Demand Thomas, Signed (29 results)

Broschur. Condition: Gut. auf Titel mit Widmung signiert von dem deutschen Künstler und Fotografen Thomas Demand (*1964). leichte Gebrauchsspuren. signed by Demand. Size: 4°. Vom Künstler signiert. Buch.

Condition: Gut. 86 S. Beiliegende Karte von Helmut Friedel signiert. Text auch englisch. Ein gutes und sauberes Exemplar. - IN THE STOMACH OF AN ARCHIECT. By Douglas Fogle -- UNKOWN UNUSUAL HISTORY -- TRACE OF HUMAN PRESENCE -- CHAIN OF ASSOCIATION -- PERSONAL AND HISTORICAL -- SUSPENSE. By Bart Loosma. ISBN 9783883758763 Sprache: Englisch Gewicht in Gramm: 257 Mit zahlr. farb. Abb. Originalhardcover.

Hardcover. Condition: Very Good. 1st Edition. Book appears unread, with a hint of toning to page edges. Autographed by Demand and Eugenides on title page, and inscribed by Marcoci to p/o. A gorgeous collection of photography and text, uncommon signed. 144 pages. 13-1/4 x 10" oblong. 3.5 pounds. Signed by Author(s).

Original-Broschur. Condition: Gut. 1. Auflage. auf Titel mit Widmung signiertvon dem deutschen Künstler und Fotografen Thomas Demand (*1964). leichte Gebrauchsspuren, Schnitt etwas stockfleckig. signed by Demand. Size: 8°. Vom Autor signiert. Buch.

Original-Leinen. Condition: Gut. 1. Auflage. auf Titel mit Widmung signiert von dem deutschen Künstler und Fotografen Thomas Demand (*1964) . leichte Gebrauchsspuren. signed by artist Demand. Size: quer 4°. Vom Künstler signiert. Buch.

Hardcover. Condition: Fine. 1st Edition. A fine first edition, first printing hardback - no dustjacket (as issued) - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY THOMAS DEMAND - Pictures available upon request. Signed by Author(s).

Hardcover. Condition: Fine. First Edition. Conceptualized by Thomas Demand (b.1964) himself, this book includes three components: a newspaper, a magazine and a book--each of them published on different paper. The newspaper presents the artist's older works; the magazine, printed on glossy paper, introduces new photo works in color and stills from the film Trick; the book portion documents the exhibition architecture. Signed by Demand on the title page. Octavo. Original printed gray paper-covered boards; issued without a dust jacket. A fine copy.

Hardcover. Condition: Fine. 1st Edition. A fine first edition & first printing hardback - no dustjacket (as issued) - All my books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY THOMAS DEMAND - Pictures available upon request. Signed by Author(s).

Hardcover. Condition: Fine. 1st Edition. A fine UK slipcased first edition & first printing hardback - in a fine slipcase - My books are always securely packed with plenty of bubblewrap in professional boxes and promptly dispatched (within 2-3 days) - SIGNED BY THOMAS DEMAND - Pictures available upon request THIS IS A HEAVY BOOK AND EXTRA POSTAGE WILL BE REQUIRED. Signed by Author(s).

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. SPECIAL ORDER. PRICING & AVAILABILITY SUBJECT TO CHANGE. Price is net to all; promotional discounts do not apply. SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). Limited slipcased edition of 100 hand-numbered copies, this being #8/100 (plate pasted-on front free endpaper notes edition number), with a 12-1/8 x 14-3/8 inch original archival pigment print, "Detail XII, 2005," image size 8 1/2 x 10 1/8 inches (numbered and signed in pencil on verso by Demand, print edition 100, printed in 2005 for this edition) laid in a separate cloth portfolio for presentation (protected between sheets of archival paper). The image is perfectly suited to the matte paper-textured surface of the print. Both the book and photograph (in cloth portfolio) fit inside the larger cloth slipcase. About the book: First edition, first printing. Hardcover. Photographically illustrated laminated paper-covered boards, with photographically illustrated dust jacket. Photographs by Thomas Demand. Edited by Eckhard Scheinder. Texts by Ralph Rugoff and Julia Franck. Includes a biography. 128 pp., with 66 four-color plates, beautifully printed by EBS, Verona, Italy. 12-1/2 x 14-7/8 inches. Out of print (sold out upon release). Very scarce. Published on the occasion of the 2004 exhibition Thomas Demand: Phototrophy at the Kunsthaus Bregenz, Austria. As New in publisher's original packaging. Thomas Demand is one of the most important and relevant contemporary artists working today. Demand's starting point is usually an image culled from the mass media, off the Internet, or a low-resolution image discovered in a newspaper or other source during his research. Oftentimes, the picture has become iconic or representative in some way of an importanthistorical, political or culturalevent. He then painstakingly creates by hand,over the course of weeks or even months,afull-size (1:1) sculptural model from colored paper and cardboard. The paper model, in which he deliberately excludes certain specific details, and emphasizes various elements and graphic forms important to the original source image, is then photographed by Demand. This photograph is the final work of art and the paper-model is then destroyed and recycled ("Grotte / Grotto, 2006" is the only existing original paper sculpture). Demand's large-scale photographs deal with our relationship to media in general, and photography in particular. The confluence ofmemory, individualinterpretations and readings, collectivemeanings associated with significant events,are all examined. Hisprocess -- from source material and research, to the meticulous sculptural interpretation, to the final photographic work -- adds to his multi-layered examination ofvisual representation, as well as the problematic"indexical" nature of photography. If one strips away specificity, if the details that allow us to "read" a photograph are reduced to generic bits of unremarkable paper, is the result a denial of what photography intends? If the photograph exists to let us know who we are in space, allows us to decode the details, the light, the "specifics," then Demand turns our perceptions into chaos. In his work, Demand uses sites of historical significance -- visual sites -- and recreates them in painstaking full-size scale models using cardboard and paper. The authenticity of the historical event is suggested, through titles, yet the images are stark and lifeless as enormous vacuums of energy and perception. They are intentionally blank and soul-less, so as to capture the inadequacy of photography's ability to really "capture" historical events. From the publisher: "Thomas Demand is one of the most celebrated contemporary photo artists. At first sight, Demand's pictures, say of a kitchen, a copy shop, or a car park, seem like depictions of everyday places. Yet on closer inspection they turn out to be reconstructions of reality: Demand creates life-size environments made of paper and cardboard and accurate down to the smallest details, photographs these "re-creations" and then destroys them. The pictures that arise in this way put their finger squarely on the drab aesthetics of the modern office world and architecture. Demand's sculptural and somehow filmic simulations, completely devoid of people, lead us into a world of models, in which a "faked" reality blends with the memory of a real reality to generate vividly cool images and to investigate the concept of virtual reality that plays such a key role in our technological multimedia age. This major monograph presents 66 key works from 1993 to the present." Signed by Author.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). PAYMENT: by check or wire transfer (please inquire about payment by credit card). SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). IMPORTANT NOTE: These publications are only available in the complete limited edition series of 36 total titles in six Sets. Individual titles or Sets will not be sold separately (no exceptions will be made to this policy). ABOUT THE SERIES: Published over a seven-year period, the Six by Six Series includes limited edition books and prints by some of the most important contemporary photographers working today. THIS COMPLETE SET IS ONE OF THE ARTIST'S PROOF/AP SETS. 2010-2016. First edition, first printing. Limited edition of 100 hand-numbered copies and 36 artist's proofs (given to the 36 participating "Six by Six" artists). Each Set (of six Sets) is comprised of six volumes, each with an original, signed and numbered print (Type-C print, gelatin silver print, platinum print or archival pigmented inkjet print) on 11 x 14-inch paper (image sizes vary) laid into the book in an archival protective clear polyester film (Mylar) sleeve. The six volumes and accompanying prints are contained in a custom black Japanese cloth-covered slipcase, with the series title debossed on one side. Each of the volumes shares the following format: Hardcover. Fine Japanese cloth-covered boards, with photographically illustrated dust jacket. Each book is signed and numbered on a small printed paper tipped in a debossed area of the book's rear cover. Unpaginated, with approximately 24 black-and-white (a special viscous "Daido black" ink and varnish are used) or four-color offset plates (varies between 16 and 33 plates), exquisitely printed on Nazraeli's special exclusive heavyweight Japanese paper. 15 x 12 inches. [All six Sets share this same design and format, and are housed in matching slipcases.] SET ONE (published in 2010): Volume One: Anthony Hernandez: East Baltimore. Includes a 14 x 11-inch archival pigmented inkjet print (image size: 10-1/8 x 10-inches). Photographs by Anthony Hernandez. Introduction by Judith Freeman. Unpaginated, with 16 four-color plates. ISBN: 9781590052945. Volume Two: Todd Hido: Motel Club. Includes a 14 x 11-inch Type-C print (image size: 10-1/4 x 10-1/2-inches). Photographs by Todd Hido. Essay by Geoff Dyer. Includes an index of models. Designed by Daya Karam and Gigi Obrecht, San Francisco. Unpaginated, with 20 four-color plates. ISBN: 9781590052952. Volume Three: Raymond Meeks: Amwell. Includes a 14 x 11-inch gelatin silver print (image size: 8-7/8 x 6-3/4-inches). Photographs by Raymond Meeks. Unpaginated, with 10 black-and-white plates and 10 four-color plates. ISBN: 9781590052969. Volume Four: Martin Parr: Machu Picchu. Includes an 11 x 14-inch archival pigmented inkjet print (image size: 8-5/8 x 13-inches). Photographs and text by Martin Parr. Unpaginated, with 23 four-color plates. ISBN: 9781590052976. Volume Five: Toshio Shibata: Expressway, 1986. Includes an 11 x 14-inch gelatin silver print (image size: 6-3/8 x 7-7/8-inches). Photographs and text by Toshio Shibata. Unpaginated, with 24 black-and-white plates. ISBN: 9781590052983. Volume Six: Mark Steinmetz: The Ancient Tigers of My Neighborhood. Includes a 14 x 11-inch gelatin silver print (image size: 11-7/8 x 9-inches). Photographs by Mark Steinmetz. Unpaginated, with 33 black-and-white plates. ISBN: 9781590052990. SET TWO (published in 2011): Volume One: Joe Deal: Karst and Pseudokarst. Includes two black-and-white archival pigmented inkjet prints (image size: 8-1/8 x 8-1/8 inches each) on one 22 x 14-inch folded sheet. Photographs by Joe Deal. Unpaginated (32 pp.), with 20 black-and-white plates. ISBN: 9781590053157. Volume Two: Tanya Marcuse: Wax Bodies. Includes a 14 x 11-inch archival pigmented inkjet print on rag paper (image size: 10-1/4 x 8-1/8 inches). P. Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. New, still in publisher shipping boxes. 36 books, each is numbered and accompanied with signed and numbered print. This set is number 100/100. Print size is 11X14 inches.The series is in 6 slipcases, six books in each. "Six by Six comprises 36 books and 36 original signed photographs. Each title in the series is limited to 100 hand-numbered copies, printed on our exclusive heavyweight Japanese paper and bound in Japanese cloth. Each book contains a separate exhibition-quality original print, numbered and signed by the artist, on 11 x 14 inch paper". Set 1 was published in 2010: Anthony Hernandez, East Baltimore Todd Hido, Motel Club Raymond Meeks, Amwell Martin Parr, Machu Picchu Toshio Shibata, Expressways 1986 Mark Steinmetz, The Ancient Tigers of my Neighborhood Set 2 was published in 2011: Joe Deal, Karst / Pseudokarst Tanya Marcuse, Wax Bodies Joseph Mills, Psycho Path Stephen Shore, Ashkelon Alec Soth, Mostly Women Risaku Suzuki, Atelier of Cezanne Set 3 was published in 2012: William Christenberry, House Near Akron Eduardo del Valle & Mirta Gómez, On View John Divola, LAX NAZ: Los Angeles International Airport Noise Abatement Zone (Exterior Views), 1975 Daido Moriyama, Fishnet Karin Apollonia Müller, Timber Cove Carrie Mae Weems, Slow Fade to Black Set 4 was published in 2012: Robert and Kerstin Adams, Sally Edward Burtynsky, Monegros (Dryland Farming) Kenro Izu, Blue Catherine Opie, The Middle of Somewhere Doug Rickard, A New American Picture Issei Suda, Sparrow Island Set 5 was published in 2014: Jo Ann Callis, Performance Thomas Demand, The Stove Kikuji Kawada, Japan 1951-1960 Michael Kenna, Confessionali Richard Misrach, Misrach Andrea Modica, L'amico del cuore Set 6, the final set in the series, was published in 2016: Roger Ballen, Appearances, Disappearances, Reappearances Mike Brodie, August 29th-September 8th 2012, Oakland, Ca-Oakland Ca, United States Jim Goldberg, Ruby Every Fall Katy Grannan/Hannah Hughes, The Glint of Light on Broken Glass Idris Khan, Church Walk Marilyn Minter, Florida 1969. Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. All sets numbers 1-6 (36 books),total cost is 17,000$. The price of a single set of 6 books is 3,500$. 14 1/4x11 inches, cloth, Dust Jacket. Jo Ann Callis: Performance; Thomas Demand: The Stove; Kikuji Kawada: Japan 1951-1960; Michael Kenna: Confessionali; Richard Misrach: Misrach (Swimmers); Andrea Modica: L'amico del cuore. First Edition, Limited edition: No. 87 of 100 copies numbered in pencil in the colophon. Six volumes each containing an 11 x 14 pigment prints titled, numbered and signed by six photographers comprising this set. All volumes housed in cloth slipcase. New. Signed by Author(s).

Broschur. Condition: Gut. Erstausgabe. auf Titel mit Widmung signiert von dem deutschen Künstler und Fotografen Thomas Demand (*1964). leichte Gebrauchsspuren. signed by Demand. Size: 4°. Vom Künstler signiert. Buch.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran June 6 through September 2, 2001. Text in English and German. Includes numerous color and black and white illustrations. A fine copy in wrappers. Signed and inscribed by Demand on the title page and uncommon thus. Signed.

Oversized Hardcover. Condition: Very Good. First Edition. (2015) (Tokyo) 4to. 1st edition. SIGNED by Demand on half-title page. Text in Japanese and English. Diaphanous 5 inch by 9 inch sheet laid in over signature. Scuffing and smudging to front board and margins of back board. Mild bumping to top spine end, top forecorners, and top edges of boards. Slight waviness and shelfwear to textblock. Minor overopening to hinges. VG. Author.

Original-Broschur. Condition: Gut. 1. Auflage. auf deutsch und englisch, auf Titel mit Widmung und Datum signiert von dem deutschen Künstler und Fotografen Thomas Demand (*1964) . leichte Gebrauchsspuren. signed by artist Demand. Size: gr. 8 °. Vom Künstler signiert. Buch.

Hardcover. 22 x 31 cm. Schachtel etwas berieben u. lichtrandig, gutes Exemplar. erste Ausstellungsbeteiligung von Thomas C. Demand - die weiteren beteiligten KünstlerInnen: Senta Connert, Kevin Fahy, Lutz Freyer, So Mi Lee, Simone Letto, Lothar Pöpperl, Anne Probst, Susanne Radscheit, Fritz Schwegler, Klaus Seelmann, Till Velten - die Arbeiten teils signiert, teils mit Namensstempel.

Couverture rigide. Condition: Neuf. Pas de jaquette. Édition limitée. Salon Verlag, Cologne, 2006, 24,3 x 16,3 cm, 46 p. Edition limitée de 200 exemplaires. Signé et numéroté. Le livre est accompagné d un ex-libris de papier renforcé où sont inscrits la signature et le tirage. Thomas Demand amorce avec cet ouvrage un travail plus théorique, se confrontant à une philosophie rationaliste, alors même qu il semble révéler dans ses images l artificialité de la photographie. Signé par l'illustrateur.

First Edition. First Edition (French version). Quarto. An impressive catalogue published on the occasion of the inaugural exhibition at the Nouveau Musée National de Monaco (Sep. 18, 2010 - Feb. 22, 2011), as curated by Thomas Demand. This copy SIGNED by Demand to title page in black marker. Adopting the title from an arts magazine edited by René Magritte in the 1950s, Demand assembles both writings and photographs from a range of artists?Luigi Ghirri, Rodney Graham, Tacita Dean, Ger van Elk, August Kotzsch?on the themes of Surrealism and nature. Includes a separate booklet, laid loose into rear pocket, being a facsimile of an unpublished photobook from Luigi Ghirri, originally commissioned by the city of Ravenna's Environmental council. Minor bump to fore-edge of fully-illustrated cloth boards; near fine. Signed.

Hardcover. Condition: Neu. First Edition First Printing. A. Kluge: Texte und Fotos; Thomas Demand: Fotos; Anna Viebrock: Bühnenbild, Stellwände, Wandauskleidung, Treppen, Schaukästen, Fotos. +++ 4° (21x28cm, b. 6,5cm Dicke), im Orig.-Kartongehäuse aus 8 gepolsterten Lagen. +++ Der Titel ist einem Song von Leonard Cohen entnommen. Die Botschaft: Traue keiner Verlautbarung, keiner Zeitung, keiner Nachricht, keiner Reportage, keiner Dokumentation, keinem Tweet, keiner öffentlichen Rede; denn alles ist Meinung, vieles ist Manipulation. Illustriert und manifestiert wird dieses Thema durch die fast komplette Wandverkleidung des Palazzo Prada (eigentlich Ca' d'Oro) am Canale Grande, die Anna Viebrock (eine der einflussreichsten Bühnenbilderinnen Deutschlands) geschaffen hat; und die mit ihren Kulissenteilen ein verwirrendes Labyrinth für Szenen und Videos aller Art präsentiert - immer passend zum Thema Täuschung/Enttäuschung. +++ Sprache: Englisch, mit Übersetzungen in Italienisch; Hinweise und Quellen in Deutsch. Auf Vorsatzpapier (von The Boat Is Leaking) von ALEXANDER KLUGE SIGNIERT, anlässlich einer Veranstaltung von ihm in München 2022. Wahrscheinlich das einzige signierte Exemplar (er war 2017 während der Öffnungszeiten der Biennale nur 1x kurz anwesend). +++ Das beigegebene zweite Buch ?Kong's?" ist eine Übersetzung von Kluges ?Kongs größte Stunde", 2015, das von der Bombardierung Halberstadts im 2. Weltkrieg, sowie dem Leben seiner Großmutter handelt. +++ Als Beigabe: die offizielle geheftete 27-seitige Einführung mit Saalplänen, die am Einlass auflag. Sowie die Prada-Tragetasche zum Buch. Signatur des Verfassers.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. The complete set of this major collection of photographic work, comprised of 36 signed volumes, each with together with a signed exhibition quality original print. Limited to 100 copies, this set is the rare Artist's Proof, denoted as such ("AP") to each volume and print, with Meeks and Hernandez's prints being 1/150. Portland, OR: Nazraeli Press, 2010-2016. Publisher's original black Japanese cloth, printed on heavyweight Japanese paper, photographic dust jackets, housed in the original cloth slipcases. Volumes in fine condition, dust jackets in near fine condition with traces of shelfwear to jackets and a faint light cut to two jacket spines, presumably from opening the original boxes. Slipcases sturdy and square with minor rubbing. A rare and exceptional set. Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition (2014). First impression. This is an Artist Proof. Large format set of 6 hardbacks in new condition. Housed in a slipcase. Each title in the set is limited to 100 hand-numbered copies and contains a separate exhibition-quality original print, numbered and signed by the artist. Print size - 28 x 35 cm. Each book has a dust jacket. No markings. Please see pictures. PayPal accepted, any questions please get in touch. Signed by Author(s).

Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. IMPORTANT NOTE: These publications are only available in the complete limited edition series of 36 total titles in six Sets (items 107746, 108056, 109664, 109822, 110463 and 112341). Individual titles or Sets will not be sold separately (no exceptions will be made to this policy). SHIPPING NOTE: Due to size and weight, additional shipping fees apply (calculated at checkout). SET FIVE: Volume One: Jo Ann Callis: Performance. Includes a pigmented inkjet print (image size 10 x 12-1/2 inches). Unpaginated, with 23 four-color plates. Volume Two: Thomas Demand: The Stove. Includes a Type-C print (image size 12-1/4 x 10-1/4 inches). Unpaginated, with 19 four-color plates. Volume Three: Kikuji Kawada: Japan 1951-1960. Includes a pigmented inkjet print (image size 12-1/2 x 8-3/8 inches). Unpaginated, with 25 black-and-white plates. Volume Four: Michael Kenna: Confessionali. Includes a gelatin silver print (image size 8-3/8 x 8 inches). Unpaginated, with 26 black-and-white plates. Volume Five: Richard Misrach (Swimmers). Includes a pigmented inkjet print (image size 10-1/8 x 13-3/8 inches). Unpaginated, with 16 four-color plates. Volume Six: Andrea Modica: L'amico del cuore. Includes a gelatin silver print (image size 8-3/4 x 7 inches). Unpaginated, with 20 black-and-white plates. New in publisher's original packaging. ABOUT THE SERIES: Published over a seven-year period, the Six by Six Series includes limited edition books and prints by some of the most important contemporary photographers working today. 2010-2016. First edition, first printing. Limited edition of 100 hand-numbered copies, and 36 artist's proofs, all of which were given to the 36 participating "Six by Six" artists. Each Set (of six Sets) is comprised of six volumes, each with an original, signed and numbered print (Type-C print, gelatin silver print, platinum print or archival pigmented inkjet print) on 11 x 14-inch paper (image sizes vary) laid into the book in an archival protective clear polyester film (Mylar) sleeve. The six volumes and accompanying prints are contained in a custom black Japanese cloth-covered slipcase, with the series title debossed on one side. Each of the volumes shares the following format: Hardcover. Fine Japanese cloth-covered boards, with photographically illustrated dust jacket. Each book is signed and numbered on a small printed paper tipped in a debossed area of the book's rear cover. Unpaginated, with approximately 24 black-and-white (a special viscous "Daido black" ink and varnish are used) or four-color offset plates (varies between 16 and 33 plates), exquisitely printed on Nazraeli's special exclusive heavyweight Japanese paper. 15 x 12 inches. [All six Sets share this same design and format, and are housed in matching slipcases.] SIX BY SIX SETS: SET ONE (released in 2010) featured Anthony Hernandez, Todd Hido, Raymond Meeks, Martin Parr, Toshio Shibata and Mark Steinmetz. SET TWO (released in 2011) featured Joe Deal, Tanya Marcuse, Joe Mills, Stephen Shore, Alec Soth and Risaku Suzuki. SET THREE (released in 2012) featured William Christenberry, Eduardo Del Valle & Mirta Gómez, John Divola, Daido Moriyama, Karin Apollonia Müller and Carrie Mae Weems. SET FOUR (released in 2012) featured Robert Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Doug Rickard. SET FIVE (released in 2014) featured Jo Ann Callis, Thomas Demand, Kikuji Kawada, Michael Kenna, Richard Misrach and Andrea Modica. SET SIX (released in 2016) featured Roger Ballen, Mike Brodie, Jim Goldberg, Katy Grannan, Idris Khan and Marilyn Minter. From the publisher: "We are pleased to announce Set Five of our award-winning limited edition series "Six by Six." This subscription-based Series comprises 36 titles, published in six sets of six titles each, over a [five] year period. Each title in the series is limited to 100 hand-numbered copies, printed on our exclusive heavyweight Japanese paper and bound in Japanese cloth. Each book contains a separate exhibition-quality original print, numbered and signed by the artist, on 11 x 14 inch paper. The hardcover, oversized (12 x 15-inch) books and accompanying prints are contained in a custom-made slipcase. The current price for the series is $36,000 ($1,000 per book). Existing subscribers are locked in at their original price." Signed by Author.

4to. Softbound. First edition. Signed by Demand dated 2001. Exhibition catalog with color plates and an essay by Lars Lerup. Bilingual text. Very fine (small, faint stray mark).

Tenwiggenhorn, Nic (illustrator). Nr.44 von 100 Exemplaren. 128 S. Mit vielen ganzseitigen farbigen Abb. Sprache: Deutsch Gewicht in Gramm: 3000 Quer 33 cm. x 38 cm. Grauer Leinenband (Archival Pigment Print) und Original-Pappband mit farbiger Deckel-Illustration und Rückenbeschriftung in farbig illustriertem Hochglanz-Umschlag, beides in grauem Original-Leinenschuber.

No binding. Condition: New. Dust Jacket Condition: New. 1st Edition. An original, Type-C Lambda print, "Bullion, 2003," signed in black ink by Demand, numbered 85/100 and dated on label applied verso. Paper size 11-3/4 x 11-3/4 inches (30 x 30 cm); Image size 11 x 11 inches (27.9 x 27.9 cm). This work is from the edition of 100 (plus 15 APs) published by En/Of and accompanied by a 12-inch 45rpm vinyl record by Pan American titled "Memorize" with four tracks (Side A: 01. Lights On Water; 02. Calle Tipica; Side B: 03. In Harbor; 04. Ray From Hawaii). The print and record are enclosed in a printed, hinged, double album sleeve. 12-1/4 x 12-3/8 inches. Fine (the print is flawless). Demand's meticulously reconstructed "images" from the real world, using only paper, cardboard and other ordinary materials, which are then photographed, are commentaries not only on the veracity of the photographic image, but on the nature of reality itself. The lavish "Bullion" is therefore not only a continuation of the broad theme of his constructed works, but a concise and insightful representation of a contemporary global economy, where the gold standard not only has disappeared, but "gold" (and riches themselves) are but commodities subject to market whims. Signed by Author.

19 x 14 cm. 24 nn. Seiten / pages. Überwiegend ausklappbar. Hardcover. "WE ARE WELLKNOWN FOR BOOKS ONLY IN BEST CONDITION" - WIR SIND BEKANNT FÜR SOLIDESTE VERPACKUNG" Die angegebenen Versandkosten gelten für Bücher bis 1000 Gramm. Bücher über 1000 Gramm kosten nach Deutschland EUR 4,50. DG Bank, 1998. First edition, first printing. Strongly limited to 800 copies only. Hardback without dustjacket (as issued). 190 x 140 mm. 24 pages. Black and white photos. Text in English and German.- DG Bank, 1998. Deutsche Erstausgabe. Originalausgabe. Streng limitiert auf nur 800 Exemplare. Signiert von Thomas Demand. Thomas Demand konstruiert seine Bilder aus Pappe im Atelier, um davon dann Fotos oder Filme herzustellen. Der Tunnel in diesem Buch ist dem Tunnel nachgebaut, in dem Diana, Prinzession von Wales, verunglückt ist. Fine copy. Sehr gutes Exemplar. Sprache: de, en. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

No Binding. Condition: New. 1st Edition. SPECIAL ORDER (delivery in 2-3 weeks): PRICING & AVAILABILITY SUBJECT TO CHANGE. SHIPPING NOTE: due to size, weight and special packing requirements, additional shipping fees apply (calculated at checkout). A framed original, pigment print, "Detail XII, 2012," signed, numbered and dated in black marker on recto by Demand. Framed by the gallery. Printed on on Canson Baryta Photographique Paper (paper size 61 x 51 cm; image size 52.7 x 47.0 cm; frame size 61.9 x 51.9 x 2.5 cm). This work is from a numbered edition of 36 (this being #27/36) issued on the occasion of the major retrospective exhibition "Thomas Demand" at the Museum of Contemporary Art in Tokyo, 2012. Mounted to aluminum and framed in a custom-made acrylic enclosure made according to the specifications of the artist. [Auction Reference: Phillips de Pury & Company, "Saturday @ Phillips" (Sale Number NY000208, October 25, 2008): Price realized for Lot 50. $5000 (including buyer's premium).]. New (the print and frame are flawless). Thomas Demand is one of the most important and relevant contemporary artists working today. Demand's starting point is usually an image culled from the mass media, off the Internet, or a low-resolution image discovered in a newspaper or other source during his research. Oftentimes, the picture has become iconic or representative in some way of an importanthistorical, political or culturalevent. He then painstakingly creates by hand,over the course of weeks or even months,afull-size (1:1) sculptural model from colored paper and cardboard. The paper model, in which he deliberately excludes certain specific details, and emphasizes various elements and graphic forms important to the original source image, is then photographed by Demand. This photograph is the final work of art and the paper-model is then destroyed and recycled ("Grotte / Grotto, 2006" is the only existing original paper sculpture). Demand's large-scale photographs deal with our relationship to media in general, and photography in particular. The confluence ofmemory, individualinterpretations and readings, collectivemeanings associated with significant events,are all examined. Hisprocess -- from source material and research, to the meticulous sculptural interpretation, to the final photographic work -- adds to his multi-layered examination ofvisual representation, as well as the problematic"indexical" nature of photography. If one strips away specificity, if the details that allow us to "read" a photograph are reduced to generic bits of unremarkable paper, is the result a denial of what photography intends? If the photograph exists to let us know who we are in space, allows us to decode the details, the light, the "specifics," then Demand turns our perceptions into chaos. In his work, Demand uses sites of historical significance -- visual sites -- and recreates them in painstaking full-size scale models using cardboard and paper. The authenticity of the historical event is suggested, through titles, yet the images are stark and lifeless as enormous vacuums of energy and perception. They are intentionally blank and soul-less, so as to capture the inadequacy of photography's ability to really "capture" historical events. Based on a model of the Fukushima Daiichi nuclear power plant, Demand's still life photograph belies the tragic failure and panicked efforts to avert disaster at the plant after the 2011 Japan tsunami. Signed by Author. Signed by Author(s).