Denenberg Thomas A (9 results)
- Hardcover
- First Edition
Seller: COLLINS BOOKS, Seattle, WA, U.S.A.COLLINS BOOKS
Contact seller5-star sellerAssociation member: CBA
Condition: Used - Good
US$ 20.00
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HARDCOVER. Condition: Good. 1st Edition. Oblong octavo, 169pp, gray cloth with illustrated pastedown, tight binding, clean throughout, clean boards with sharp corners, mild bow to the boards, Good.
Language: English
Published by Portland Museum of Art and Yale University Press, 2012
- Softcover
Seller: Reader's Corner, Inc., Raleigh, NC, U.S.A.Reader's Corner, Inc.
Contact seller5-star sellerCondition: Used - As new
US$ 30.00
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Trade Paperback. Condition: As New. Dust Jacket Condition: wraps. First Edition, First Printing. This is a fine, as new, first printing paperback copy, gray spine.
- Hardcover
Seller: Majestic Books, Hounslow, United KingdomMajestic Books
Contact seller4-star sellerCondition: New
US$ 44.72
US$ 8.80 shippingShips from United Kingdom to U.S.A.Quantity: 3 available
Condition: New. pp. 184 97 Illus. (73 Col.).
Published by Yale University Press, 2012
- Hardcover
- First Edition
Seller: Herland Books, Denver, CO, U.S.A.Herland Books
Contact seller4-star sellerFirst Edition; First Printing. Oblong hardcover. Sea foam cloth, paper illustration front panel. Fine.
- Hardcover
Seller: Brook Bookstore On Demand, Napoli, NA, ItalyBrook Bookstore On Demand
Contact seller5-star sellerCondition: New
US$ 46.63
US$ 12.74 shippingShips from Italy to U.S.A.Quantity: 7 available
Condition: new.
- Hardcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
Contact seller4-star sellerCondition: New
US$ 71.14
US$ 3.99 shippingShips within U.S.A.Quantity: 3 available
Condition: New. pp. 184.
Language: English
Published by Yale University Press/Portland Museum of Art, New Haven, CT/Portland, ME, 2012
- Hardcover
- First Edition
Seller: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.Ground Zero Books, Ltd.
Contact seller5-star sellerCondition: Used - Very good
US$ 75.00
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Hardcover. Condition: Very good. First Printing [Stated]. The format is approximately 10.75 inches by 8.25 inches. xiii, [1], 169, [1] pages. Illustrated front cover. Illustrations (color). Exhibition Checklist, Bibliography. Index. No dust jacket present. Foreword by Mark H. C. Bessire. Includes fascinating essays, including We…atherbeaten by Thomas A. Denenberg, "The Right Place": Winslow Homer and the Development of Prouts Neck by Kenyon C. Bolton III, The Architecture of Homer's Studio by James F. O'Gorman, North Atlantic Drift: A Meditation on Winslow Homer and French Painting by Erica E. Hirshler, :You Must Wait, and Wait Patiently": Winslow Homer's Prouts Neck Marines by Marc Simpson. Thomas Andrew Denenberg is the director of Shelburne Museum. Prior to moving to Vermont in 2011, he served as the chief curator and deputy director of the Portland Museum of Art, curator of American art at Reynolds House, and curator of American Decorative Arts at the Wadsworth Atheneum. He earned his M.A. and Ph.D. in American Studies from Boston University. He is the author of Wallace Nutting and the Invention of Old America, Winslow Homer and the Poetics of Place, and he edited and/or contributed to Picturing Old New England: Image and Memory, Backstage Pass: Rock and Roll Photography, Call of the Coast: Art Colonies of New England, Weatherbeaten: Winslow Homer and Maine, Wyeth Vertigo, and Painting a Nation: American Art at Shelburne Museum. A celebration of the American painter's life and work in the region he loved best. In 1883 American artist Winslow Homer (1836-1910) moved his studio from New York City to Prouts Neck, a slip of coastline just south of Portland, Maine. Here, over the course of twenty-five years, Homer produced his most celebrated and emotionally powerful paintings, which often depicted the dramatic views and storm-strewn skies around his home. Homer's influence and the Prouts Neck area would have a profound effect on the rise of a new American modernism, inspiring the artists who followed him. This beautifully illustrated catalogue celebrates Homer's legacy at Prouts Neck, and documents the Portland Museum of Art's six-year conservation project to preserve the Winslow Homer Studio, the former carriage house in which Homer lived and worked. Photographs of the studio and site, never before open to the public, highlight views that are recognizable as the subject of so many of Homer's paintings. Essays by leading scholars examine his iconic masterpieces; his artistic development in Prouts Neck; the architecture of his studio; his relationship to French painting; and the full range of his marine paintings. Winslow Homer (February 24, 1836 - September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general. Largely self-taught, Homer began his career working as a commercial illustrator. Homer's career as an illustrator lasted nearly twenty years. He contributed illustrations of Boston life and rural New England life to magazines such as Ballou's Pictorial and Harper's Weekly at a time when the market for illustrations was growing rapidly and fads and fashions were changing quickly. His early works, mostly commercial wood engravings of urban and country social scenes, are characterized by clean outlines, simplified forms, dramatic contrast of light and dark, and lively figure groupingsâ"qualities that remained important throughout his career. His quick success was mostly due to this strong understanding of graphic design and also to the adaptability of his designs to wood engraving. Harper's sent Homer to the front lines of the American Civil War (1861-1865), where he sketched battle scenes and camp life, the quiet moments as well as the chaotic ones. His initial sketches were of the camp, commanders, and army of the famous Union officer, Major General George B. McClellan, at the banks of the Potomac River in October 18.
Backstage Pass : Rock & Roll Photography Thomas A. Denenberg , Glenn O'Brien , Anne Wilkes Tucker ; Laura Levine ; Kate Simon
Thomas A. Denenberg , Glenn O'Brien , Anne Wilkes Tucker ; Laura Levine ; Kate Simon
- Softcover
Seller: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, GermanyBUCHSERVICE / ANTIQUARIAT Lars Lutzer
Contact seller5-star sellerCondition: Used - Very good
US$ 214.61
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Condition: gut. Backstage Pass : Rock & Roll Photography In englischer Sprache. pages.
Backstage Pass : Rock & Roll Photography
Thomas A. Denenberg , Glenn O'Brien , Anne Wilkes Tucker ; Laura Levine ; Kate Simon
Published by , Yale University Press, 2009, 2009
- Softcover
Seller: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgiumBOOKSELLER - ERIK TONEN BOOKS
Contact seller4-star sellerCondition: Used
US$ 47.66
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Add to basketPaperback, 128 pages, ENG, 280 x 245 x 10 mm, NEW, illustrated in colour / b/w. ISBN 9780300151633. This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. Many of the nearly one hundred images… have rarely been published, and all reveal fascinating glimpses of celebrities off stage, away from the glare of the spotlights. Shot from the mid-fifties to the mid-nineties, the portraits often have a spontaneous, informal, and everyday feel, and most record their subjects before they had become immensely famous--and well practiced in posing for photographs. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more. Three original essays address topics suggested by the photographs. The authors discuss the coded nature of celebrity portraiture, the 1970s music scene in New York City, the frank sexuality of rock musicians, and how the Beatles' look evolved over time. This book will be treasured not only by fans of rock & roll music and admirers of photographic portraits, but also by those who remember the vanished time when photographers had genuine access to performers, and were a crucial element in the worlds they were documenting. 750 g.
