Dodds Lara (46 results)

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Paperback. Condition: New. As a reader of her literary predecessors, and as a writer who herself contributed to the emerging literary tradition, Margaret Cavendish is an extraordinary figure whose role in early modern literary history has yet to be fully acknowledged. In this study, Lara Dodds reassesses the literary invention of Cavendish-the use she makes of other writers, her own various forms of writing, and the ways in which she creates her own literary persona-to transform our understanding of Cavendish's considerable accomplishments and influence. In spite of Cavendish's claims that she did little reading whatsoever, Dodds demonstrates that the duchess was an agile, avid reader (and misreader) of other writers, all of them male, all of them now considered canonical-Shakespeare, Jonson, Donne, Milton, Bacon. In each chapter, Dodds discusses Cavendish's moments of reading of these authors, revealing their influence on Cavendish while also providing a lens to investigate more broadly the many literary forms-poetry, letters, fiction, drama-that Cavendish employed. Seeking a fruitful exchange between literary history and the history of reading, Dodds examines both the material and social circumstances of reading and the characteristic formal features and thematic preoccupations of Cavendish's writing in each of the major genres. Thus, not only is our view of Cavendish and her specific literary achievements enhanced, but we see too the contributions of this female reader to the emerging idea of literature in late seventeenth century England. Most previous studies of Cavendish have been preoccupied with literary biography, looking into her royalist politics, materialist natural philosophy, and ambivalent protofeminism. The Literary Invention of Margaret Cavendish is significant, then, in its focus outward from Cavendish to her most enduring and positive contributions to literary history-her revival of an expansive model of literary invention that rests uneasily, but productively, alongside a Jonsonian aesthetics of the verisimilar and a Hobbesian politics of social strife.

Paperback. Condition: new. Paperback. As a reader of her literary predecessors, and as a writer who herself contributed to the emerging literary tradition, Margaret Cavendish is an extraordinary figure whose role in early modern literary history has yet to be fully acknowledged. In this study, Lara Dodds reassesses the literary invention of Cavendishthe use she makes of other writers, her own various forms of writing, and the ways in which she creates her own literary personato transform our understanding of Cavendishs considerable accomplishments and influence. In spite of Cavendishs claims that she did little reading whatsoever, Dodds demonstrates that the duchess was an agile, avid reader (and misreader) of other writers, all of them male, all of them now considered canonicalShakespeare, Jonson, Donne, Milton, Bacon. In each chapter, Dodds discusses Cavendishs moments of reading of these authors, revealing their influence on Cavendish while also providing a lens to investigate more broadly the many literary formspoetry, letters, fiction, dramathat Cavendish employed. Seeking a fruitful exchange between literary history and the history of reading, Dodds examines both the material and social circumstances of reading and the characteristic formal features and thematic preoccupations of Cavendishs writing in each of the major genres. Thus, not only is our view of Cavendish and her specific literary achievements enhanced, but we see too the contributions of this female reader to the emerging idea of literature in late seventeenth century England. Most previous studies of Cavendish have been preoccupied with literary biography, looking into her royalist politics, materialist natural philosophy, and ambivalent protofeminism. The Literary Invention of Margaret Cavendish is significant, then, in its focus outward from Cavendish to her most enduring and positive contributions to literary historyher revival of an expansive model of literary invention that rests uneasily, but productively, alongside a Jonsonian aesthetics of the verisimilar and a Hobbesian politics of social strife. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardback. Condition: New. Feminist Formalism and Early Modern Women's Writing reexamines the relationship between gender and form in early modern women's writing in essays that elaborate the specific literary strategies of women writers, that examine women's debts to and appropriations of different literary genres, and that offer practical suggestions for the teaching of women's texts in several different contexts. Contributors explore the possibility of feminist formalism, a methodology that both attends to the structural, rhetorical, and other formal techniques of a given text and takes gender as a central category of analysis. This collection contends that feminist formalism is a useful tool for scholars of the early modern period and for literary studies more broadly because it marries the traditional questions of formalism-including questions of style, genre, and literary history-with the political and cultural concerns of feminist inquiry. Contributors reposition works by important women writers-such as Margaret Cavendish, Hester Pulter, Mary Wroth, and Katherine Philips-as central to the development of English literary tradition. By examining a variety of texts written by women, including recipes, emblems, exchanges, and poetry, Feminist Formalism and Early Modern Women's Writing contributes to existing scholarship on early modern women's writing while extending it in new and important directions.

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Paperback. Condition: new. Paperback. As a reader of her literary predecessors, and as a writer who herself contributed to the emerging literary tradition, Margaret Cavendish is an extraordinary figure whose role in early modern literary history has yet to be fully acknowledged. In this study, Lara Dodds reassesses the literary invention of Cavendishthe use she makes of other writers, her own various forms of writing, and the ways in which she creates her own literary personato transform our understanding of Cavendishs considerable accomplishments and influence. In spite of Cavendishs claims that she did little reading whatsoever, Dodds demonstrates that the duchess was an agile, avid reader (and misreader) of other writers, all of them male, all of them now considered canonicalShakespeare, Jonson, Donne, Milton, Bacon. In each chapter, Dodds discusses Cavendishs moments of reading of these authors, revealing their influence on Cavendish while also providing a lens to investigate more broadly the many literary formspoetry, letters, fiction, dramathat Cavendish employed. Seeking a fruitful exchange between literary history and the history of reading, Dodds examines both the material and social circumstances of reading and the characteristic formal features and thematic preoccupations of Cavendishs writing in each of the major genres. Thus, not only is our view of Cavendish and her specific literary achievements enhanced, but we see too the contributions of this female reader to the emerging idea of literature in late seventeenth century England. Most previous studies of Cavendish have been preoccupied with literary biography, looking into her royalist politics, materialist natural philosophy, and ambivalent protofeminism. The Literary Invention of Margaret Cavendish is significant, then, in its focus outward from Cavendish to her most enduring and positive contributions to literary historyher revival of an expansive model of literary invention that rests uneasily, but productively, alongside a Jonsonian aesthetics of the verisimilar and a Hobbesian politics of social strife. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Hardcover. Condition: Brand New. 192 pages. 6.30x0.67x9.45 inches. In Stock.

Hardcover. Condition: Brand New. 310 pages. 9.25x6.25x1.00 inches. In Stock.

Paperback. Condition: New. As a reader of her literary predecessors, and as a writer who herself contributed to the emerging literary tradition, Margaret Cavendish is an extraordinary figure whose role in early modern literary history has yet to be fully acknowledged. In this study, Lara Dodds reassesses the literary invention of Cavendish-the use she makes of other writers, her own various forms of writing, and the ways in which she creates her own literary persona-to transform our understanding of Cavendish's considerable accomplishments and influence. In spite of Cavendish's claims that she did little reading whatsoever, Dodds demonstrates that the duchess was an agile, avid reader (and misreader) of other writers, all of them male, all of them now considered canonical-Shakespeare, Jonson, Donne, Milton, Bacon. In each chapter, Dodds discusses Cavendish's moments of reading of these authors, revealing their influence on Cavendish while also providing a lens to investigate more broadly the many literary forms-poetry, letters, fiction, drama-that Cavendish employed. Seeking a fruitful exchange between literary history and the history of reading, Dodds examines both the material and social circumstances of reading and the characteristic formal features and thematic preoccupations of Cavendish's writing in each of the major genres. Thus, not only is our view of Cavendish and her specific literary achievements enhanced, but we see too the contributions of this female reader to the emerging idea of literature in late seventeenth century England. Most previous studies of Cavendish have been preoccupied with literary biography, looking into her royalist politics, materialist natural philosophy, and ambivalent protofeminism. The Literary Invention of Margaret Cavendish is significant, then, in its focus outward from Cavendish to her most enduring and positive contributions to literary history-her revival of an expansive model of literary invention that rests uneasily, but productively, alongside a Jonsonian aesthetics of the verisimilar and a Hobbesian politics of social strife.