Dick Penner (18 results)

- Softcover
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.ThriftBooks-Atlanta
Contact seller5-star sellerCondition: Used - Fair
US$ 14.98
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Unknown. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Published by A Mentor Book, New York, NY 1980
- Softcover
Seller: G.M. Isaac Books, Winston-Salem, NC, U.S.A.G.M. Isaac Books
Contact seller2-star sellerCondition: Used - Good
US$ 9.00
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Soft cover. Condition: Good. (Pages are yellowed; Spine is creased; Front wrapper have deep crease along the spine; Wrappers have edge-wear; Text is clean, neat and tight). Book.
More imagesPublished by A Mentor Book 1980
- Softcover
- First Edition
Seller: Southampton Books, Sag Harbor, NY, U.S.A.Southampton Books
Contact seller5-star sellerCondition: Used - Very good
US$ 35.00
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Paperback. Condition: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by A Mentor Book, 1980. 12mo. Paperback. Code of ME1904 on cover and spine. Book is very good with signature and inscription by Penner inside front cover. Covers have some light shelf wear. 100% positive feedback. 30 day m…oney back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
More imagesPinocchio (Five photographs from 1978 re-release of the 1940 animated film)
Walt Disney (producer); Ben Sharpsteen, Hamilton Luske (supervising directors); Carlo Collodi (children's novel); Ted Sears, Otto Englander, Webb Smith, William Cotttrell, Joseph Sabo, Erdman Penner, Aurelius Battaglia (screenwriters); Dick Jones, Cliff Edwards, Christian Rub (starring)
Published by Walt Disney Productions, Burbank, CA 1978
- Photo
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.Royal Books, Inc., ABAA
Contact seller5-star sellerFive studio still photographs from the 1978 re-release of the 1940 film. One with a printed snipe on verso and one with a "Silver Screen" stamp on verso. Laid in is an additional compilation photograph of three studio stills printed by The Disney Channel, circa early 1980s. Based on the 1883 Italian children's novel "The Adventu…res of Pinocchio" by Carlo Collodi. Walt Disney's second feature length animated film, widely regarded as one of the greatest animated films of all time. Winner of two Academy Awards. 8 x 10 inches. One with small closed tear on top margin and light creasing, else Near Fine. National Film Registry. Ebert I. Rosenbaum 1000.

Countries of the Mind: The Fiction of J. M. Coetzee (Contributions to the Study of World Literature)
- Hardcover
Seller: Mooney's bookstore, Den Helder, NetherlandsMooney's bookstore
Contact seller4-star sellerCondition: Used - Very good
US$ 87.30
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Condition: Very good.

- Softcover
Seller: Anybook.com, Lincoln, United KingdomAnybook.com
Contact seller5-star sellerCondition: Used - Fair
US$ 95.40
US$ 18.24 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0313266840.

- Hardcover
Seller: Yushodo Co., Ltd., Fuefuki-shi, Yamanashi Pref., , JapanYushodo Co., Ltd.
Contact seller5-star sellerCondition: Used - Fine
US$ 97.56
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Hardcover. Condition: Fine. 167p. Westport, CT: Greenwood Press, 1989.

Countries of the Mind: The Fiction of J. M. Coetzee (Contributions to the Study of World Literature)
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
Contact seller5-star sellerCondition: New
US$ 140.94
US$ 16.07 shippingShips from United Kingdom to U.S.A.Quantity: Over 20 available
Condition: New. In.

- Hardcover
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrelandKennys Bookshop and Art Galleries Ltd.
Contact seller5-star sellerCondition: New
US$ 163.19
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Condition: New.

- Hardcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contact seller5-star sellerCondition: New
US$ 181.83
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Hardcover. Condition: new. Hardcover. Since the publication of his first novel in 1974, J. M. Coetzee has attained a reputation as one of the world's most respected novelists. The demand for his works is related to the world's interest in the politics, literature, culture, and society of South Africa. However, Coetzee's fictions… remain significant, according to Penner, apart from their South African context, because of their artistry and because they transform urgent societal concerns into more enduring questions regarding colonialism and the relationships of mastery and servitude between cultures and individuals.Penner provides an in-depth, critical reading of Coetzee's five novels, drawing upon primary and critical texts on Western and South African literature and society. He argues that Coetzee's writings subvert traditional novel forms and thus become self-reflexive commentaries on the nature of fiction and fiction writing. Despite the diversity of their forms, Coetzee's novels all deal with the Cartesian division between the self and others that is at the base of all colonial and master/slave relationships. Many of Coetzee's protagonists who struggle to escape this Cartesian dichotomy and the colonizing mentality it fosters also hold a privileged status within their societies. As a result, they face a moral dilemma: even if they are personally innocent of any acts of oppression, they still share responsibility as members of the colonizing group. If Coetzee does not provide solutions or a direct call to action to resolve South Africa's enormous problems, Penner suggests, it is because Coetzee is striking at a more fundamental problem: the psychological, philosophical, and linguistic foundations of the colonial dilemma. Penner also deals with the question of Coetzee's identity as a South African writer, arguing that his tradition is the broader Western literary tradition of which South Africa is a part. This book should be read by anyone interested in Coetzee's fiction, modern fiction, and Third World and South African literature. Since the publication of his first novel in 1974, J. M. Coetzee has attained a reputation as one of the world's most respected novelists. The demand for his works is related to the world's interest in the politics, literature, culture, and society of South Africa. However, Coetzee's fictions remain significant, according to Penner, apart from their South African context, because of their artistry and because they transform urgent societal concerns into more enduring questions regarding colonialism and the relationships of mastery and servitude between cultures and individuals. Penner provides an in-depth, critical reading of Coetzee's five novels, drawing upon primary and critical texts on Western and South African literature and society. He argues that Coetzee's writings subvert traditional novel forms and thus become self-reflexive commentaries on the nature of fiction and fiction writing. Despite the diversity of their forms, Coetzee's novels all deal with the Cartesian division between the self and others that is at the base of all colonial and master/slave relationships. Many of Coetzee's protagonists who struggle to escape this Cartesian dichotomy and the colonizing mentality it fosters also hold a privileged status within their societies. As a result, they face a moral dilemma: even if they are personally innocent of any acts of oppression, they still share responsibility as members of the colonizing group. If Coetzee does not provide solutions or a direct call to action to resolve South Africa's enormous problems, Penner suggests, it is because Coetzee is striking at a more fundamental problem: the psychological, philosophical, and linguistic foundations of the colonial dilemma. Penner also deals with the question of Coetzee's identity as a South African writer, arguing that his tradition is the broad Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

- Hardcover
Seller: CitiRetail, Stevenage, United KingdomCitiRetail
Contact seller5-star sellerCondition: New
US$ 151.27
US$ 49.63 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardcover. Condition: new. Hardcover. Since the publication of his first novel in 1974, J. M. Coetzee has attained a reputation as one of the world's most respected novelists. The demand for his works is related to the world's interest in the politics, literature, culture, and society of South Africa. However, Coetzee's fictions… remain significant, according to Penner, apart from their South African context, because of their artistry and because they transform urgent societal concerns into more enduring questions regarding colonialism and the relationships of mastery and servitude between cultures and individuals.Penner provides an in-depth, critical reading of Coetzee's five novels, drawing upon primary and critical texts on Western and South African literature and society. He argues that Coetzee's writings subvert traditional novel forms and thus become self-reflexive commentaries on the nature of fiction and fiction writing. Despite the diversity of their forms, Coetzee's novels all deal with the Cartesian division between the self and others that is at the base of all colonial and master/slave relationships. Many of Coetzee's protagonists who struggle to escape this Cartesian dichotomy and the colonizing mentality it fosters also hold a privileged status within their societies. As a result, they face a moral dilemma: even if they are personally innocent of any acts of oppression, they still share responsibility as members of the colonizing group. If Coetzee does not provide solutions or a direct call to action to resolve South Africa's enormous problems, Penner suggests, it is because Coetzee is striking at a more fundamental problem: the psychological, philosophical, and linguistic foundations of the colonial dilemma. Penner also deals with the question of Coetzee's identity as a South African writer, arguing that his tradition is the broader Western literary tradition of which South Africa is a part. This book should be read by anyone interested in Coetzee's fiction, modern fiction, and Third World and South African literature. Since the publication of his first novel in 1974, J. M. Coetzee has attained a reputation as one of the world's most respected novelists. The demand for his works is related to the world's interest in the politics, literature, culture, and society of South Africa. However, Coetzee's fictions remain significant, according to Penner, apart from their South African context, because of their artistry and because they transform urgent societal concerns into more enduring questions regarding colonialism and the relationships of mastery and servitude between cultures and individuals. Penner provides an in-depth, critical reading of Coetzee's five novels, drawing upon primary and critical texts on Western and South African literature and society. He argues that Coetzee's writings subvert traditional novel forms and thus become self-reflexive commentaries on the nature of fiction and fiction writing. Despite the diversity of their forms, Coetzee's novels all deal with the Cartesian division between the self and others that is at the base of all colonial and master/slave relationships. Many of Coetzee's protagonists who struggle to escape this Cartesian dichotomy and the colonizing mentality it fosters also hold a privileged status within their societies. As a result, they face a moral dilemma: even if they are personally innocent of any acts of oppression, they still share responsibility as members of the colonizing group. If Coetzee does not provide solutions or a direct call to action to resolve South Africa's enormous problems, Penner suggests, it is because Coetzee is striking at a more fundamental problem: the psychological, philosophical, and linguistic foundations of the colonial dilemma. Penner also deals with the question of Coetzee's identity as a South African writer, arguing that his tradition Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

- Hardcover
Seller: Kennys Bookstore, Olney, MD, U.S.A.Kennys Bookstore
Contact seller5-star sellerCondition: New
US$ 194.98
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Condition: New.

- Hardcover
Seller: Revaluation Books, Exeter, , United KingdomRevaluation Books
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US$ 232.72
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Hardcover. Condition: Brand New. 167 pages. 9.75x6.50x1.00 inches. In Stock.

- Hardcover
Seller: Mispah books, Redhill, SURRE, United KingdomMispah books
Contact seller4-star sellerCondition: Used - As new
US$ 255.61
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Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

- Hardcover
- Print on Demand
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
Contact seller5-star sellerCondition: New
US$ 143.61
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HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

- Hardcover
- Print on Demand
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
Contact seller5-star sellerCondition: New
US$ 143.21
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HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

- Hardcover
- Print on Demand
Seller: THE SAINT BOOKSTORE, Southport, , United KingdomTHE SAINT BOOKSTORE
Contact seller5-star sellerCondition: New
US$ 167.22
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Hardback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

- Hardcover
- Print on Demand
Seller: moluna, Greven, , Germanymoluna
Contact seller5-star sellerCondition: New
US$ 160.20
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Gebunden. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorDICK PENNER is a Professor of English at the University of Tennessee. He has written Fiction of the Absurd, Alan Sillitoe, and numerous articles.KlappentextSince the pu.