Language: English
Published by Focus Multimedia Ltd, GB, 2016
ISBN 10: 1843266261 ISBN 13: 9781843266266
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
CD-ROM. Condition: New.
Language: English
Published by Focus Multimedia Ltd, GB, 2016
ISBN 10: 184326627X ISBN 13: 9781843266273
Seller: Rarewaves.com USA, London, LONDO, United Kingdom
CD-ROM. Condition: New.
Kartoniert / Broschiert. Condition: New. Bill Byrne is a multimedia digital artist whose work has been exhibited internationally. His visual and sound art focuses on building surrealistic, organic worlds. He makes digital-photomontage-based prints, animated installations and conceptual sound art p.
Kartoniert / Broschiert. Condition: New.
US$ 219.86
Quantity: Over 20 available
Add to basketGebunden. Condition: New.
US$ 280.46
Quantity: Over 20 available
Add to basketGebunden. Condition: New. Bill Byrne is a multimedia digital artist whose work has been exhibited internationally. His visual and sound art focuses on building surrealistic, organic worlds. He makes digital-photomontage-based prints, animated installations and conceptual sound art p.
Language: English
Published by Taylor & Francis Ltd Aug 2015, 2015
ISBN 10: 1138171174 ISBN 13: 9781138171176
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware.
Language: English
Published by Focus Multimedia Ltd, GB, 2016
ISBN 10: 184326627X ISBN 13: 9781843266273
Seller: Rarewaves.com UK, London, United Kingdom
US$ 53.96
Quantity: 16 available
Add to basketCD-ROM. Condition: New.
hardcover. Condition: Sehr gut. 96 Seiten; M26-04-XL-E-24-VG Sprache: Deutsch Gewicht in Gramm: 1.
Language: English
Published by Bloomsbury Publishing Plc, 2026
ISBN 10: 1501350919 ISBN 13: 9781501350917
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Wild Sound turns an analytic eye and ear to the role of background sound in cinema, to the way that film sound captures, creates, represents, and even critiques the environments that we inhabit. Listening beyond music and dialogue, this book explores the relationship between location sound, sound libraries, and wider practices of field recording in the creation of the film soundtrack. Wild Sound is also interested in the wildness of sound, in the ways in which ambient environmental sounds gesture to a world beyond the frame, and sometimes invite the chaotic, unmanageable energies of the world outside into the hyper-controlled domain of the film. 'Wild sound', or 'wild track', is a film industrial term for non-synchronised sounds that often originate from a process of field recording. Immanently useful as atmosphere and sonic filler, these sounds often smuggle a dangerously noisy materiality into the systems of cinema. Ambient sound has been chronically under-appreciated and critically under-examined in the study of cinema. This book asserts that the background sounds of place onscreen are never neutral. Pigott reveals them to be carefully constructed 'sonic environments' that play a quiet but substantial role in determining how film audiences feel about the places, people and events that populate the screen. Each chapter tracks individual sounds across a wide range of international films from the history of cinema, providing rich cultural context and technical detail, drawing out the multiple meanings and formal characteristics of those ambient sounds that are often dismissed as inconsequential. Pigott demonstrates the value of paying close attention to the cinematic sound of place, at a time when it has never been more vital to examine how we imagine and treat our environments.