Divola John (83 results)

Soft cover. Condition: Very Good. A. R. T. Press, Beverly Hills, 1988. Softcover, 40 pp. Illustrated in black & white. The work of Judy Fiskin (born 1945), an American photographer and video artist. Includes an interview with the artist. Very good condition.

Paperback. Condition: Near Fine. 1st. 40 pages, illustrations (some colour); 26 cm. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Size: 4to.

softcover. Condition: Used; Like New. First Edition; First Printing. Numerous illustrations. Interview with the Judy Fiskin by John Divola. Essay by Christopher Knight. Edited by William Bartman. ; Tight, clean and crisp. A hint of tanning to rear cover, otherwise in excellent condition. No inscriptions. No remainder mark. Not ex-library.…

Paperback. First edition. Very Good paperback journal with light signs of handling/shelving, soiling to the back cover, and a crack across the spine. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The 20th issue of DoubleTake magazine (Vol. 6, No. 2), Spring 2000, the award-winning quarterly journal "devoted to the written word and to the visual image." Each issue mixed prose, fiction, and poetry with photography-based art. This issue includes: photo-essays by Mary Ellen Mark, An-My Le, Adam Bartos, Judith Joy Ross, David Deal, John Divola, Joseph Durickas, and Drew Fellman; Richard B. Woodward on Walker Evans; the reunion of Bruce Springsteen and E Street Band by Daniel Wolff; Panthea Reid on the writer Tillie Olsen; fiction by Julia Alvarez, Stephen Dobyns, and Carolos Cunha; poetry by Robert Wrigley, Terese Svoboda, Greg Pape, Carol Ann Davis, David T. Lloyd, Peter Davison, and David Baker; work by Michael Lesy, Robert Vizzini, David Updike, Matthew Yeomans, Bill Donahue, and others; reviews of new books as well as essays on older volumes; and more. Edited by Robert Coles. 120 pages; color and b&w illustrations throughout; 9 x 11 inches.…

Softcover, staple-bound, 48 pages; very good condition; clean and crisp; no internal marks.

First Edition. First edition. Softcover. 40 pages. Features an essay by Christopher Knight along the text of John Divola's interview of Fiskin. Includes numerous black and white illustrations, list of previous exhibitions, and list of public collections. A near fine copy in French style wrappers.

Exhibition Announcement Cards. This is not a book. The original announcement card for a group show of photography titled "Color" and held at Janet Borden, NYC, summer 2001. The exhibition included work by Tina Barney, Fred Cray, Robert Cumming, John Divola, Jim Dow, Macduff Everton, Jan Groover, Suzanne Opton, Hanno Otten, Martin Parr, John Pfahl, Sandy Skoglund, Larry Sultan, Oliver Wasow, and Neil Winokur. Stiff medium-weight postcard, printed both sides; 4.25 x 6 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Beyond the Pleasure Principle, edited by Illari Laamanen. Featuring: John Divola, Armi Ratia, Estelle Hanania, Camille Henrot, Maija Luutonen, Aaron Schuster, Takeshi Murata, Tyler Adams, Luigi Russolo, Reba Maybury, Kohei Yoshiyuki, Nicole Howalt. Hardcover. 144 pages. With poster insert. Designer: Johanna Lundberg. Printer: Göteborgs Tryckeriet. "According to Sigmund Freud, the pleasure principle refers to the instinctual seeking of pleasure and avoiding pain in order to satisfy biological and psychological needs. Pleasure principle is oftentimes considered to be the strongest impulse guiding individual?s life. In his later writings, Sigmund Freud refers to the ?compulsion to repeat?, and declares that it might well be powerful enough to disregard the pleasure principle.This publication taps into this tension. The underlying motive isto create a scenario that deals as much with our complex relationship with nature and habitat as it does with transformation and letting go. An emphasis is put on the physical shared environment, but the tone is psychologically charged. Beyond the Pleasure Principle thrives from similar thematic framework as FCINY?s previous publication The Powers That Be that used the knowledge of the body and manifestations of physical energy as its point of departure. But in this case the physical and psychological energies and tensions can be considered to be intertwined, and analyzed through artistic gestures and three key themes: ritual, retrograde and repetition.Beyond the Pleasure Principle was produced on the occasion of two exhibitions, The Pleasure Principle at Sinne in Helsinki (June 4?July 31, 2016) and The Limits of Control at Station Independent Projects in New York City (August 13?September 4, 2016). The Pleasure Principle features works by John Divola, Camille Henrot, Maija Luutonen and Armi Ratia. The Limits of Control features works by Tyler Adams, Estelle Hanania, Nicolai Howalt, Jouko Lehtola, Takeshi Murata, Iiu Susiraja and Kohei Yoshiyuki. The exhibitions are curated by Ilari Laamanen and produced by the Finnish Cultural Institute in New York in collaboration with Sinne and Station Independent Projects.". …

Hardback. Condition: New. Since 2015, John Divola has been making photographic projects in an abandoned air force housing complex in Victorville, California. By intervening in the buildings' disused interiors with spray paint then photographing the modified scenes, Divola creates work that sits at an intriguing juncture of photography, sculpture, and installation. The images in Terminus gaze down derelict hallways towards dark shapes which Divola has painted at their ends. Through layers of paint, dust, and plaster, they exert an unmistakable pull on the viewer, at once suggesting the deterministic forces of fate and the rupturing possibility of escape. Arranging and juxtaposing theses images within the book as a considered object, the artist leads the viewer on a stochastic and entrancing traverse through the abandoned compounds.Continuing the conceptual experimentation that has defined Divola's oeuvre, Terminus captures a tension between the observation of the specific and the insistence of the abstract. These are real places, shot in the available light of early morning, but altered by Divola's obscure hieroglyphs they are alive with suggestions of symbolism and fiction. Sharp details testify to the abandonment and demise of half-familiar scenes even as they transfigure them into stage-like arenas for ideation. Within the transitional spaces of these passageways, we are always travelling and never arriving, caught between the tidal currents of history and speculation.…

Condition: Good. 4to. 40 pp. Soft, glossy white, yellow and black and white photographic wraps with French folds. Very good with marginal edgewear. Black and white plates, some fold-outs. Includes an interview between the artist Judy Fiskin and John Divola and an essay by Christopher Knight. Edited by William Bartman. Includes artist C.V. and additional bibliographic information. From the Collection of the Art Historian Peter Selz.…

Hardcover. Condition: New.

Stapled wraps. Condition: Very Good. Very Good stapled wraps about 15¾x11 inches with slight cover wear. Unpgaginated, unmarked. Essay on Eugene Omar Godbeck by Peter Pfersick . Photography by Godbeck, John Divola: The "Zuma" Series, John Pfahl, John Conn, Winston Boyer. ; Shlf; 15¾x11 inches; Unpaginated pages. …

Hardcover. Condition: SIGNED / VG-. Dust Jacket Condition: Good. Signed by Divola on title page.used hardcover in a dust jacket. the jacket is somewhat worn about the edges and slightly scuffed, has only small tears at extremeties. corners slightly bumped, but pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. Signed By Author.…

Hardback. Condition: New. New copy - Usually dispatched within 2 working days.

Hardcover. Condition: Fine. 1st Edition. One an edition of 500 copies. Includes 7 duotone plates along with a tipped in original photograph. Signed by Divola on the verso of the photograph. Inscribed By the Photographer. Book.

Hardcover. SIGNED with a print. First edition, first printing. The 45th publication in the Nazraeli Press One Picture Book series. Photographs by John Divola. 16 pages; 1 original color inkjet print tipped-in + 7 color reproductions; 5.75 x 7.5 inches. From an edition limited to 500 copies. SIGNED BY DIVOLA and dated on the verso of the print; hand-numbered on the colophon page, #75. Condition: Fine/As New hardcover, no dj as issued. Ships the next business day, wrapped in padding, in a box.…

hardcover. Condition: Fine. Fotografie in bianco e nero di John Divola ("Terminus" è un'unica opera, non una serie di immagini correlate; tutte le immagini sono state stampate su carta 4x5 e provengono dall'ex base George Air Force a Victorville, California) . Cm 24x31,5. pp. 68. . Ottimo (Fine). . Prima edizione con firma autografa dell'Artista su talloncino di carta rilegato in quarta di copertina (Signed first edition with a slip signed by the artist and bound into the inside back cover). . Dal 2015, John Divola ha realizzato progetti fotografici in un complesso residenziale abbandonato dell'aeronautica militare a Victorville, in California. Intervenendo negli interni in disuso degli edifici con vernice spray e poi fotografando le scene modificate, Divola crea un lavoro che si trova in un intrigante frangente tra fotografia, scultura e installazione. Le immagini si muovono lungo corridoi abbandonati verso forme scure che Divola ha dipinto al termine degli stessi. Attraverso strati di pittura, polvere e intonaco esercitano un'inconfondibile attrazione sullo spettatore, suggerendo allo stesso tempo le forze deterministiche del destino e la rottura della possibilità di fuga. Disponendo e giustapponendo queste immagini all'interno del libro l'artista guida lo spettatore in una traversata stocastica ed estasiante attraverso i complessi abbandonati. Continuando la sperimentazione concettuale che ha definito l'opera di Divola, Terminus coglie una tensione tra l'osservazione dello specifico e l'insistenza dell'astratto. Sono luoghi reali, ripresi nella luce disponibile del primo mattino, ma alterati dagli oscuri geroglifici di Divola. Prima edizione con firma autografa dell'Artista su talloncino di carta rilegato in quarta di copertina (Signed first edition with a slip signed by the artist and bound into the inside back cover). …

Hardcover. Condition: New. No Dust Jacket as Issued. 1st Edition. 1st. Edition, 1st. Printing 2021, Hardcover with black circle on the front board and black letters to the spine, 72 page book. This copy is signed by John Divola on a tipped in small plate in the back of this book. Illustrated with full page black & white images by Mr. Divola . Condition : NEW Size: 4to - over 9¾ - 12" tall. John Divola (illustrator). Signed by Author(s). Book.…

loose_leaf. Condition: Ottimo (Fine). Pieghevole della 899a Mostra della Galleria del Cavallino, Venezia, 1-29 ottobre 1981. Con due illustrazioni in bianco e nero e attività espositiva degli artisti: Rick Grafton (Oakland, 1952) e John Divola (Santa Monica, 1949). la mostra è stata realizzata in collaborazione con la Grapestake Gallery di San Francisco . 8vo. pp. 4. . Ottimo (Fine). . . . John Divola (nato nel 1949) è un artista visivo contemporaneo ed educatore americano che vive a Riverside, in California. Lavora nel campo della fotografia e si descrive come un artista che esplora il paesaggio cercando il limite tra l'astratto e lo specifico. È professore presso il dipartimento d'arte della University of California Riverside. Book.…

Paperback. Condition: Brand New. French language. 9.40x9.40x0.70 inches. In Stock.

First edition. Small octavo (7-1/2" x 5-3/4"). (18)pp. Forest green boards lettered in white. Illustrated with 7 reproductions and 1 original photograph signed on the back by John Divola. Edition limited to 500 numbered copies "'Supermarket' by artist John Divola comprises a group of photographs of middle-aged women shopping for groceries in the early 1970s. The black-and-white photographs were made in the San Fernando Valley where Divola grew up. Made at the outset of Divola's career, these images are at once melancholy - an element that runs through most of his subsequent work - and by their nature, humorously touching. They also provide a glimpse into Divola's upcoming monograph, 'San Fernando Valley', which will be published by Nazraeli Press in 2014 as part of our forthcoming NZ Library series."--Publisher's website Nazraeli Press One Picture Book Series, Volume #81.…

First Edition. First edition. Hardcover. The 81st entry in the One Picture Book series. Number 77 from an edition of 500 copies. Includes 7 duotone plates along with a tipped in original photograph. A very fine copy in the publisher's original ziploc bag. No dust jacket as issued. Signed by Divola on the verso of the photograph. An as new copy. Signed.…

Hardcover. Condition: New. Dust Jacket Condition: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 500 hand-numbered copies, with an original gelatin silver print tipped in the final page (image size 3 x 4-1/2 inches), signed verso in pencil by Divola. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by John Divola. 16 pp., with 7 duotone plates. 7-1/2 x 5-3/4 inches. New. The 81st publication in the Nazraeli Press One Picture Book series. From the publisher: "'Supermarket' by artist John Divola comprises a group of photographs of middle-aged women shopping for groceries in the early 1970s. The black-and-white photographs were made in the San Fernando Valley where Divola grew up. Made at the outset of Divola's career, these images are at once melancholy -- an element that runs through most of his subsequent work -- and by their nature, humorously touching. They also provide a glimpse into Divola's upcoming monograph, 'San Fernando Valley,' which will be published by Nazraeli Press in 2014 as part of our forthcoming NZ Library series. 'Supermarket' is limited to 500 numbered copies, and includes an original signed photograph by John Divola." Signed by Author. …

Hardcover. Condition: New. Dust Jacket Condition: No dust jacket as issued. 1st Edition. First edition, first printing. Limited edition of 500 hand-numbered copies, with an original archival pigment print tipped in the final page (4-7/8 x 3-7/8 inches), signed and dated ("2005/07") on verso by Divola. Hardcover. Paper-covered boards, no dust jacket as issued. Photographs by John Divola. 16 pp., with 7 four-color plates. 7-1/2 x 5-3/4 inches. Out of print (sold out upon release). New. The 47th publication in the Nazraeli Press One Picture Book series. From the publisher: "The logic of "seven dogs" is based on two assumptions. First, if one makes a group of photographs in an environment based on the simple rule that a dog and man must be in each frame, a casual description of the surrounding environment will result. And second, if we accept that one year in a dog's life is the equivalent of seven for a human, a man might reasonably expect a life seven dogs long." Signed by Author.…

Trade Paperback. Condition: Good. 4to. A Good copy. Book has shelfwear, edgewear, bumped corners, stains & smudges on covers & edges of text block, and toning to covers & pages. Interior is tight, clean, and unmarked. Profusely Illustrated (illustrator).

Encuadernación de tapa dura. Condition: Nuevo. Condition: new, unopened (shrink-wrapped).

Hardcover. Condition: New. Isolated Houses by John Divola. Second printing (2000). Large format hardback in new condition. No markings. This is a brand new book. Please see pictures. PayPal accepted, any questions please get in touch.

Hardback. Condition: New. Since 2015, John Divola has been making photographic projects in an abandoned air force housing complex in Victorville, California. By intervening in the buildings' disused interiors with spray paint then photographing the modified scenes, Divola creates work that sits at an intriguing juncture of photography, sculpture, and installation. The images in Terminus gaze down derelict hallways towards dark shapes which Divola has painted at their ends. Through layers of paint, dust, and plaster, they exert an unmistakable pull on the viewer, at once suggesting the deterministic forces of fate and the rupturing possibility of escape. Arranging and juxtaposing theses images within the book as a considered object, the artist leads the viewer on a stochastic and entrancing traverse through the abandoned compounds.Continuing the conceptual experimentation that has defined Divola's oeuvre, Terminus captures a tension between the observation of the specific and the insistence of the abstract. These are real places, shot in the available light of early morning, but altered by Divola's obscure hieroglyphs they are alive with suggestions of symbolism and fiction. Sharp details testify to the abandonment and demise of half-familiar scenes even as they transfigure them into stage-like arenas for ideation. Within the transitional spaces of these passageways, we are always travelling and never arriving, caught between the tidal currents of history and speculation.…

Hardcover. Condition: New. Limited Edition. BRAND NEW. FACTORY SEALED. Limited edition (1000 copies). Carefully packed and shipped same day if purchased by 12 Noon EST, to arrive to USA customers in 2-5 business days. The photos I have provided may show white streaks which is the reflection of the shrink wrap. Book is perfect, well protected. This completely remastered edition of is limited 1,000 casebound copies.From 1995 to 1998, I worked on a series of photographs of isolated houses in the desert at the east-end of the Morongo Valley in Southern California. As I meandered through the desert, a dog would occasionally chase my car. Sometime in 1996 I began to bring along a 35mm camera equipped with a motor drive and loaded with a fast and grainy black-and-white film. The process was simple; when I saw a dog coming toward the car I would pre-focus the camera and set the exposure. With one hand on the steering wheel, I would hold the camera out the window and expose anywhere from a few frames to a complete roll of film. I'll admit that I was not above turning around and taking a second pass in front of a house with an enthusiastic dog. Contemplating a dog chasing a car invites any number of metaphors and juxtapositions: culture and nature, the domestic and the wild, love and hate, joy and fear, the heroic and the idiotic. It couldbe viewed as a visceral and kinetic dance. Here we have two vectors and velocities, that of a dog and that of a car and, seeing that a camera will never capture reality and that a dog will never catch a car, evidence of devotion to a hopeless enterprise." - John Divola John Divola's work is included in the permanent collections of such museums as The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; and The Museum of Fine Arts, Houston. It has been exhibited throughout the United States, Europe and Japan. Dogs Chasing My Car in the Desert was first published by Nazraeli Press in 2004. This completely remastered edition of is limited 1,000 casebound copies.…