Designer Cooper (19 results)

Condition: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. has light edgewear on d/j. o/w inside is clean---more than 150 step by step recipes.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condition: Like New. Dust Jacket Condition: Very Good. 292 pp. Nearly flawless copy with minimal external wear, crisp pages and clean text. Dj shows minimal wear consistent with age. Small tear on top corner of dj. Abigail Mosely (Designer); Ed Cooper (Author Photo); Judith Woracek (Designer) (illustrator).…

Hardcover with Slip Case. Condition: Like New. Dust Jacket Condition: Like New. Copyright © 1986. 343 pp. Flawless, fresh, sharp, tight copy with crisp pages and clean text. Slip case is flawless, fresh, and clean save mimimal shelfwear. Karen M. Bloom (Designer) (illustrator).

Hardcover. Condition: Like New. Dust Jacket Condition: Like New. 1st American Edition. 227 pp. Stated first printing of the first American edition! An excellent, spotlessly clean copy and attached dust jacket! Clean, fresh, sharp, tight, essentially and virtually flawless copy and attached dust jacket with crisp pages, clean text, and very light shelf wear. Extra mylar wrapper. Joyce Tenneson (Jacket Photo); Victor Weaver (Jacket Design); Normand Blouin (Author Photo); Gloria Adelson (Designer) (illustrator).…

First edition SIGNED BY PHOTOGRAPHER CHIP COOPER. 191 pages. Hardcover: H 31cm x L 23.5cm. Brown dust jacket rubbed with nicks and slight bumping along edges, front flap's top corner is price-clipped; dj now presented in a mylar Brodart protector. Maroon boards with vibrant gilt stamped spine lettering. Pages are bright and clean. Binding is firm. A near fine copy in a very good dust jacket with Cooper's boldly written ink signature upon the title page. Features 200 color photographs by Chip Cooper, Preface by Jack W. Warner, and an essay by Maridith Walker. Please note that this large book has an approximate shipping weight of 3.5 pounds and may require additional postage for any postal class other than domestic Media Mail. {AL-Shelf #3} ISBN 0831702001.…

First edition SIGNED BY PHOTOGRAPHER CHIP COOPER. 191 pages. Hardcover: H 31.25cm x L 23.5cm. Brown dust jacket minimally rubbed; front flap's top corner is price-clipped. Maroon boards with vibrant gilt stamped spine lettering. Pages are bright and clean. Binding retains some crispness. A fine copy in a near fine dust jacket with Cooper's boldly written ink signature upon the title page. Features 200 color photographs by Chip Cooper, Preface by Jack W. Warner, and an essay by Maridith Walker. Please note that this large book has an approximate shipping weight of 3.5 pounds and may require additional postage for any postal class other than domestic Media Mail. {AL-Shelf #4} ISBN 0831702001.…

Paperback. Condition: Good. Appears to have hardly been read. Pages tanned. Same day dispatch (Mon- Fri) from the UK if ordered by 1pm.

Paperback. Condition: Very Good. No dj. Third Edition. Colour covers paperback with seventies psychedelic cover, many two-tone colour line illus throughout, a charming look at Edburgh "things to do" from another time not so long ago. Minor dog-ears and thumb-creases to covers, free of markings. 64pp. Size: 4to. Walter Cuthill, Designer, Children of Edinburgh (illustrator). …

Paperback. Condition: Brand New. 394 pages. 9.00x6.00x0.88 inches. In Stock.

Hardcover. Condition: Brand New. 352 pages. 6.00x0.94x9.00 inches. In Stock.

Hardcover. Condition: New. No Jacket. 1st Edition. Published In 2012 : 1st. New Edition : Index Books / Parragon Love Food Books : Large Format & Quite Heavy : No D / J Supplied With This Edition : Soft Feel Padded Photographic Boards : ( Both Covers ) : Overall, A Very Nice Chocolate Book .

Hard cover. Condition: Very Good. Dust Jacket Condition: Very Good. In Very Good+ condition with Very Good+ Dustjacket. Issued in conjunction with a 1986-1987 exhibition. An extensively annotated and beautifully illustrated catalogue, with glossary and list of comparative details, making this an ideal reference for scholars, collectors, and dealers. 263 pages; 28 b/w, 150 color plates. Contains three essays: "American Furniture Styles in the Colonial Period" by Morrison H. Heckscher; "The Neoclassical Style in New England and New York, 1785-1840" by Wendy A. Cooper; "The Neoclassical Style in Philadelphia and the South, 1785-1840" by Gregory R. Weidman. One of Americaâ??s first great art forms was furniture. Over the century from the period just before the American Revolution to the full flourishing of the Republic in the decades before the Civil War, American architecture and furniture alike demonstrated the importation, adaptation, and transformation of inherited European forms. Aside from being one of the largest and most refined collections of early American furniture in private hands, the works included here from the collection of George and Linda Kaufman exemplify American craftsmanship at its highest quality and offer vivid lessons in the evolution of national and regional tastes during this highly productive period of our nationâ??s development. In addition, the Kaufman collection offers a marvelous opportunity for comparing the different tastes and achievements from the great regional centers of production, such as Boston, Newport, Philadelphia, and New York.…

hardcover. Condition: New. In shrink wrap. Looks like an interesting title. Michelle Ball (illustrator).

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

This early manifesto of postmodernism was designed by Muriel Cooper (1925-1994), a pioneering graphic designer and one of the first designers to see the potential of computers as tools for inventing new ways to organise visual information. She was the first design director of the MIT Press, cofounder of the Visible Language Workshop at MIT, and the first woman to be granted tenure at MIT's Media Lab, where she taught a new generation of designers. Her work spans print to software interfaces. Learning from Las Vegas is compiled from research materials gathered in 1968 by students of a third-year graduate class at Yale School of Architecture, taught by Robert Venturi, Denise Scott Brown, and Steven Izenour. The class Learning from Las Vegas, or Form Analysis as Design Research, required the students to make a nonjudgemental study of the city and how it functioned, and their research was documented through photographs, films, maps, and diagrams. Muriel Cooper was tasked with translating the diverse materials from the studio into a book, initially planning for the book to be protected by a bubble wrap dust-jacket, with fluorescent dots on the boards. 'The visual materials were not only graphically rich but as content-laden as the text, so the interdependent rhythms of those relationships were important. I wanted to arrange visual and verbal materials spatially in a nonlinear way to enhance the reader's comprehension.' Robert Venturi and Denise Scott Brown were unimpressed and enacted a complete, much more traditional redesign for the 1977 paperback second edition, dismissing Cooper's work in their preface. Cooper's reputation and legacy have grown and grown since. First edition; large 4to (354 x 269 mm, 14 x 10½ in); colour and black & white photographs, diagrams, plans and maps; plain endpapers; dark grey cloth-covered boards, titles stamped in gold on sides and spine, colour photographic reproduction mounted on upper side, publisher's printed glassine dust-jacket, tiny chip to rear flap at fold, nicks to head and foot, errata slip laid in, a fine copy in a remarkably well preserved example of the fragile dust-jacket, housed in a custom black cloth drop spine box. Reinfurt & Wiesenberger, Muriel Cooper. …

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1899 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 380 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 380 Language: English.…

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1899. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 380, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 380 380.…