child kneeling before him as he lies on the ground outside the stable, Joseph (uncharacteristically) supporting himself with a cane in his left hand and holding a long burning candle in his right, two diminutive angels in attendance, the head of an ass sticking out of the stable window in the background to the left, AND, IN THE RIGHT BACKGROUND, A CHARMING DEPICTION OF THE ANNUNCIATION TO THE SHEPHERDS, ALL OF THIS BENEATH A VERY DETAILED ARCHITECTURAL CANOPY suspended in the sky, AND THE WHOLE WITHIN A FULL BORDER of acanthus leaves and other foliage and flowers in reds, blues, greens, yellows, and brushed gold, along with very many small burnished gold ivy leaves and buds on hairline stems, a small stag in the bottom border and a large delicately shaded angel, who mirrors the Virgin's pose, in the left border (verso blank). âA hint of soiling to edges of vellum, but IN VERY FINE CONDITION, without any paint erosion, with the colors rich and true, and with the burnished gold still shimmering. Notable for its attractive color scheme, fine craftsmanship, and unusual composition, this vibrant leaf was produced by a talented artist belonging to the stylistic group known as the Masters of the Delft Half-Length Figures. The lack of text and blank back of this leaf clearly suggest that it was produced as a singleton intended for insertion in a Book of Hours, and its subject matter indicates that it would have faced the opening for the third hour of the day, Prime. The present depiction of the Nativity is out of the ordinary in that it is combined with another scene, the Annunciation to the Shepherds, a subject that usually begins Terce in the Hours of the Virgin. It is a testament to the artist's ingenuity and compositional skills that he has managed to incorporate these two scenes so seamlessly; in fact, rather than pulling focus from the main subject celebrating the birth of Christ, this secondary scene adds additional interest to the picture and amplifies the storyline. Though the Annunciation to the Shepherds takes place at a distance from the Nativity, we immediately grasp their connection and can see how arrival of humanity's savior was felt far beyond the manger. It is also interesting to note how much the artist has emphasized the figure of Joseph. Not only does he take up as much space as the Virgin, but the candle and cane he holds frame the Christ child and communicate a strong suggestion of a protective parent (the Virgin is doing her part by praying hard, but she is more passive). In addition to its engaging subject matter, there is a high level of artistic achievement here, including delicately molded figures, impressively detailed architectural elements, and a lovely color palette. The elegant hand seen in this miniature manifests a quiet sophistication that distinguishes this artist as a particularly talented member of his circle. Active from about 1450-80, the Masters of the Delft Half-Length Figures were named by James Marrow after the angels and other figures whose upper bodies are typically found emerging from a cloud within the borders. Although the present leaf uncharacteristically contains a full-length angel in the border, it shares other stylistic similarities, such as the elaborate architectural canopy hovering over the main composition; and it particularly resembles the work of the artist of Keble College MS 77, an illuminator described in "The Golden Age of Dutch Manuscript Illumination" as "one of the more articulate of the group" whose "figures are more fully modelled and his palette . . . deeper and brighter" than that of his contemporaries. Because of the complexity of the subject matter and the high level of artistic accomplishment seen here, this leaf was probably part of an elaborate Book of Hours produced in response to an important commission.

Leaf: 175 x 122 mm. (6 7/8 x 4 3/4"); Frame: 250 x 195 mm. (9 3/4 x 7 3/4"). No text on recto or verso. In an attractive wooden frame. A FINELY PAINTED MINIATURE OF THE HARROWING OF HELL within an arch-topped compartment, the mouth of hell depicted on the left with a fiery red interior and five people emerging from it, the figure of Christ on the left, holding a cross on a long staff and half-clothed in a pink and blue robe, the background with a castle in the distance, ALL OF THIS BENEATH A VERY DETAILED ARCHITECTURAL CANOPY suspended in the sky, AND THE WHOLE WITHIN A FULL BORDER of acanthus leaves and other foliage and flowers in reds, blues, greens, yellows, and brushed gold, along with very many small burnished gold ivy leaves and buds on hairline stems, a small stork in the bottom border and a large delicately shaded angel in the left border. âLeft margin trimmed very close to decoration (just escaping loss, and the other three margins ample), mild darkening right at fore and tail edge (but not reaching into borders), otherwise IN FINE CONDITION, the colors rich and true, and the burnished gold still shimmering. This extraordinary miniature, notable for its uncommon subject matter, memorable imagery, and fine workmanship, was produced by a talented artist belonging to the stylistic group known as the Masters of the Delft Half-Length Figures. The subject here is infrequently depicted in Books of Hours: the Harrowing of Hell appears as a full-page miniature in only three of the 119 prayer books described by Roger Wieck in his "Time Sanctified" (and three others contain a Harrowing depiction inside an initial). Christian theological tradition tells us that after his crucifixion, Christ went to liberate souls from Limbo--a location inhabited by those barred from entry into Heaven because they died before the Redemption. In our scene, Christ, wrapped in a regal cloak and carrying a long staff, his hands and feet still bleeding from the wounds he received on the Cross, reaches into an absolutely wonderful Hellmouth to extricate Adam and Eve and other naked souls, while the recently deceased and original saint, John the Baptist, still clad in an animal skin garment, waits patiently for his turn to emerge. The great maw of Hell as depicted here has bulging eyes, a distended snout, thickly matted hair, and a bad complexion; his gaping mouth, punctuated by sharp gray teeth, glows red hot, and one can tell from the creature's expression that he is loath to comply with this rescue of souls. In addition to its compelling subject matter, there is a high level of artistic achievement here, including delicately molded figures, impressively detailed architectural elements, and a lovely color palette. The elegance and quiet sophistication observed in this miniature distinguishes the artist responsible for this work as a particularly talented member of his circle. Active from about 1450-80, the Masters of the Delft Half-Length Figures were named by James Marrow after the angels and other figures whose upper bodies are typically found emerging from a cloud within the borders. Although the present leaf uncharacteristically contains a full-length angel in the border, it shares other stylistic similarities, such as the elaborate architectural canopy hovering over the main composition; and it particularly resembles the work of the artist of Keble College MS 77, an illuminator described in "The Golden Age of Dutch Manuscript Illumination" as "one of the more articulate of the group" whose "figures are more fully modelled and his palette . . . deeper and brighter" than that of his contemporaries. Because the subject of the present miniature goes beyond the standard image program seen in routine productions, and because of the high level of artistic accomplishment seen here, this leaf was almost certainly part of an elaborate Book of Hours produced in response to an important commission.

Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Edwin Hes obtained an MSc from Wageningen University in 1998, specializing in environmental science and technology. From 1999 to 2002 he worked for the Dutch Ministry of Economic Affairs as a public consultant on European research grants. In 2002, he sta.